LEADER 02113nam a22004935i 4500
001 830536
003 TR_AnAIT
005 20260131045056
007 cr nn 008mamaa
008 151104s2009 xxk| s |||| 0|eng d
020 |a9780230584280|9978-0-230-58428-0
024 7 |a10.1057/9780230584280|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aPN1010-1551
072 7|aDSC|2bicssc
072 7|aLIT014000|2bisacsh
072 7|aDSC|2thema
082 04|a808.1|223
090 |aDK/31627
245 10|aBlake and Conflict|h[electronic resource] /|cedited by S. Haggarty, J. Mee.
250 |a1st ed. 2009.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2009.
300 |aXIII, 235 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
520 |aFamously, Blake believed that 'without contraries' there could be no 'progression'. Conflict was integral to his artistic vision, and his style, but it had more to do with critical engagement than any urge to victory. The essays in this volume look at conflict as it marked Blake's thinking on politics, religion and the visual arts.
650 0|aPoetry.
650 0|aEuropean literature|xRenaissance, 1450-1600.
650 0|aEuropean literature.
650 14|aPoetry and Poetics.
650 24|aEarly Modern and Renaissance Literature.
650 24|aEuropean Literature.
700 1 |aHaggarty, S.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aMee, J.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9780230573871
776 08|iPrinted edition:|z9781349364862
776 08|iPrinted edition:|z9781349364879
856 40|uhttps://doi.org/10.1057/9780230584280
912 |aZDB-2-PPA
912 |aZDB-2-SXL
950 |aPalgrave Literature & Performing Arts Collection (SpringerNature-41149)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)