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008 150924s1996 xxk| s |||| 0|eng d
020 |a9781349249886|9978-1-349-24988-6
024 7 |a10.1007/978-1-349-24988-6|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aPN849.E87-.E872
072 7|aDS|2bicssc
072 7|a1D|2bicssc
072 7|aLIT004130|2bisacsh
072 7|aDS|x1D|2thema
082 04|a809.894|223
090 |aDK/32430
100 1 |aSidnell, Michael J.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aYeats’s Poetry and Poetics|h[electronic resource] /|cby Michael J. Sidnell.
250 |a1st ed. 1996.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c1996.
300 |aXVI, 192 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
520 |aYeats's Poetry and Poetics brings together some of the finest Yeats criticism ever published, together with some new pieces specially written for this volume. Spanning the whole of Yeats's career, the essays are organised into three main parts. The first deals with Yeats's concern with the speaking voice and its bearing on public and private readings of his verse; and on his use of certain kinds of images in his poetry and plays, from ghosts and fairies, to figures borrowed from painters and sculptors and, extraordinarily, to the actual dancer for whom he makes room in his work. The second section puts Yeats's poetry in context with the work of Synge, D.H. Lawrence, Walter de la Mare and other 'Georgians', and with that of T.S. Eliot and other modernists; assessing the continuities (real and asserted) in Yeats's long poetic career against the revolutions in the poetry of his time. The profound connections between the writings of Yeats and Joyce, including the coupling of Finnegans's Wake and 'The Wanderings of Oisin' are also examined. Rounding off the volume 'Phantasmagoria', explores the implications for his poetics of Yeats's spiritualist philosophy, especially in terms of his conception of the poetic self, and, finally, the last section analyses two works animated by Yeats's quest for the 'faery bride' and his desperate attempt to attract, through his work, a real one.
532 8 |aAccessibility summary: This PDF is not accessible. It is based on scanned pages and does not support features such as screen reader compatibility or described non-text content (images, graphs etc). However, it likely supports searchable and selectable text based on OCR (Optical Character Recognition). Users with accessibility needs may not be able to use this content effectively. Please contact us at accessibilitysupport@springernature.com if you require assistance or an alternative format.
532 8 |aInaccessible, or known limited accessibility
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aEuropean literature.
650 0|aPoetry.
650 0|aLiterature, Modern|x19th century.
650 14|aEuropean Literature.
650 24|aPoetry and Poetics.
650 24|aNineteenth-Century Literature.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9780333646175
776 08|iPrinted edition:|z9780312159696
776 08|iPrinted edition:|z9781349249893
776 08|iPrinted edition:|z9781349249909
856 40|uhttps://doi.org/10.1007/978-1-349-24988-6
912 |aZDB-2-PPA
912 |aZDB-2-SXL
950 |aPalgrave Literature & Performing Arts Collection (SpringerNature-41149)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)