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003 TR_AnAIT
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007 cr nn 008mamaa
008 151222s2002 xxu| s |||| 0|eng d
020 |a9781403970015|9978-1-4039-7001-5
024 7 |a10.1057/9781403970015|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aPN45-57
072 7|aDSA|2bicssc
072 7|aLIT006000|2bisacsh
072 7|aDSA|2thema
082 04|a801|223
090 |aDK/32560
100 1 |aAbbott, M.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 14|aThe Street Was Mine|h[electronic resource] :|bWhite Masculinity in Hardboiled Fiction and Film Noir /|cby M. Abbott.
250 |a1st ed. 2002.
264 1|aNew York :|bPalgrave Macmillan US :|bImprint: Palgrave Macmillan,|c2002.
300 |a256 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
520 |aThis book considers a recurrent figure in American literature: the solitary white man moving through urban space. The descendent of Nineteenth-century frontier and western heroes, the figure re-emerges in 1930-50s America as the 'tough guy'. The Street Was Mine looks to the tough guy in the works of hardboiled novelists Raymond Chandler ( The Big Sleep ) and James M. Cain ( Double Indemnity ) and their popular film noir adaptations. Focusing on the way he negotiates racial and gender 'otherness', this study argues that the tough guy embodies the promise of an impervious white masculinity amidst the turmoil of the Depression through the beginnings of the Cold War, closing with an analysis of Chester Himes, whose Harlem crime novels ( For Love of Imabelle ) unleash a ferocious revisionary critique of the tough guy tradition.
650 0|aLiterature|xPhilosophy.
650 0|aCulture|xStudy and teaching.
650 0|aAmerica|xLiteratures.
650 0|aFiction.
650 0|aLiterature, Modern|x20th century.
650 0|aMotion pictures|xHistory.
650 14|aLiterary Theory.
650 24|aCultural Theory.
650 24|aNorth American Literature.
650 24|aFiction Literature.
650 24|aTwentieth-Century Literature.
650 24|aFilm and TV History.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9780312294816
776 08|iPrinted edition:|z9781349387861
776 08|iPrinted edition:|z9781349387878
856 40|uhttps://doi.org/10.1057/9781403970015
912 |aZDB-2-PPA
912 |aZDB-2-SXL
950 |aPalgrave Literature & Performing Arts Collection (SpringerNature-41149)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)