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008 151226s1996 xxk| s |||| 0|eng d
020 |a9780230376755|9978-0-230-37675-5
024 7 |a10.1057/9780230376755|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aPN1010-1551
072 7|aDSC|2bicssc
072 7|aLIT014000|2bisacsh
072 7|aDSC|2thema
082 04|a808.1|223
090 |aDK/32927
100 1 |aMurray, P.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aShakespeare’s Imagined Persons|h[electronic resource] :|bThe Psychology of Role-Playing and Acting /|cby P. Murray.
250 |a1st ed. 1996.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c1996.
300 |aVIII, 256 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
520 |aChallenging our understanding of ideas about psychology in Shakespeare's time, Shakespeare's Imagined Persons proposes we should view his characters as imagined persons. A new reading of B.F. Skinner's radical behaviourism brings out how - contrary to the impression he created - Skinner ascribes an important role in human behaviour to cognitive activity. Using this analysis, Peter Murray demonstrates the consistency of radical behaviourism with the psychology of character formation and acting in writers from Plato to Shakespeare - an approach little explored in the current debates about subjectivity in Elizabethan culture. Murray also shows that radical behaviourism can explain the phenomena observed in modern studies of acting and social role-playing. Drawing on these analyses of earlier and modern psychology, Murray goes on to reveal the dynamics of Shakespeare's characterizations of Hamlet, Prince Hal, Rosalind, and Perdita in a fascinating new light.
532 8 |aAccessibility summary: This PDF is not accessible. It is based on scanned pages and does not support features such as screen reader compatibility or described non-text content (images, graphs etc). However, it likely supports searchable and selectable text based on OCR (Optical Character Recognition). Users with accessibility needs may not be able to use this content effectively. Please contact us at accessibilitysupport@springernature.com if you require assistance or an alternative format.
532 8 |aInaccessible, or known limited accessibility
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aPoetry.
650 0|aEuropean literature|xRenaissance, 1450-1600.
650 0|aPerforming arts.
650 0|aTheater.
650 0|aEuropean literature.
650 14|aPoetry and Poetics.
650 24|aEarly Modern and Renaissance Literature.
650 24|aTheatre and Performance Arts.
650 24|aEuropean Literature.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9780333634486
776 08|iPrinted edition:|z9780333648360
776 08|iPrinted edition:|z9781349394548
856 40|uhttps://doi.org/10.1057/9780230376755
912 |aZDB-2-PPA
912 |aZDB-2-SXL
950 |aPalgrave Literature & Performing Arts Collection (SpringerNature-41149)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)