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003 TR_AnAIT
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007 cr nn 008mamaa
008 151216s2002 xxk| s |||| 0|eng d
020 |a9780230287907|9978-0-230-28790-7
024 7 |a10.1057/9780230287907|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aPN1010-1551
072 7|aDSC|2bicssc
072 7|aLIT014000|2bisacsh
072 7|aDSC|2thema
082 04|a808.1|223
090 |aDK/33302
100 1 |aIchikawa, M.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aShakespearean Entrances|h[electronic resource] /|cby M. Ichikawa.
250 |a1st ed. 2002.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2002.
300 |aXI, 198 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
520 |aShakespearean Entrances offer a systematic study of entrances and exits on the Shakespearean stage. Elizabethan playwrights and players not only routinely handled these movements but they also used them to bring about various effects. Through analyzing the surviving play-texts, the author attempts to identify the unspoken but standard rules that lay behind the minimal and conventionalized stage directions 'Enter' and 'Exit'/'Exeunt'. The findings provide means by which to recover effects and meanings that the original audience would have appreciated.
650 0|aPoetry.
650 0|aEuropean literature|xRenaissance, 1450-1600.
650 0|aEuropean literature.
650 14|aPoetry and Poetics.
650 24|aEarly Modern and Renaissance Literature.
650 24|aEuropean Literature.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9780333984062
776 08|iPrinted edition:|z9781349430581
776 08|iPrinted edition:|z9781349430598
856 40|uhttps://doi.org/10.1057/9780230287907
912 |aZDB-2-PPA
912 |aZDB-2-SXL
950 |aPalgrave Literature & Performing Arts Collection (SpringerNature-41149)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)