LEADER 03603nam a22005655i 4500
001 832749
003 TR_AnAIT
005 20260131032110
007 cr nn 008mamaa
008 151007s1990 xxk| s |||| 0|eng d
020 |a9781349208814|9978-1-349-20881-4
024 7 |a10.1007/978-1-349-20881-4|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aPN1010-1551
072 7|aDSC|2bicssc
072 7|aLIT014000|2bisacsh
072 7|aDSC|2thema
082 04|a808.1|223
090 |aDK/33839
100 1 |aHolderness, G.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aShakespeare: Out of Court|h[electronic resource] :|bDramatizations of Court Society /|cby G. Holderness, J. Turner, N. Potter.
250 |a1st ed. 1990.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c1990.
300 |aXI, 266 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aContemporary Interpretations of Shakespeare,|x2947-1214
520 |aThis book examines six plays by Shakespeare (Love's Labour's Lost, Hamlet, As You Like It, Twelfth Night, The Winter's Tale, and The Tempest) as dramatizations of the Renaissance court in its developing history - a history searched by Shakespeare to disclose its most characteristic gains and losses. For these plays do not simply celebrate Tudor and Stuart rule: they scrutinize it too, in the centre of its institutional theatre of power, the court. This book shows how, if the plays came into the court, the court also came into the plays, with its most salient features - its competitiveness, its inner tensions and its contradictions, its language, its cultural life and its entertainments - exposed to the scrutiny of an art-form that proved itself to be a new mode of historical understanding.
532 8 |aAccessibility summary: This PDF is not accessible. It is based on scanned pages and does not support features such as screen reader compatibility or described non-text content (images, graphs etc). However, it likely supports searchable and selectable text based on OCR (Optical Character Recognition). Users with accessibility needs may not be able to use this content effectively. Please contact us at accessibilitysupport@springernature.com if you require assistance or an alternative format.
532 8 |aInaccessible, or known limited accessibility
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aPoetry.
650 0|aEuropean literature|xRenaissance, 1450-1600.
650 14|aPoetry and Poetics.
650 24|aEarly Modern and Renaissance Literature.
700 1 |aTurner, J.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
700 1 |aPotter, N.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9780333474358
776 08|iPrinted edition:|z9780312046163
776 08|iPrinted edition:|z9781349208821
776 08|iPrinted edition:|z9781349208838
830 0|aContemporary Interpretations of Shakespeare,|x2947-1214
856 40|uhttps://doi.org/10.1007/978-1-349-20881-4
912 |aZDB-2-PPA
912 |aZDB-2-SXL
950 |aPalgrave Literature & Performing Arts Collection (SpringerNature-41149)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)