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020 |a9781349953592|9978-1-349-95359-2
024 7 |a10.1057/978-1-349-95359-2|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1995
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072 7|aPER004000|2bisacsh
072 7|aATFA|2thema
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090 |aEK/5734
245 10|aContemporary Gothic Drama|h[electronic resource] :|bAttraction, Consummation and Consumption on the Modern British Stage /|cedited by Kelly Jones, Benjamin Poore, Robert Dean.
250 |a1st ed. 2018.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2018.
300 |aXIX, 266 p. 5 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aPalgrave Gothic,|x2634-6222
505 0 |a1. Introduction: Gothic theatricality/the theatrical Gothic -- Part I. Attractions -- 2. The Call of the Cthonic: from Titus Andronicus to X, David Ian Rabey -- 3. Death, Decay and Domesticity: The Corpse as Pivotal Stage Presence in Howard Barker’s Dead Hands, Lara Kipp -- 4. Martin McDonagh’s The Pillowman and the Postmodern Gothic, Catherine Rees -- Part II. Consummation -- 5. Staging Angela Carter, Frances Babbage -- 6. Little Monsters: Gothic Children and Contemporary Theatrical Performance, Kelly Jones -- 7. Uncanny Audio: The Place and Use of Sound in Gothic Performance, Richard J. Hand -- 8. The “Phan”-dom of the Opera: Gothic Fan Cultures and Intertextual Otherness, Adam Rush -- Part III. Consumption -- 9. 'I hate this job': Guiding Ripper Tours in the East End, Emma McEvoy -- 10. ‘The Outcast Dead’: Performance, Memory and Sites of Mourning at Cross Bones Graveyard, Clare Nally -- 11. Playing in the Dark: Possession and Performance, Robert Dean -- 12. Staging the Séance: The Spirit Medium and the Gothic in Modern Theatre, Benjamin Poore -- 13. Coda: Writing the Ghost: An interview with playwright Michael Punter, Benjamin Poore.
520 |aThis ground-breaking volume is the first of its kind to examine the extraordinary prevalence and appeal of the Gothic in contemporary British theatre and performance. Chapters range from considerations of the Gothic in musical theatre and literary adaptation, to explorations of the Gothic’s power to haunt contemporary playwriting, macabre tourism and site-specific performance. By taking familiar Gothic motifs, such as the Gothic body, the monster and Gothic theatricality, and bringing them to a new contemporary stage, this collection provides a fresh and comprehensive take on a popular genre. Whilst the focus of the collection falls upon Gothic drama, the contents of the book will embrace an interdisciplinary appeal to scholars and students in the fields of theatre studies, literature studies, tourism studies, adaptation studies, cultural studies, and history. .
650 0|aMotion pictures.
650 0|aTheater|xHistory.
650 0|aEthnology|xGreat Britain.
650 0|aCulture.
650 14|aFilm Theory.
650 24|aTheatre History.
650 24|aBritish Culture.
700 1 |aJones, Kelly.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aPoore, Benjamin.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aDean, Robert.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781349953585
776 08|iPrinted edition:|z9781349953608
776 08|iPrinted edition:|z9781349959310
830 0|aPalgrave Gothic,|x2634-6222
856 40|uhttps://doi.org/10.1057/978-1-349-95359-2
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)