Modernization of Asian Theatres [electronic resource] : Process and Tradition / edited by Yasushi Nagata, Ravi Chaturvedi.
Erişim Adresi
ISBN
9789811360466
Dil Kodu
İngilizce
Yer Numarası
EK/5696
Basım Bildirimi
1st ed. 2019.
Yayın Bilgisi
Singapore : Springer Nature Singapore : Imprint: Springer, 2019.
Fiziksel Niteleme
XIV, 262 p. 33 illus., 9 illus. in color. online resource.
İçindekiler Notu
1. Introduction: Modernization of Asian Theatres Yasushi Nagata & Ravi Chaturvedi -- Part 1: Process of Asian Theatre Modernization -- 2. Relevant Figures at the Early Stage of the Modernization of Japanese Theatre Mitsuya MORI -- 3. The Modernization of Korean Theatre through the Reception of Western Realism Meewon LEE -- 4. Movement of the Western Modern Drama in Taiwan and its Modernity Kun-Liang CHIU -- 5. Back to the Future: Modernization of Hong Kong and Chinese Drama at the Turn of the 20th Century Gilbert C. F. FONG and Shelby K. Y. CHAN -- 6. Modernization and Malaysian Theatre Solehah ISHAK -- 7. Metamorphosis – “Modernity” on Stage: The Formation of the Chinese-Spoken Theatre in Singapore (1913 – 1937) YU Weijie -- 8. Modernization Re(ad)dressed in Indian Theatre Ravi CHATURVEDI -- Part 2: Problematics of Asian Theatre Tradition -- 9. Modernization of Theatre in Taiwan: Case Studies Iris Hsin-chun TUAN -- 10. Translating EugèneLabiche’s Comedy in Modern China LO Shih-Lung -- 11. The Modernization of Chinese Xiqu YANG Ming -- 12. On the Modernity of Chinese Drama through the Perspective of Perception from Gao Xingjian’s Dramas XIAO Yingying -- 13. From Traditional to Contemporary: Genealogy of Kumiodori (Kumiwudui) in Modern Okinawan Plays Called “OkinawaShibai” Shoko YONAHA -- 14. Bangsawan (1870-1940): An Analysis of Modern Performance Elements and Its Role as Transitional Link between Traditional Malay Theatre and Modern Malaysian Drama Zainal LATIFF and GanEng CHENG. 15. Absorption and Exclusion: Modern-Dramatizing Asian Tradition by Morimoto Kaoru and Kato Michio Yasushi NAGATA -- Index.
Özet, vb.
This volume focuses on the theatre history of Asian countries, and discusses the specific context of theatre modernization in Asia. While Asian theatre is one of the primary interests within theatre scholarship in the world today, knowledge of Asian theatre history is very limited and often surprisingly incorrect. Therefore, this volume addresses a major gap in contemporary theatre studies. The volume discusses the conflict between tradition and modernity in theatre, suggesting that the problems of modernity are closely related to the idea of tradition. Although Asian countries preserved the traditional form and values of their respective theatres, they had to also confront the newly introduced values or mechanisms of European modernity. Several papers in this volume therefore provide critical surveys of the history of theatre modernization in Asian countries or regions—Japan, Korea, Taiwan, Hong Kong, India Malaysia, Singapore, and Uyghur. Other papers focus on specific case studies of the history of modernization, discussing contemporary Taiwanese performances, translations of modern French comedy into Chinese, the modernization of Chinese Xiqu, modern Okinawan plays, Malaysian traditional performances, Korean national theatre, and Japanese plays during World War II. Renowned academics and theatre critics have contributed to this volume, making it a valuable resource for researchers and students of theatre studies, literature, and cultural studies.
Konu
Theater __ History.
Culture __ Study and teaching.
Oriental literature.
Contemporary Theatre and Performance.
Cultural Studies.
Asian Literature.
Culture __ Study and teaching.
Oriental literature.
Contemporary Theatre and Performance.
Cultural Studies.
Asian Literature.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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520 |aThis volume focuses on the theatre history of Asian countries, and discusses the specific context of theatre modernization in Asia. While Asian theatre is one of the primary interests within theatre scholarship in the world today, knowledge of Asian theatre history is very limited and often surprisingly incorrect. Therefore, this volume addresses a major gap in contemporary theatre studies. The volume discusses the conflict between tradition and modernity in theatre, suggesting that the problems of modernity are closely related to the idea of tradition. Although Asian countries preserved the traditional form and values of their respective theatres, they had to also confront the newly introduced values or mechanisms of European modernity. Several papers in this volume therefore provide critical surveys of the history of theatre modernization in Asian countries or regions—Japan, Korea, Taiwan, Hong Kong, India Malaysia, Singapore, and Uyghur. Other papers focus on specific case studies of the history of modernization, discussing contemporary Taiwanese performances, translations of modern French comedy into Chinese, the modernization of Chinese Xiqu, modern Okinawan plays, Malaysian traditional performances, Korean national theatre, and Japanese plays during World War II. Renowned academics and theatre critics have contributed to this volume, making it a valuable resource for researchers and students of theatre studies, literature, and cultural studies.
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650 0|aCulture|xStudy and teaching.
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650 14|aContemporary Theatre and Performance.
650 24|aCultural Studies.
650 24|aAsian Literature.
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700 1 |aChaturvedi, Ravi.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
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020 |a9789811360466|9978-981-13-6046-6
024 7 |a10.1007/978-981-13-6046-6|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN2181-2193
072 7|aAN|2bicssc
072 7|aPER011000|2bisacsh
072 7|aATD|2thema
082 04|a792.9|223
090 |aEK/5696
245 10|aModernization of Asian Theatres|h[electronic resource] :|bProcess and Tradition /|cedited by Yasushi Nagata, Ravi Chaturvedi.
250 |a1st ed. 2019.
264 1|aSingapore :|bSpringer Nature Singapore :|bImprint: Springer,|c2019.
300 |aXIV, 262 p. 33 illus., 9 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. Introduction: Modernization of Asian Theatres Yasushi Nagata & Ravi Chaturvedi -- Part 1: Process of Asian Theatre Modernization -- 2. Relevant Figures at the Early Stage of the Modernization of Japanese Theatre Mitsuya MORI -- 3. The Modernization of Korean Theatre through the Reception of Western Realism Meewon LEE -- 4. Movement of the Western Modern Drama in Taiwan and its Modernity Kun-Liang CHIU -- 5. Back to the Future: Modernization of Hong Kong and Chinese Drama at the Turn of the 20th Century Gilbert C. F. FONG and Shelby K. Y. CHAN -- 6. Modernization and Malaysian Theatre Solehah ISHAK -- 7. Metamorphosis – “Modernity” on Stage: The Formation of the Chinese-Spoken Theatre in Singapore (1913 – 1937) YU Weijie -- 8. Modernization Re(ad)dressed in Indian Theatre Ravi CHATURVEDI -- Part 2: Problematics of Asian Theatre Tradition -- 9. Modernization of Theatre in Taiwan: Case Studies Iris Hsin-chun TUAN -- 10. Translating EugèneLabiche’s Comedy in Modern China LO Shih-Lung -- 11. The Modernization of Chinese Xiqu YANG Ming -- 12. On the Modernity of Chinese Drama through the Perspective of Perception from Gao Xingjian’s Dramas XIAO Yingying -- 13. From Traditional to Contemporary: Genealogy of Kumiodori (Kumiwudui) in Modern Okinawan Plays Called “OkinawaShibai” Shoko YONAHA -- 14. Bangsawan (1870-1940): An Analysis of Modern Performance Elements and Its Role as Transitional Link between Traditional Malay Theatre and Modern Malaysian Drama Zainal LATIFF and GanEng CHENG. 15. Absorption and Exclusion: Modern-Dramatizing Asian Tradition by Morimoto Kaoru and Kato Michio Yasushi NAGATA -- Index.
520 |aThis volume focuses on the theatre history of Asian countries, and discusses the specific context of theatre modernization in Asia. While Asian theatre is one of the primary interests within theatre scholarship in the world today, knowledge of Asian theatre history is very limited and often surprisingly incorrect. Therefore, this volume addresses a major gap in contemporary theatre studies. The volume discusses the conflict between tradition and modernity in theatre, suggesting that the problems of modernity are closely related to the idea of tradition. Although Asian countries preserved the traditional form and values of their respective theatres, they had to also confront the newly introduced values or mechanisms of European modernity. Several papers in this volume therefore provide critical surveys of the history of theatre modernization in Asian countries or regions—Japan, Korea, Taiwan, Hong Kong, India Malaysia, Singapore, and Uyghur. Other papers focus on specific case studies of the history of modernization, discussing contemporary Taiwanese performances, translations of modern French comedy into Chinese, the modernization of Chinese Xiqu, modern Okinawan plays, Malaysian traditional performances, Korean national theatre, and Japanese plays during World War II. Renowned academics and theatre critics have contributed to this volume, making it a valuable resource for researchers and students of theatre studies, literature, and cultural studies.
650 0|aTheater|xHistory.
650 0|aCulture|xStudy and teaching.
650 0|aOriental literature.
650 14|aContemporary Theatre and Performance.
650 24|aCultural Studies.
650 24|aAsian Literature.
700 1 |aNagata, Yasushi.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aChaturvedi, Ravi.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9789811360459
776 08|iPrinted edition:|z9789811360473
856 40|uhttps://doi.org/10.1007/978-981-13-6046-6
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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