New Perspectives on the War Film [electronic resource] / edited by Clémentine Tholas, Janis L. Goldie, Karen A. Ritzenhoff.
Erişim Adresi
ISBN
9783030230968
Dil Kodu
İngilizce
Yer Numarası
EK/5758
Basım Bildirimi
1st ed. 2019.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2019.
Fiziksel Niteleme
XVI, 301 p. 17 illus., 14 illus. in color. online resource.
İçindekiler Notu
Foreword; Robert Burgoyne. -- Introduction; Clémentine Tholas-Disset, Janis Goldie, and Karen A. Ritzenhoff -- 1.Women and Nation in Films of the Great War; Thomas J. Saunders -- 2. Vamps and Virgins: The Women of 1920s Hollywood War Romances; Liz Clarke -- 3. Rafi Bukai's Avanti Popolo: Telling the War from the Traumatized Perpetrator's Perspective; Yael Munk -- 4.The Other Fights Back: Indigenizing the War Film; Jennifer Gauthier -- 5: Shoulder Arms (1918), What Price Glory (1926), Wings (1927): How silent war films discuss homosexuality and gender representations during World War One; Clémentine Tholas -- 6. Black Skin, White Faces: Dead Presidents, and the African-American Vietnam Veteran; Kathleen McClancy -- 7. “So long as they are maintaining a bona fide family relationship in the home”: Women in WWII American Film Propaganda; Zachary Baqué -- 8. Post-Socialist Hauntings in Vietnamese Revisionist Cinema; Thong Win -- 9. The New Face of Fear: How Pandemics and Terrorism Reinvent Terror (and Heroes) in the Twenty-First Century; Dahlia Schweitzer -- 10. Rebelle Rebel: African Child Soldiers, Gender, and the War Film; Janis L. Goldie -- 11. Sisters in Arms: Epic Narratives in United Red Army (2007) and The Baader Meinhof Complex (2008); Elena Caoduro -- 12: The Form of the White Ethno-State: Dunkirk (2017) Omits Indian Soldiers for White Vulnerable Bodies; Zachary Powell. .
Özet, vb.
'This brilliant edited volume provides a necessary critique and update to mainstream war films that have systematically erased women and minorities from their narratives. With chapters on Indian soldiers at Dunkirk, varying and complex portrayals of women in combat, indigenous soldiers, depictions of homosexuality, representations of terrorism, and much more, New Perspectives on the War Film brings together innovative research highlighting not just the changing nature of the war film, but war itself.' — Brian E. Crim, John M. Turner Distinguished Chair in the Humanities, University of Lynchburg, USA New Perspectives on the War Film addresses the gap in the representation of many forgotten faces of war in mainstream movies and global mass media. The authors concentrate on the untold narratives of those who fought in combat and were affected by its brutal consequences. Chapters discuss the historically under-represented stories of individuals including women, African-American and Indigenous Soldiers. Issues of homosexuality and gender relations in the military, colonial subjects and child soldiers, as well as the changing nature of war via terrorism and bioterrorism are closely analyzed. The contributors demonstrate how these viewpoints have been consistently ignored in mainstream, blockbuster war sagas and strive to re-integrate these lost perspectives into current and future narratives. Clémentine Tholas is an Associate Professor of American Studies at Paris III-Sorbonne Nouvelle University, France. Previously published works include Le Cinéma américain et ses premiers récits filmiques (2014) and co-edited with Karen A. Ritzenhoff a collective volume entitled Humor, Entertainment, and Popular Culture during World War I (Palgrave, 2015). Janis L. Goldie is Associate Professor and Chair of the Communication Studies Department at Huntington University at Laurentian, Canada. She co-edited with Karen A. Ritzenhoff, “The Handmaid’s Tale:” Teaching Dystopia, Feminism, and Resistance Across Disciplines and Borders (2019). Karen A. Ritzenhoff is Professor, Department of Communication at Central Connecticut State University, USA. She is affiliated with the Women, Gender, and Sexuality Studies Program and cinema studies. She recently co-edited with Janis L. Goldie, “The Handmaid’s Tale:” Teaching Dystopia, Feminism, and Resistance Across Disciplines and Borders (2019). In 2015 she coedited The Apocalypse in Film with Angela Krewani; Selling Sex on Screen: From Weimar Cinema to Zombie Porn with Catriona McAvoy, and Humor, Entertainment, and Popular Culture during World War I with Clémentine Tholas (published by Palgrave, 2015). Ritzenhoff is also co-editor of Heroism and Gender in War Films (Palgrave, 2014) with Jakub Kazecki.
Konu
Film genres.
Motion pictures __ History.
Popular Culture.
Motion pictures.
Genre Studies.
Film and TV History.
Popular Culture.
Global Film and TV.
Close Readings in Film and TV.
Motion pictures __ History.
Popular Culture.
Motion pictures.
Genre Studies.
Film and TV History.
Popular Culture.
Global Film and TV.
Close Readings in Film and TV.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
LEADER 06253nam a22005535i 4500
001 839910
003 TR_AnAIT
005 20260715041718
007 cr nn 008mamaa
008 190914s2019 sz | s |||| 0|eng d
020 |a9783030230968|9978-3-030-23096-8
024 7 |a10.1007/978-3-030-23096-8|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1995
072 7|aAPFN|2bicssc
072 7|aPER004060|2bisacsh
072 7|aATFN|2thema
082 04|a791.436|223
090 |aEK/5758
245 10|aNew Perspectives on the War Film|h[electronic resource] /|cedited by Clémentine Tholas, Janis L. Goldie, Karen A. Ritzenhoff.
250 |a1st ed. 2019.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2019.
300 |aXVI, 301 p. 17 illus., 14 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |aForeword; Robert Burgoyne. -- Introduction; Clémentine Tholas-Disset, Janis Goldie, and Karen A. Ritzenhoff -- 1.Women and Nation in Films of the Great War; Thomas J. Saunders -- 2. Vamps and Virgins: The Women of 1920s Hollywood War Romances; Liz Clarke -- 3. Rafi Bukai's Avanti Popolo: Telling the War from the Traumatized Perpetrator's Perspective; Yael Munk -- 4.The Other Fights Back: Indigenizing the War Film; Jennifer Gauthier -- 5: Shoulder Arms (1918), What Price Glory (1926), Wings (1927): How silent war films discuss homosexuality and gender representations during World War One; Clémentine Tholas -- 6. Black Skin, White Faces: Dead Presidents, and the African-American Vietnam Veteran; Kathleen McClancy -- 7. “So long as they are maintaining a bona fide family relationship in the home”: Women in WWII American Film Propaganda; Zachary Baqué -- 8. Post-Socialist Hauntings in Vietnamese Revisionist Cinema; Thong Win -- 9. The New Face of Fear: How Pandemics and Terrorism Reinvent Terror (and Heroes) in the Twenty-First Century; Dahlia Schweitzer -- 10. Rebelle Rebel: African Child Soldiers, Gender, and the War Film; Janis L. Goldie -- 11. Sisters in Arms: Epic Narratives in United Red Army (2007) and The Baader Meinhof Complex (2008); Elena Caoduro -- 12: The Form of the White Ethno-State: Dunkirk (2017) Omits Indian Soldiers for White Vulnerable Bodies; Zachary Powell. .
520 |a'This brilliant edited volume provides a necessary critique and update to mainstream war films that have systematically erased women and minorities from their narratives. With chapters on Indian soldiers at Dunkirk, varying and complex portrayals of women in combat, indigenous soldiers, depictions of homosexuality, representations of terrorism, and much more, New Perspectives on the War Film brings together innovative research highlighting not just the changing nature of the war film, but war itself.' — Brian E. Crim, John M. Turner Distinguished Chair in the Humanities, University of Lynchburg, USA New Perspectives on the War Film addresses the gap in the representation of many forgotten faces of war in mainstream movies and global mass media. The authors concentrate on the untold narratives of those who fought in combat and were affected by its brutal consequences. Chapters discuss the historically under-represented stories of individuals including women, African-American and Indigenous Soldiers. Issues of homosexuality and gender relations in the military, colonial subjects and child soldiers, as well as the changing nature of war via terrorism and bioterrorism are closely analyzed. The contributors demonstrate how these viewpoints have been consistently ignored in mainstream, blockbuster war sagas and strive to re-integrate these lost perspectives into current and future narratives. Clémentine Tholas is an Associate Professor of American Studies at Paris III-Sorbonne Nouvelle University, France. Previously published works include Le Cinéma américain et ses premiers récits filmiques (2014) and co-edited with Karen A. Ritzenhoff a collective volume entitled Humor, Entertainment, and Popular Culture during World War I (Palgrave, 2015). Janis L. Goldie is Associate Professor and Chair of the Communication Studies Department at Huntington University at Laurentian, Canada. She co-edited with Karen A. Ritzenhoff, “The Handmaid’s Tale:” Teaching Dystopia, Feminism, and Resistance Across Disciplines and Borders (2019). Karen A. Ritzenhoff is Professor, Department of Communication at Central Connecticut State University, USA. She is affiliated with the Women, Gender, and Sexuality Studies Program and cinema studies. She recently co-edited with Janis L. Goldie, “The Handmaid’s Tale:” Teaching Dystopia, Feminism, and Resistance Across Disciplines and Borders (2019). In 2015 she coedited The Apocalypse in Film with Angela Krewani; Selling Sex on Screen: From Weimar Cinema to Zombie Porn with Catriona McAvoy, and Humor, Entertainment, and Popular Culture during World War I with Clémentine Tholas (published by Palgrave, 2015). Ritzenhoff is also co-editor of Heroism and Gender in War Films (Palgrave, 2014) with Jakub Kazecki.
650 0|aFilm genres.
650 0|aMotion pictures|xHistory.
650 0|aPopular Culture.
650 0|aMotion pictures.
650 14|aGenre Studies.
650 24|aFilm and TV History.
650 24|aPopular Culture.
650 24|aGlobal Film and TV.
650 24|aClose Readings in Film and TV.
700 1 |aTholas, Clémentine.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aGoldie, Janis L.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aRitzenhoff, Karen A.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030230951
776 08|iPrinted edition:|z9783030230975
776 08|iPrinted edition:|z9783030230982
856 40|uhttps://doi.org/10.1007/978-3-030-23096-8
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
001 839910
003 TR_AnAIT
005 20260715041718
007 cr nn 008mamaa
008 190914s2019 sz | s |||| 0|eng d
020 |a9783030230968|9978-3-030-23096-8
024 7 |a10.1007/978-3-030-23096-8|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1995
072 7|aAPFN|2bicssc
072 7|aPER004060|2bisacsh
072 7|aATFN|2thema
082 04|a791.436|223
090 |aEK/5758
245 10|aNew Perspectives on the War Film|h[electronic resource] /|cedited by Clémentine Tholas, Janis L. Goldie, Karen A. Ritzenhoff.
250 |a1st ed. 2019.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2019.
300 |aXVI, 301 p. 17 illus., 14 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |aForeword; Robert Burgoyne. -- Introduction; Clémentine Tholas-Disset, Janis Goldie, and Karen A. Ritzenhoff -- 1.Women and Nation in Films of the Great War; Thomas J. Saunders -- 2. Vamps and Virgins: The Women of 1920s Hollywood War Romances; Liz Clarke -- 3. Rafi Bukai's Avanti Popolo: Telling the War from the Traumatized Perpetrator's Perspective; Yael Munk -- 4.The Other Fights Back: Indigenizing the War Film; Jennifer Gauthier -- 5: Shoulder Arms (1918), What Price Glory (1926), Wings (1927): How silent war films discuss homosexuality and gender representations during World War One; Clémentine Tholas -- 6. Black Skin, White Faces: Dead Presidents, and the African-American Vietnam Veteran; Kathleen McClancy -- 7. “So long as they are maintaining a bona fide family relationship in the home”: Women in WWII American Film Propaganda; Zachary Baqué -- 8. Post-Socialist Hauntings in Vietnamese Revisionist Cinema; Thong Win -- 9. The New Face of Fear: How Pandemics and Terrorism Reinvent Terror (and Heroes) in the Twenty-First Century; Dahlia Schweitzer -- 10. Rebelle Rebel: African Child Soldiers, Gender, and the War Film; Janis L. Goldie -- 11. Sisters in Arms: Epic Narratives in United Red Army (2007) and The Baader Meinhof Complex (2008); Elena Caoduro -- 12: The Form of the White Ethno-State: Dunkirk (2017) Omits Indian Soldiers for White Vulnerable Bodies; Zachary Powell. .
520 |a'This brilliant edited volume provides a necessary critique and update to mainstream war films that have systematically erased women and minorities from their narratives. With chapters on Indian soldiers at Dunkirk, varying and complex portrayals of women in combat, indigenous soldiers, depictions of homosexuality, representations of terrorism, and much more, New Perspectives on the War Film brings together innovative research highlighting not just the changing nature of the war film, but war itself.' — Brian E. Crim, John M. Turner Distinguished Chair in the Humanities, University of Lynchburg, USA New Perspectives on the War Film addresses the gap in the representation of many forgotten faces of war in mainstream movies and global mass media. The authors concentrate on the untold narratives of those who fought in combat and were affected by its brutal consequences. Chapters discuss the historically under-represented stories of individuals including women, African-American and Indigenous Soldiers. Issues of homosexuality and gender relations in the military, colonial subjects and child soldiers, as well as the changing nature of war via terrorism and bioterrorism are closely analyzed. The contributors demonstrate how these viewpoints have been consistently ignored in mainstream, blockbuster war sagas and strive to re-integrate these lost perspectives into current and future narratives. Clémentine Tholas is an Associate Professor of American Studies at Paris III-Sorbonne Nouvelle University, France. Previously published works include Le Cinéma américain et ses premiers récits filmiques (2014) and co-edited with Karen A. Ritzenhoff a collective volume entitled Humor, Entertainment, and Popular Culture during World War I (Palgrave, 2015). Janis L. Goldie is Associate Professor and Chair of the Communication Studies Department at Huntington University at Laurentian, Canada. She co-edited with Karen A. Ritzenhoff, “The Handmaid’s Tale:” Teaching Dystopia, Feminism, and Resistance Across Disciplines and Borders (2019). Karen A. Ritzenhoff is Professor, Department of Communication at Central Connecticut State University, USA. She is affiliated with the Women, Gender, and Sexuality Studies Program and cinema studies. She recently co-edited with Janis L. Goldie, “The Handmaid’s Tale:” Teaching Dystopia, Feminism, and Resistance Across Disciplines and Borders (2019). In 2015 she coedited The Apocalypse in Film with Angela Krewani; Selling Sex on Screen: From Weimar Cinema to Zombie Porn with Catriona McAvoy, and Humor, Entertainment, and Popular Culture during World War I with Clémentine Tholas (published by Palgrave, 2015). Ritzenhoff is also co-editor of Heroism and Gender in War Films (Palgrave, 2014) with Jakub Kazecki.
650 0|aFilm genres.
650 0|aMotion pictures|xHistory.
650 0|aPopular Culture.
650 0|aMotion pictures.
650 14|aGenre Studies.
650 24|aFilm and TV History.
650 24|aPopular Culture.
650 24|aGlobal Film and TV.
650 24|aClose Readings in Film and TV.
700 1 |aTholas, Clémentine.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aGoldie, Janis L.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aRitzenhoff, Karen A.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030230951
776 08|iPrinted edition:|z9783030230975
776 08|iPrinted edition:|z9783030230982
856 40|uhttps://doi.org/10.1007/978-3-030-23096-8
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
Materyaller
Depodan talep edilen materyal sadece kütüphane içerisinde kullanılmaktadır.
Materyal dışarıya ödünç verilmemektedir.
Materyal dışarıya ödünç verilmemektedir.
