Danish Television Drama [electronic resource] : Global Lessons from a Small Nation / edited by Anne Marit Waade, Eva Novrup Redvall, Pia Majbritt Jensen.
Erişim Adresi
ISBN
9783030407988
Dil Kodu
İngilizce
Yer Numarası
EK/5660
Basım Bildirimi
1st ed. 2020.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2020.
Fiziksel Niteleme
XX, 261 p. 23 illus., 7 illus. in color. online resource.
Dizi
Palgrave European Film and Media Studies, 2634-6168
İçindekiler Notu
Introduction -- 1. Anne Marit Waade, Eva Novrup Redvall and Pia Majbritt Jensen: Lessons Learned from Danish Television Drama: From Screen Ideas to Value Creation in Production, Distribution and Reception -- Part 1: Global/Public Values in Danish Television Drama -- 2. Anne M. Waade: The Value Chain of Danish Television Drama Series; transnational and Cross-sectorial Perspectives -- 3. Gunhild Agger: The Golden Age: Danish Public Service Drama Series 1995–2015 -- 4. Janet McCabe: Why the World Fell for Borgen (2010-2013): Debating Democracy and the Role of Public Service Television as a (Trans)National Public Sphere in the Age of Globalisation -- 5. Sue Turnbull and Marion McCutcheon: Valuing the GlobalImpact of Danish TV drama series: An Australian case study -- Part 2: Small Nation Perspectives: Producing Danish Television Drama -- 6. Jakob Isak Nielsen: Stylish drama series – overt style in Danish drama series? -- 7. Kim Toft Hansen: Glocal Perspectives on Danish Television Drama -- 8. Eva Novrup Redvall: How do you educate the television writers and producers of tomorrow? A case study of one small nation approach to training television drama talent -- 9. Ruth McElroy: Bilingual crime drama as affinitive transnationalism or linguistic deracination? What Wales learned from Danish television drama. Vilde Schanke Sundet: Drama as Flagship Productions: Small Nation Television and Digital Distribution -- Part 3: Global Lessons: Distribution and Reception of Danish Television Drama -- 10. Pia M.Jensen & Ushma C. Jacobsen: Crowding proximities theory: Considering other proximities on the transnational travel of Danish television drama -- 11. Susanne Eichner & Andrea Esser: Distribution and consumption of Danish TV drama series in Germany and the UK -- 12. Matt Hills: Emotional Realism, Fandom and Saga’s End: Bron/Broen’s User-led and Broadcaster-led Transnationalisms -- 13. Lynge S. Gemzøe: Remaking Danish Television Drama in the US -- 14. Pia Majbritt Jensen: Whose success, really? Critical perspectives on whom, what and where stand to benefit from the success of Danish TV drama.
Özet, vb.
This book explores how to understand the international appeal of Danish television drama and Nordic Noir in the 2010s. Focusing on production and distribution as well as the series and their reception, the chapters analyse how this small nation production culture was suddenly regarded as an example of best practice in the international television industries, and how the distribution and branding of particular series – such as Forbrydelsen/The Killing, Borgen and Bron/The Bridge – led to dedicated audiences around the world. Discussing issues such as cultural proximity, transnationalism and glocalisation, the chapters investigate the complex interplays between the national and international in the television industries and the global lessons learned from the way in which screen ideas, production frameworks and public service content from Denmark suddenly managed to travel widely. The book builds on extensive empirical material and case studies conducted as part of the transnational research project ‘What Makes Danish Television Drama Travel?’.
Konu
Motion pictures.
Television broadcasting.
Motion picture plays, European.
Film and Television Studies.
European Film and TV.
Television broadcasting.
Motion picture plays, European.
Film and Television Studies.
European Film and TV.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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520 |aThis book explores how to understand the international appeal of Danish television drama and Nordic Noir in the 2010s. Focusing on production and distribution as well as the series and their reception, the chapters analyse how this small nation production culture was suddenly regarded as an example of best practice in the international television industries, and how the distribution and branding of particular series – such as Forbrydelsen/The Killing, Borgen and Bron/The Bridge – led to dedicated audiences around the world. Discussing issues such as cultural proximity, transnationalism and glocalisation, the chapters investigate the complex interplays between the national and international in the television industries and the global lessons learned from the way in which screen ideas, production frameworks and public service content from Denmark suddenly managed to travel widely. The book builds on extensive empirical material and case studies conducted as part of the transnational research project ‘What Makes Danish Television Drama Travel?’.
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650 0|aTelevision broadcasting.
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650 14|aFilm and Television Studies.
650 24|aEuropean Film and TV.
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700 1 |aRedvall, Eva Novrup.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
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020 |a9783030407988|9978-3-030-40798-8
024 7 |a10.1007/978-3-030-40798-8|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1600-3307.2
072 7|aAP|2bicssc
072 7|aPER004000|2bisacsh
072 7|aAT|2thema
082 04|a791.4|223
090 |aEK/5660
245 10|aDanish Television Drama|h[electronic resource] :|bGlobal Lessons from a Small Nation /|cedited by Anne Marit Waade, Eva Novrup Redvall, Pia Majbritt Jensen.
250 |a1st ed. 2020.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2020.
300 |aXX, 261 p. 23 illus., 7 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aPalgrave European Film and Media Studies,|x2634-6168
505 0 |aIntroduction -- 1. Anne Marit Waade, Eva Novrup Redvall and Pia Majbritt Jensen: Lessons Learned from Danish Television Drama: From Screen Ideas to Value Creation in Production, Distribution and Reception -- Part 1: Global/Public Values in Danish Television Drama -- 2. Anne M. Waade: The Value Chain of Danish Television Drama Series; transnational and Cross-sectorial Perspectives -- 3. Gunhild Agger: The Golden Age: Danish Public Service Drama Series 1995–2015 -- 4. Janet McCabe: Why the World Fell for Borgen (2010-2013): Debating Democracy and the Role of Public Service Television as a (Trans)National Public Sphere in the Age of Globalisation -- 5. Sue Turnbull and Marion McCutcheon: Valuing the GlobalImpact of Danish TV drama series: An Australian case study -- Part 2: Small Nation Perspectives: Producing Danish Television Drama -- 6. Jakob Isak Nielsen: Stylish drama series – overt style in Danish drama series? -- 7. Kim Toft Hansen: Glocal Perspectives on Danish Television Drama -- 8. Eva Novrup Redvall: How do you educate the television writers and producers of tomorrow? A case study of one small nation approach to training television drama talent -- 9. Ruth McElroy: Bilingual crime drama as affinitive transnationalism or linguistic deracination? What Wales learned from Danish television drama. Vilde Schanke Sundet: Drama as Flagship Productions: Small Nation Television and Digital Distribution -- Part 3: Global Lessons: Distribution and Reception of Danish Television Drama -- 10. Pia M.Jensen & Ushma C. Jacobsen: Crowding proximities theory: Considering other proximities on the transnational travel of Danish television drama -- 11. Susanne Eichner & Andrea Esser: Distribution and consumption of Danish TV drama series in Germany and the UK -- 12. Matt Hills: Emotional Realism, Fandom and Saga’s End: Bron/Broen’s User-led and Broadcaster-led Transnationalisms -- 13. Lynge S. Gemzøe: Remaking Danish Television Drama in the US -- 14. Pia Majbritt Jensen: Whose success, really? Critical perspectives on whom, what and where stand to benefit from the success of Danish TV drama.
520 |aThis book explores how to understand the international appeal of Danish television drama and Nordic Noir in the 2010s. Focusing on production and distribution as well as the series and their reception, the chapters analyse how this small nation production culture was suddenly regarded as an example of best practice in the international television industries, and how the distribution and branding of particular series – such as Forbrydelsen/The Killing, Borgen and Bron/The Bridge – led to dedicated audiences around the world. Discussing issues such as cultural proximity, transnationalism and glocalisation, the chapters investigate the complex interplays between the national and international in the television industries and the global lessons learned from the way in which screen ideas, production frameworks and public service content from Denmark suddenly managed to travel widely. The book builds on extensive empirical material and case studies conducted as part of the transnational research project ‘What Makes Danish Television Drama Travel?’.
650 0|aMotion pictures.
650 0|aTelevision broadcasting.
650 0|aMotion picture plays, European.
650 14|aFilm and Television Studies.
650 24|aEuropean Film and TV.
700 1 |aWaade, Anne Marit.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aRedvall, Eva Novrup.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aMajbritt Jensen, Pia.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030407971
776 08|iPrinted edition:|z9783030407995
776 08|iPrinted edition:|z9783030408008
830 0|aPalgrave European Film and Media Studies,|x2634-6168
856 40|uhttps://doi.org/10.1007/978-3-030-40798-8
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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