Contemporary American Literature and Excremental Culture [electronic resource] : American Sh*t / by Mary C. Foltz.
Erişim Adresi
ISBN
9783030465308
Dil Kodu
İngilizce
Yer Numarası
EK/5721
Basım Bildirimi
1st ed. 2020.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2020.
Fiziksel Niteleme
IX, 272 p. online resource.
Dizi
American Literature Readings in the 21st Century, 2634-5803
İçindekiler Notu
1. On the American Standard: Post-1960 Scatological Fiction -- 2. Soiling the Black Body: Ishmael Reed Engages White Shit -- 3. Battling the Excremental Self: Civilization and Its Decomposition in Jonathan Franzen’s The Corrections -- 4. Fleeing the Excremental Stain through Acquisition: Getting to the Bottom of Black Suburban Splendor in Gloria Naylor’s Linden Hills -- 5. Waste as Weapon: Fecal Bombing in Don DeLillo’s Underworld. - 6. Shit and Other Forms of Dynamite Refuse: Samuel R. Delany’s Provocative Excremental Eros -- 7. Decay as Gift: Composting American Shit.
Özet, vb.
‘Foltz’s study of human waste in Ishmael Reed, Thomas Pynchon, Gloria Naylor, Don DeLillo, Jonathan Franzen, and Samuel Delany convincingly demonstrates their scatological games to be premised on contesting psychoanalytic theory’s complicity in the upholding of white hegemony, heteronormativity, and patriarchal imperialism. American Sh*t is a valuable intervention into a field that has been too quick to relegate psychoanalysis to the “scrap heap”—and a compelling example of what literary analysis that circumvents the strictures of category and genre can achieve.’ — Dr. Rachele Dini, Department of English and Creative Writing, University of Roehampton, UK Contemporary American Literature and Excremental Culture: American Sh*t analyzes post-1960 scatological novels that utilize representations of human waste to address pressing issues, including pollution of waterways, environmental racism, and militarism. Primarily examining postmodern parody, the book shows the value of aesthetic renderings of sanitary engineering for composting ideologies that fuel a ruinous impact on the world. Drawing on late twentieth-century psychoanalytic thinkers Norman O. Brown, Frantz Fanon, and Leo Bersani, American Sh*t shows the continued relevance of psychoanalytic interpretations of contemporary fiction for understanding post-45 authors’ engagement with waste. Ultimately, the monograph reveals how novelists Ishmael Reed, Jonathan Franzen, Gloria Naylor, Don DeLillo, and Samuel R. Delany critique subjects who abnegate their status as waste-producing beings and bring readers back to embrace Winner of the 2019 Northeast Modern Language Association Book Award for Literary Criticism of English Language Literature.
Konu
Literature, Modern __ 20th century.
Literature, Modern __ 21st century.
America __ Literatures.
Ethnology __ America.
Culture.
Contemporary Literature.
North American Literature.
American Culture.
Literature, Modern __ 21st century.
America __ Literatures.
Ethnology __ America.
Culture.
Contemporary Literature.
North American Literature.
American Culture.
Kurum Adı
Eseri Alıntıla
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Dijital Kaynak
MARC Görünümü
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520 |a‘Foltz’s study of human waste in Ishmael Reed, Thomas Pynchon, Gloria Naylor, Don DeLillo, Jonathan Franzen, and Samuel Delany convincingly demonstrates their scatological games to be premised on contesting psychoanalytic theory’s complicity in the upholding of white hegemony, heteronormativity, and patriarchal imperialism. American Sh*t is a valuable intervention into a field that has been too quick to relegate psychoanalysis to the “scrap heap”—and a compelling example of what literary analysis that circumvents the strictures of category and genre can achieve.’ — Dr. Rachele Dini, Department of English and Creative Writing, University of Roehampton, UK Contemporary American Literature and Excremental Culture: American Sh*t analyzes post-1960 scatological novels that utilize representations of human waste to address pressing issues, including pollution of waterways, environmental racism, and militarism. Primarily examining postmodern parody, the book shows the value of aesthetic renderings of sanitary engineering for composting ideologies that fuel a ruinous impact on the world. Drawing on late twentieth-century psychoanalytic thinkers Norman O. Brown, Frantz Fanon, and Leo Bersani, American Sh*t shows the continued relevance of psychoanalytic interpretations of contemporary fiction for understanding post-45 authors’ engagement with waste. Ultimately, the monograph reveals how novelists Ishmael Reed, Jonathan Franzen, Gloria Naylor, Don DeLillo, and Samuel R. Delany critique subjects who abnegate their status as waste-producing beings and bring readers back to embrace Winner of the 2019 Northeast Modern Language Association Book Award for Literary Criticism of English Language Literature.
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650 0|aAmerica|xLiteratures.
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245 10|aContemporary American Literature and Excremental Culture|h[electronic resource] :|bAmerican Sh*t /|cby Mary C. Foltz.
250 |a1st ed. 2020.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2020.
300 |aIX, 272 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aAmerican Literature Readings in the 21st Century,|x2634-5803
505 0 |a1. On the American Standard: Post-1960 Scatological Fiction -- 2. Soiling the Black Body: Ishmael Reed Engages White Shit -- 3. Battling the Excremental Self: Civilization and Its Decomposition in Jonathan Franzen’s The Corrections -- 4. Fleeing the Excremental Stain through Acquisition: Getting to the Bottom of Black Suburban Splendor in Gloria Naylor’s Linden Hills -- 5. Waste as Weapon: Fecal Bombing in Don DeLillo’s Underworld. - 6. Shit and Other Forms of Dynamite Refuse: Samuel R. Delany’s Provocative Excremental Eros -- 7. Decay as Gift: Composting American Shit.
520 |a‘Foltz’s study of human waste in Ishmael Reed, Thomas Pynchon, Gloria Naylor, Don DeLillo, Jonathan Franzen, and Samuel Delany convincingly demonstrates their scatological games to be premised on contesting psychoanalytic theory’s complicity in the upholding of white hegemony, heteronormativity, and patriarchal imperialism. American Sh*t is a valuable intervention into a field that has been too quick to relegate psychoanalysis to the “scrap heap”—and a compelling example of what literary analysis that circumvents the strictures of category and genre can achieve.’ — Dr. Rachele Dini, Department of English and Creative Writing, University of Roehampton, UK Contemporary American Literature and Excremental Culture: American Sh*t analyzes post-1960 scatological novels that utilize representations of human waste to address pressing issues, including pollution of waterways, environmental racism, and militarism. Primarily examining postmodern parody, the book shows the value of aesthetic renderings of sanitary engineering for composting ideologies that fuel a ruinous impact on the world. Drawing on late twentieth-century psychoanalytic thinkers Norman O. Brown, Frantz Fanon, and Leo Bersani, American Sh*t shows the continued relevance of psychoanalytic interpretations of contemporary fiction for understanding post-45 authors’ engagement with waste. Ultimately, the monograph reveals how novelists Ishmael Reed, Jonathan Franzen, Gloria Naylor, Don DeLillo, and Samuel R. Delany critique subjects who abnegate their status as waste-producing beings and bring readers back to embrace Winner of the 2019 Northeast Modern Language Association Book Award for Literary Criticism of English Language Literature.
650 0|aLiterature, Modern|x20th century.
650 0|aLiterature, Modern|x21st century.
650 0|aAmerica|xLiteratures.
650 0|aEthnology|xAmerica.
650 0|aCulture.
650 14|aContemporary Literature.
650 24|aNorth American Literature.
650 24|aAmerican Culture.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030465292
776 08|iPrinted edition:|z9783030465315
776 08|iPrinted edition:|z9783030465322
830 0|aAmerican Literature Readings in the 21st Century,|x2634-5803
856 40|uhttps://doi.org/10.1007/978-3-030-46530-8
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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