Transmedia/Genre [electronic resource] : Rethinking Genre in a Multiplatform Culture / by Matthew Freeman, Anthony N. Smith.
Erişim Adresi
ISBN
9783031155833
Dil Kodu
İngilizce
Yer Numarası
EK/5854
Yazar
Basım Bildirimi
1st ed. 2023.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2023.
Fiziksel Niteleme
VIII, 178 p. online resource.
İçindekiler Notu
1. Introduction -- 2. Transmedia Superhero: Marvel, Genre Divergence and Captain America -- 3. Transmedia Western: Lucasfilm, Genre Linking and The Mandalorian -- 4. Transmedia Horror: Netflix, Genre Empowerment and Stranger Things -- 5. Transmedia Docudrama: ITV Hub, Genre Democratisation and Quiz -- 6. Transmedia Comedy: BBC Three, Genre Distribution and Pls Like -- 7. Transmedia Fantasy-JRPG: Kickstarter, Genre Leveraging and Eiyuden Chronicle: Hundred Heroes -- 8. Transmedia War: Virtual Reality, Genre Embodiment and The Day the World Changed -- 9. Transmedia Science Fiction: Deepfake Technology, Genre Fictioning and Reminiscence -- 10. Conclusion: Towards a Conceptual Framework of Transmedia Genre.
Özet, vb.
This book brings genre back to the forefront of the current transmedia trend. Genres are perhaps the most innately transmedial of media constructs, formed as they are from all kinds of industrial, technological and discursive phenomena. Yet, few have considered how genre works in a multiplatform context. This book does precisely that, making a uniquely transmedial contribution to the study of genre in the age of media convergence. The book interrogates how industrial, technological and participatory transformations of digital platforms and emerging technologies reshape workings of genre. The authors consider franchises such as Star Wars, streaming platforms such as Netflix, catch-up services such as ITV Hub, creative technologies such as virtual reality, and beyond. In setting the stage for the revival of genre theory in contemporary transmedia scholarship, this book pushes forward understandings of multiplatform media and the emerging form and function of genre across contemporary culture. Matthew Freeman is Reader in Multiplatform Media at Bath Spa University, UK, where he is Research Lead for Film & Media and Course Leader for BA (Hons) Media Communications. He is the author/editor of eight books on topics such as transmedia and media industries. Beyond academia, he is the Founder of Immersive Promotion Design, a marketing consultancy for the immersive sector. Anthony N. Smith is Lecturer in Television Theory at the University of Salford, UK. He has published articles in New Media & Society, Critical Studies in Television and beyond. He is also co-editor of Storytelling in the Media Convergence Age: Exploring Screen Narratives (Palgrave Macmillan, 2014) and author of Storytelling Industries: Narrative Production in the 21st Century (Palgrave Macmillan, 2018).
Konu
Digital media.
Popular Culture.
Film genres.
Communication.
Digital and New Media.
Popular Culture.
Genre Studies.
Media and Communication.
Popular Culture.
Film genres.
Communication.
Digital and New Media.
Popular Culture.
Genre Studies.
Media and Communication.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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520 |aThis book brings genre back to the forefront of the current transmedia trend. Genres are perhaps the most innately transmedial of media constructs, formed as they are from all kinds of industrial, technological and discursive phenomena. Yet, few have considered how genre works in a multiplatform context. This book does precisely that, making a uniquely transmedial contribution to the study of genre in the age of media convergence. The book interrogates how industrial, technological and participatory transformations of digital platforms and emerging technologies reshape workings of genre. The authors consider franchises such as Star Wars, streaming platforms such as Netflix, catch-up services such as ITV Hub, creative technologies such as virtual reality, and beyond. In setting the stage for the revival of genre theory in contemporary transmedia scholarship, this book pushes forward understandings of multiplatform media and the emerging form and function of genre across contemporary culture. Matthew Freeman is Reader in Multiplatform Media at Bath Spa University, UK, where he is Research Lead for Film & Media and Course Leader for BA (Hons) Media Communications. He is the author/editor of eight books on topics such as transmedia and media industries. Beyond academia, he is the Founder of Immersive Promotion Design, a marketing consultancy for the immersive sector. Anthony N. Smith is Lecturer in Television Theory at the University of Salford, UK. He has published articles in New Media & Society, Critical Studies in Television and beyond. He is also co-editor of Storytelling in the Media Convergence Age: Exploring Screen Narratives (Palgrave Macmillan, 2014) and author of Storytelling Industries: Narrative Production in the 21st Century (Palgrave Macmillan, 2018).
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532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aDigital media.
650 0|aPopular Culture.
650 0|aFilm genres.
650 0|aCommunication.
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650 24|aPopular Culture.
650 24|aGenre Studies.
650 24|aMedia and Communication.
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100 1 |aFreeman, Matthew.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aTransmedia/Genre|h[electronic resource] :|bRethinking Genre in a Multiplatform Culture /|cby Matthew Freeman, Anthony N. Smith.
250 |a1st ed. 2023.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2023.
300 |aVIII, 178 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
341 0 |bTable of contents navigation|2onix
341 0 |bSingle logical reading order|2onix
341 0 |bUse of color is not sole means of conveying information|2onix
341 0 |bUse of high contrast between text and background color|2onix
341 0 |bNext / Previous structural navigation|2onix
341 0 |bAll non-decorative content supports reading without sight|2onix
347 |atext file|bPDF|2rda
505 0 |a1. Introduction -- 2. Transmedia Superhero: Marvel, Genre Divergence and Captain America -- 3. Transmedia Western: Lucasfilm, Genre Linking and The Mandalorian -- 4. Transmedia Horror: Netflix, Genre Empowerment and Stranger Things -- 5. Transmedia Docudrama: ITV Hub, Genre Democratisation and Quiz -- 6. Transmedia Comedy: BBC Three, Genre Distribution and Pls Like -- 7. Transmedia Fantasy-JRPG: Kickstarter, Genre Leveraging and Eiyuden Chronicle: Hundred Heroes -- 8. Transmedia War: Virtual Reality, Genre Embodiment and The Day the World Changed -- 9. Transmedia Science Fiction: Deepfake Technology, Genre Fictioning and Reminiscence -- 10. Conclusion: Towards a Conceptual Framework of Transmedia Genre.
520 |aThis book brings genre back to the forefront of the current transmedia trend. Genres are perhaps the most innately transmedial of media constructs, formed as they are from all kinds of industrial, technological and discursive phenomena. Yet, few have considered how genre works in a multiplatform context. This book does precisely that, making a uniquely transmedial contribution to the study of genre in the age of media convergence. The book interrogates how industrial, technological and participatory transformations of digital platforms and emerging technologies reshape workings of genre. The authors consider franchises such as Star Wars, streaming platforms such as Netflix, catch-up services such as ITV Hub, creative technologies such as virtual reality, and beyond. In setting the stage for the revival of genre theory in contemporary transmedia scholarship, this book pushes forward understandings of multiplatform media and the emerging form and function of genre across contemporary culture. Matthew Freeman is Reader in Multiplatform Media at Bath Spa University, UK, where he is Research Lead for Film & Media and Course Leader for BA (Hons) Media Communications. He is the author/editor of eight books on topics such as transmedia and media industries. Beyond academia, he is the Founder of Immersive Promotion Design, a marketing consultancy for the immersive sector. Anthony N. Smith is Lecturer in Television Theory at the University of Salford, UK. He has published articles in New Media & Society, Critical Studies in Television and beyond. He is also co-editor of Storytelling in the Media Convergence Age: Exploring Screen Narratives (Palgrave Macmillan, 2014) and author of Storytelling Industries: Narrative Production in the 21st Century (Palgrave Macmillan, 2018).
532 8 |aAccessibility summary: This PDF does not fully comply with PDF/UA standards, but does feature limited screen reader support, bookmarks for easy navigation and searchable, selectable text. Users of assistive technologies may experience difficulty navigating or interpreting content in this document. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aDigital media.
650 0|aPopular Culture.
650 0|aFilm genres.
650 0|aCommunication.
650 14|aDigital and New Media.
650 24|aPopular Culture.
650 24|aGenre Studies.
650 24|aMedia and Communication.
700 1 |aSmith, Anthony N.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783031155826
776 08|iPrinted edition:|z9783031155840
856 40|uhttps://doi.org/10.1007/978-3-031-15583-3
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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