Televising Restoration Spain [electronic resource] : History and Fiction in Twenty-First-Century Costume Dramas / edited by David R. George, Jr., Wan Sonya Tang.
Erişim Adresi
ISBN
9783319961965
Dil Kodu
İngilizce
Yer Numarası
EK/5873
Basım Bildirimi
1st ed. 2018.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2018.
Fiziksel Niteleme
XV, 269 p. 10 illus. in color. online resource.
İçindekiler Notu
1. Introduction (David R. George, Jr. and Wan Sonya Tang) -- Part I. Producing Heritage -- 2. Fortunata’s Long Shadow: the Restoration as Televisual Heritage in Acacias 38 and El secreto de Puente Viejo (David R. George, Jr.) -- 3. Profane Unions: Constructing Heritage from Anarchist-Bourgeois Romances in Ull per ull and Barcelona, ciutat neutral (Elena Cueto Asín) -- Part II. Imagining Technologies -- 4. New Technologies and Transmedia Storytelling in Víctor Ros: Captivating Audiences at the Turn of the Century (Mónica Barrientos-Bueno and Ángeles Martínez-García) -- 5. From Photography to Forensics: Technology, Modernity, and the Internationalization of Spanish History in Gran Hotel (Wan Sonya Tang) -- Part III. Constructing Genders -- 6. Dresses, Cassocks, and Coats: Costuming Restoration Gender Fantasies in La Señora (2008-2010) (Nicholas Wolters) -- 7. “Las normas son para romperlas”: Emilia Pardo Bazán, Carmen de Burgos, and the Unruly Women ofSeis hermanas (Linda M. Willem) -- Part IV. Restoring the Telenovela -- 8. Bandolera: Limits and Possibilities of Period Telenovelas (Francisca López) -- 9. Creating Locally for a Global Audience: Seis hermanas and the Costume Serial Drama as Quality Television (Concepción Cascajosa Virino) -- Part V. Sensing the Ending -- 10. Commercializing Nostalgia and Constructing Memory in As leis de Celavella (María Gil Poisa) -- 11. “Felices años veinte”? Las chicas del cable and the Iconicity of 1920s Madrid (Leslie J. Harkema) -- 12. The End of the Restoration: A Vision from the Early Second Republic in 14 de abril. La República (Iván Gómez García).
Özet, vb.
This edited volume examines the historical, political, cultural, and aesthetic implications of re-visiting Restoration Spain (1874-1931) in television costume dramas produced since 2000. Contributors analyze, from different theoretical approaches and disciplinary perspectives, the appeal that the late nineteenth and early twentieth centuries hold for twenty-first-century Spanish audiences, as well as for international viewers who consume these programs through new media platforms. Themes and issues explored include: the production of televisual heritage, representations of period technologies, evolving constructions of gender, hybridization of television genres, and television as historian. Expanding the scope of inquiry in Spanish media studies, this collection seeks to bring Spain into wider discussions of media and historical representation and visual and material culture in Europe, the Americas, and beyond.
Konu
Motion picture plays, European.
Ethnology __ Europe.
Culture.
Film genres.
Motion pictures.
Motion picture industry.
Television broadcasting.
European Film and TV.
European Culture.
Genre Studies.
Close Readings in Film and TV.
Film and Television Industry.
Ethnology __ Europe.
Culture.
Film genres.
Motion pictures.
Motion picture industry.
Television broadcasting.
European Film and TV.
European Culture.
Genre Studies.
Close Readings in Film and TV.
Film and Television Industry.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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520 |aThis edited volume examines the historical, political, cultural, and aesthetic implications of re-visiting Restoration Spain (1874-1931) in television costume dramas produced since 2000. Contributors analyze, from different theoretical approaches and disciplinary perspectives, the appeal that the late nineteenth and early twentieth centuries hold for twenty-first-century Spanish audiences, as well as for international viewers who consume these programs through new media platforms. Themes and issues explored include: the production of televisual heritage, representations of period technologies, evolving constructions of gender, hybridization of television genres, and television as historian. Expanding the scope of inquiry in Spanish media studies, this collection seeks to bring Spain into wider discussions of media and historical representation and visual and material culture in Europe, the Americas, and beyond.
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650 0|aEthnology|xEurope.
650 0|aCulture.
650 0|aFilm genres.
650 0|aMotion pictures.
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650 0|aTelevision broadcasting.
650 14|aEuropean Film and TV.
650 24|aEuropean Culture.
650 24|aGenre Studies.
650 24|aClose Readings in Film and TV.
650 24|aFilm and Television Industry.
700 1 |aGeorge, Jr., David R.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aTang, Wan Sonya.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
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001 839975
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005 20260715041633
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008 180910s2018 sz | s |||| 0|eng d
020 |a9783319961965|9978-3-319-96196-5
024 7 |a10.1007/978-3-319-96196-5|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1993-1999
072 7|aAP|2bicssc
072 7|a1D|2bicssc
072 7|aPER004000|2bisacsh
072 7|aAT|x1D|2thema
082 04|a791.4094|223
090 |aEK/5873
245 10|aTelevising Restoration Spain|h[electronic resource] :|bHistory and Fiction in Twenty-First-Century Costume Dramas /|cedited by David R. George, Jr., Wan Sonya Tang.
250 |a1st ed. 2018.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2018.
300 |aXV, 269 p. 10 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. Introduction (David R. George, Jr. and Wan Sonya Tang) -- Part I. Producing Heritage -- 2. Fortunata’s Long Shadow: the Restoration as Televisual Heritage in Acacias 38 and El secreto de Puente Viejo (David R. George, Jr.) -- 3. Profane Unions: Constructing Heritage from Anarchist-Bourgeois Romances in Ull per ull and Barcelona, ciutat neutral (Elena Cueto Asín) -- Part II. Imagining Technologies -- 4. New Technologies and Transmedia Storytelling in Víctor Ros: Captivating Audiences at the Turn of the Century (Mónica Barrientos-Bueno and Ángeles Martínez-García) -- 5. From Photography to Forensics: Technology, Modernity, and the Internationalization of Spanish History in Gran Hotel (Wan Sonya Tang) -- Part III. Constructing Genders -- 6. Dresses, Cassocks, and Coats: Costuming Restoration Gender Fantasies in La Señora (2008-2010) (Nicholas Wolters) -- 7. “Las normas son para romperlas”: Emilia Pardo Bazán, Carmen de Burgos, and the Unruly Women ofSeis hermanas (Linda M. Willem) -- Part IV. Restoring the Telenovela -- 8. Bandolera: Limits and Possibilities of Period Telenovelas (Francisca López) -- 9. Creating Locally for a Global Audience: Seis hermanas and the Costume Serial Drama as Quality Television (Concepción Cascajosa Virino) -- Part V. Sensing the Ending -- 10. Commercializing Nostalgia and Constructing Memory in As leis de Celavella (María Gil Poisa) -- 11. “Felices años veinte”? Las chicas del cable and the Iconicity of 1920s Madrid (Leslie J. Harkema) -- 12. The End of the Restoration: A Vision from the Early Second Republic in 14 de abril. La República (Iván Gómez García).
520 |aThis edited volume examines the historical, political, cultural, and aesthetic implications of re-visiting Restoration Spain (1874-1931) in television costume dramas produced since 2000. Contributors analyze, from different theoretical approaches and disciplinary perspectives, the appeal that the late nineteenth and early twentieth centuries hold for twenty-first-century Spanish audiences, as well as for international viewers who consume these programs through new media platforms. Themes and issues explored include: the production of televisual heritage, representations of period technologies, evolving constructions of gender, hybridization of television genres, and television as historian. Expanding the scope of inquiry in Spanish media studies, this collection seeks to bring Spain into wider discussions of media and historical representation and visual and material culture in Europe, the Americas, and beyond.
650 0|aMotion picture plays, European.
650 0|aEthnology|xEurope.
650 0|aCulture.
650 0|aFilm genres.
650 0|aMotion pictures.
650 0|aMotion picture industry.
650 0|aTelevision broadcasting.
650 14|aEuropean Film and TV.
650 24|aEuropean Culture.
650 24|aGenre Studies.
650 24|aClose Readings in Film and TV.
650 24|aFilm and Television Industry.
700 1 |aGeorge, Jr., David R.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aTang, Wan Sonya.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319961958
776 08|iPrinted edition:|z9783319961972
776 08|iPrinted edition:|z9783030071523
856 40|uhttps://doi.org/10.1007/978-3-319-96196-5
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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