Patricia Highsmith on Screen [electronic resource] / edited by Wieland Schwanebeck, Douglas McFarland.
Erişim Adresi
ISBN
9783319960500
Dil Kodu
İngilizce
Yer Numarası
EK/5857
Basım Bildirimi
1st ed. 2018.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2018.
Fiziksel Niteleme
XVIII, 294 p. 25 illus., 22 illus. in color. online resource.
Dizi
Palgrave Studies in Adaptation and Visual Culture, 2634-6303
İçindekiler Notu
1. Introduction: Patricia Highsmith on Screen, Douglas McFarland and Wieland Schwanebeck -- 2. The Dark Side of Adaptation, Thomas Leitch -- Section I: Doubles, Copies, and Strangers -- 3. “I Meet a Lot of Guys--But Not Many Like You”: Strangers and Types in Highsmith’s and Hitchcock’s Strangers on a Train, Bran Nicol -- 4. Strangers on a Park Bench: From Highsmith to Alfred Hitchcock to Woody Allen, Klara Stephanie Szlezák -- 5. Tom Ripley’s Talent, Murray Pomerance -- 6. Ripley Under Ground and Its Illegitimate Heirs, Wieland Schwanebeck -- Section II: Queer Encounters -- 7. Queer Ripley: Minghella, Highsmith, and the Anti-Social -- David Greven -- 8. The Price of Salt, Carol, and Queer Narrative Desire(s), Alison L. McKee -- 9. “Easy Living”: From The Price of Salt (78) to Carol (EP), Robert Miklitsch -- Section III: Aesthetic, Mythic, and Cultural Transaction -- 10. Adapting Irony: Claude Chabrol’s The Cry of the Owl, Douglas McFarland -- 11. With Friends Like These: Wim Wenders’ The American Friend as Noir Allegory, Christopher Breu -- 12. Hans Geissendörfer’s Psychological Noir: West-German Adaptations of Patricia Highsmith Novels, Erin Altman and William Mahan -- 13. Authorship and Scales of Adaptation in Chillers, Kristopher Mecholsky -- 14. The Two Faces of January: Theseus and the Minotaur, Catherine McFarland -- Section IV: Adapters in Conversation -- 15. Memories of The American Friend, Wim Wenders -- 16. "Highsmith really writes films", Hans W. Geißendörfer -- 17. “An interesting lack of sentimentality", Hossein Amini -- 18. “Highsmith was the queen of guilt", Phyllis Nagy.
Özet, vb.
This book is the first full-length study to focus on the various film adaptations of Patricia Highsmith’s novels, which have been a popular source for adaptation since Alfred Hitchcock’s Strangers on a Train (1952). The collection of essays examines films such as The Talented Mr. Ripley, The Two Faces of January, and Carol, includes interviews with Highsmith adaptors and provides a comprehensive filmography of all existing Highsmith adaptations. Particular attention is paid to queer subtexts, mythological underpinnings, philosophical questioning, contrasting media environments and formal conventions in diverse generic contexts. Produced over the space of seventy years, these adaptations reflect broad cultural and material shifts in film production and critical approaches to film studies. The book is thus not only of interest to Highsmith admirers but to anyone interested in adaptation and transatlantic film history.
Konu
Adaptation (Literary, artistic, etc.).
America __ Literatures.
Adaptation Studies.
North American Literature.
America __ Literatures.
Adaptation Studies.
North American Literature.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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505 0 |a1. Introduction: Patricia Highsmith on Screen, Douglas McFarland and Wieland Schwanebeck -- 2. The Dark Side of Adaptation, Thomas Leitch -- Section I: Doubles, Copies, and Strangers -- 3. “I Meet a Lot of Guys--But Not Many Like You”: Strangers and Types in Highsmith’s and Hitchcock’s Strangers on a Train, Bran Nicol -- 4. Strangers on a Park Bench: From Highsmith to Alfred Hitchcock to Woody Allen, Klara Stephanie Szlezák -- 5. Tom Ripley’s Talent, Murray Pomerance -- 6. Ripley Under Ground and Its Illegitimate Heirs, Wieland Schwanebeck -- Section II: Queer Encounters -- 7. Queer Ripley: Minghella, Highsmith, and the Anti-Social -- David Greven -- 8. The Price of Salt, Carol, and Queer Narrative Desire(s), Alison L. McKee -- 9. “Easy Living”: From The Price of Salt (78) to Carol (EP), Robert Miklitsch -- Section III: Aesthetic, Mythic, and Cultural Transaction -- 10. Adapting Irony: Claude Chabrol’s The Cry of the Owl, Douglas McFarland -- 11. With Friends Like These: Wim Wenders’ The American Friend as Noir Allegory, Christopher Breu -- 12. Hans Geissendörfer’s Psychological Noir: West-German Adaptations of Patricia Highsmith Novels, Erin Altman and William Mahan -- 13. Authorship and Scales of Adaptation in Chillers, Kristopher Mecholsky -- 14. The Two Faces of January: Theseus and the Minotaur, Catherine McFarland -- Section IV: Adapters in Conversation -- 15. Memories of The American Friend, Wim Wenders -- 16. "Highsmith really writes films", Hans W. Geißendörfer -- 17. “An interesting lack of sentimentality", Hossein Amini -- 18. “Highsmith was the queen of guilt", Phyllis Nagy.
520 |aThis book is the first full-length study to focus on the various film adaptations of Patricia Highsmith’s novels, which have been a popular source for adaptation since Alfred Hitchcock’s Strangers on a Train (1952). The collection of essays examines films such as The Talented Mr. Ripley, The Two Faces of January, and Carol, includes interviews with Highsmith adaptors and provides a comprehensive filmography of all existing Highsmith adaptations. Particular attention is paid to queer subtexts, mythological underpinnings, philosophical questioning, contrasting media environments and formal conventions in diverse generic contexts. Produced over the space of seventy years, these adaptations reflect broad cultural and material shifts in film production and critical approaches to film studies. The book is thus not only of interest to Highsmith admirers but to anyone interested in adaptation and transatlantic film history.
650 0|aAdaptation (Literary, artistic, etc.).
650 0|aAmerica|xLiteratures.
650 14|aAdaptation Studies.
650 24|aNorth American Literature.
700 1 |aSchwanebeck, Wieland.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aMcFarland, Douglas.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
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020 |a9783319960500|9978-3-319-96050-0
024 7 |a10.1007/978-3-319-96050-0|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aNX161
072 7|aAP|2bicssc
072 7|aPER004000|2bisacsh
072 7|aAT|2thema
082 04|a791.436|223
090 |aEK/5857
245 10|aPatricia Highsmith on Screen|h[electronic resource] /|cedited by Wieland Schwanebeck, Douglas McFarland.
250 |a1st ed. 2018.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2018.
300 |aXVIII, 294 p. 25 illus., 22 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aPalgrave Studies in Adaptation and Visual Culture,|x2634-6303
505 0 |a1. Introduction: Patricia Highsmith on Screen, Douglas McFarland and Wieland Schwanebeck -- 2. The Dark Side of Adaptation, Thomas Leitch -- Section I: Doubles, Copies, and Strangers -- 3. “I Meet a Lot of Guys--But Not Many Like You”: Strangers and Types in Highsmith’s and Hitchcock’s Strangers on a Train, Bran Nicol -- 4. Strangers on a Park Bench: From Highsmith to Alfred Hitchcock to Woody Allen, Klara Stephanie Szlezák -- 5. Tom Ripley’s Talent, Murray Pomerance -- 6. Ripley Under Ground and Its Illegitimate Heirs, Wieland Schwanebeck -- Section II: Queer Encounters -- 7. Queer Ripley: Minghella, Highsmith, and the Anti-Social -- David Greven -- 8. The Price of Salt, Carol, and Queer Narrative Desire(s), Alison L. McKee -- 9. “Easy Living”: From The Price of Salt (78) to Carol (EP), Robert Miklitsch -- Section III: Aesthetic, Mythic, and Cultural Transaction -- 10. Adapting Irony: Claude Chabrol’s The Cry of the Owl, Douglas McFarland -- 11. With Friends Like These: Wim Wenders’ The American Friend as Noir Allegory, Christopher Breu -- 12. Hans Geissendörfer’s Psychological Noir: West-German Adaptations of Patricia Highsmith Novels, Erin Altman and William Mahan -- 13. Authorship and Scales of Adaptation in Chillers, Kristopher Mecholsky -- 14. The Two Faces of January: Theseus and the Minotaur, Catherine McFarland -- Section IV: Adapters in Conversation -- 15. Memories of The American Friend, Wim Wenders -- 16. "Highsmith really writes films", Hans W. Geißendörfer -- 17. “An interesting lack of sentimentality", Hossein Amini -- 18. “Highsmith was the queen of guilt", Phyllis Nagy.
520 |aThis book is the first full-length study to focus on the various film adaptations of Patricia Highsmith’s novels, which have been a popular source for adaptation since Alfred Hitchcock’s Strangers on a Train (1952). The collection of essays examines films such as The Talented Mr. Ripley, The Two Faces of January, and Carol, includes interviews with Highsmith adaptors and provides a comprehensive filmography of all existing Highsmith adaptations. Particular attention is paid to queer subtexts, mythological underpinnings, philosophical questioning, contrasting media environments and formal conventions in diverse generic contexts. Produced over the space of seventy years, these adaptations reflect broad cultural and material shifts in film production and critical approaches to film studies. The book is thus not only of interest to Highsmith admirers but to anyone interested in adaptation and transatlantic film history.
650 0|aAdaptation (Literary, artistic, etc.).
650 0|aAmerica|xLiteratures.
650 14|aAdaptation Studies.
650 24|aNorth American Literature.
700 1 |aSchwanebeck, Wieland.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aMcFarland, Douglas.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319960494
776 08|iPrinted edition:|z9783319960517
776 08|iPrinted edition:|z9783030071400
830 0|aPalgrave Studies in Adaptation and Visual Culture,|x2634-6303
856 40|uhttps://doi.org/10.1007/978-3-319-96050-0
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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