In Search of Marie-Antoinette in the 1930s [electronic resource] : Stefan Zweig, Irving Thalberg, and Norma Shearer / by T. Lawrence Larkin.
Erişim Adresi
ISBN
9783030146009
Dil Kodu
İngilizce
Yer Numarası
EK/5920
Yazar
Basım Bildirimi
1st ed. 2019.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2019.
Fiziksel Niteleme
XX, 296 p. 61 illus., 22 illus. in color. online resource.
İçindekiler Notu
1. In Search of Marie-Antoinette: The Inscrutable Life Worth Scrutinizing -- 2. Stefan Zweig’s Clinical Biography, 1930-1932 -- 3. Irving Thalberg’s Film Production, 1934-1936 -- 4. Norma Shearer’s Dramatic Performance, 1937-1938 -- 5. Conclusion.
Özet, vb.
In Search of Marie-Antoinette in the 1930s follows Austrian biographer Stefan Zweig, American producer Irving Thalberg, and Canadian-American actress Norma Shearer as they attempt to uncover personal aspects of Marie-Antoinette’s life at the French court in the late eighteenth-century and to dramatize them in biography, cinema, and performance for public consumption during the 1930s. The first chapter establishes the core subject as an inquiry into the respective contributions of Zweig, Thalberg, and Shearer in formulating an “objective” or “authentic” image of “Marie-Antoinette.” The three chapters that follow examine in some detail how Zweig pursued research and drafted the psychological biography at his Salzburg home, Thalberg acquired film rights to the best-selling book and fought the censors to preserve the more sensational aspects of the screenplay at the Culver City studio, and Shearer worked closely with a new producer to give the script a strong romantic angle andto perform the character of the queen on the sound stage. The professionals’ research standards and strategic objectives are weighed in the formulation of a new myth at once sensitive to the historical record and suited to the leisure market. T. Lawrence Larkin is Associate Professor of Seventeenth- to Nineteenth-Century European and American Art and Coordinator of the Art History Graduate Program at Montana State University, Bozeman, USA. His research follows two currents: Queen Marie-Antoinette’s art patronage as a sign of political identity under the old monarchy and political portraits realized in the United States and France during the Revolutionary and Imperial eras. “Larkin builds upon his considerable expertise in art history—the representation of the dubious queen in oil painting—as a framework for exploring a particular classical Hollywood biopic, MGM’s Marie-Antoinette (1938). Not only does the book give reason to attend more carefully to the bio-pic in late 1930s Hollywood, it also provides a sterling guide for doing production studies. Larkin’s call to arms to rescue the tragically ignored author Stefan Zweig out of oblivion is Larkin’s stunning contribution to 20th-century intellectual history." –Walter C. Metz, Professor, Department of Cinema and Photography, Southern Illinois, USA.
Konu
Motion pictures __ History.
Adaptation (Literary, artistic, etc.).
Motion picture acting.
Motion pictures __ Production and direction.
Popular Culture.
Arts.
Film and TV History.
Adaptation Studies.
Screen Performance.
Film and Television Production.
Popular Culture.
Fine Art.
Adaptation (Literary, artistic, etc.).
Motion picture acting.
Motion pictures __ Production and direction.
Popular Culture.
Arts.
Film and TV History.
Adaptation Studies.
Screen Performance.
Film and Television Production.
Popular Culture.
Fine Art.
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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650 0|aMotion pictures|xHistory.
650 0|aAdaptation (Literary, artistic, etc.).
650 0|aMotion picture acting.
650 0|aMotion pictures|xProduction and direction.
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100 1 |aLarkin, T. Lawrence.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aIn Search of Marie-Antoinette in the 1930s|h[electronic resource] :|bStefan Zweig, Irving Thalberg, and Norma Shearer /|cby T. Lawrence Larkin.
250 |a1st ed. 2019.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2019.
300 |aXX, 296 p. 61 illus., 22 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. In Search of Marie-Antoinette: The Inscrutable Life Worth Scrutinizing -- 2. Stefan Zweig’s Clinical Biography, 1930-1932 -- 3. Irving Thalberg’s Film Production, 1934-1936 -- 4. Norma Shearer’s Dramatic Performance, 1937-1938 -- 5. Conclusion.
520 |aIn Search of Marie-Antoinette in the 1930s follows Austrian biographer Stefan Zweig, American producer Irving Thalberg, and Canadian-American actress Norma Shearer as they attempt to uncover personal aspects of Marie-Antoinette’s life at the French court in the late eighteenth-century and to dramatize them in biography, cinema, and performance for public consumption during the 1930s. The first chapter establishes the core subject as an inquiry into the respective contributions of Zweig, Thalberg, and Shearer in formulating an “objective” or “authentic” image of “Marie-Antoinette.” The three chapters that follow examine in some detail how Zweig pursued research and drafted the psychological biography at his Salzburg home, Thalberg acquired film rights to the best-selling book and fought the censors to preserve the more sensational aspects of the screenplay at the Culver City studio, and Shearer worked closely with a new producer to give the script a strong romantic angle andto perform the character of the queen on the sound stage. The professionals’ research standards and strategic objectives are weighed in the formulation of a new myth at once sensitive to the historical record and suited to the leisure market. T. Lawrence Larkin is Associate Professor of Seventeenth- to Nineteenth-Century European and American Art and Coordinator of the Art History Graduate Program at Montana State University, Bozeman, USA. His research follows two currents: Queen Marie-Antoinette’s art patronage as a sign of political identity under the old monarchy and political portraits realized in the United States and France during the Revolutionary and Imperial eras. “Larkin builds upon his considerable expertise in art history—the representation of the dubious queen in oil painting—as a framework for exploring a particular classical Hollywood biopic, MGM’s Marie-Antoinette (1938). Not only does the book give reason to attend more carefully to the bio-pic in late 1930s Hollywood, it also provides a sterling guide for doing production studies. Larkin’s call to arms to rescue the tragically ignored author Stefan Zweig out of oblivion is Larkin’s stunning contribution to 20th-century intellectual history." –Walter C. Metz, Professor, Department of Cinema and Photography, Southern Illinois, USA.
650 0|aMotion pictures|xHistory.
650 0|aAdaptation (Literary, artistic, etc.).
650 0|aMotion picture acting.
650 0|aMotion pictures|xProduction and direction.
650 0|aPopular Culture.
650 0|aArts.
650 14|aFilm and TV History.
650 24|aAdaptation Studies.
650 24|aScreen Performance.
650 24|aFilm and Television Production.
650 24|aPopular Culture.
650 24|aFine Art.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030145996
776 08|iPrinted edition:|z9783030146016
776 08|iPrinted edition:|z9783030146023
856 40|uhttps://doi.org/10.1007/978-3-030-14600-9
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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