Cinema of the Arab World [electronic resource] : Contemporary Directions in Theory and Practice / edited by Terri Ginsberg, Chris Lippard.
Erişim Adresi
ISBN
9783030300814
Dil Kodu
İngilizce
Yer Numarası
EK/5917
Basım Bildirimi
1st ed. 2020.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2020.
Fiziksel Niteleme
XXXIV, 422 p. 43 illus., 23 illus. in color. online resource.
Dizi
Global Cinema, 2634-596X
İçindekiler Notu
1. Introduction - Chris Lippard and Terri Ginsberg -- BLOC 1: HISTORY, POSITIONALITY, CRITIQUE -- 2. Documentary Diplomacy & Audiovisual Modernization: A Cold War Genealogy of Arab Cinema during the 1950s through American Declassified Archive - Hadi Gharabaghi -- 3. Making the Final Cut: Filmmaking and Complicating National Identity in Qatar and the GCC States - Suzi Mirgani -- 4. Lebanese Cinema and the French Co-production System: The Postcard Strategy - Wissam Mouawad -- BLOC 2: FESTIVAL AND NATION RECONSIDERED -- 5. Amateur Filmmaking in Tunisia: A Political Film Culture Eliding Contradictions in National Cinema - Patricia Caillé -- 6. “Not-Yet” an Industry: The Temporalities of Contemporary Palestinian Cinema - Viviane Saglier -- 7. Mobilities of Cinematic Identity in the Western Sahara - Chris Lippard -- BLOC 3: FROM RESISTANCE TO ENTRENCHMENT AND BACK AGAIN -- 8. Amiralay and Sabbagh in the Post-cinematic Age - Samirah Alkassim -- 9. Family Resemblance: An Anthropologist Looks at Moroccan Documentary - Kevin Dwyer -- 10. Affective Alternatives to Sectarianism in Maroun Baghdadi’s Documentaries - Jeremy Randall -- BLOC 4: POLITICAL AESTHETICS OF STATE AND REVOLUTION IN EGYPT -- 11. Terrorism and Kebab: The Administrative Grotesque and the “Egyptian Chaplin”‒‒Notes on Humor, Resistance, and Biopolitics - Isabelle Freda -- 12. Exceptions to the Rule: The Mechanics of War and the Institution in Egyptian Cinema - Iman Hamam -- 13. Teaching Egypt Cinematically -Terri Ginsberg.
Özet, vb.
"Ginsberg and Lippard have managed something rare: a riveting collection of essays with a consistently strong voice throughout. These chapters treat a diverse archive of films, filmmakers, and contexts with theoretical and historical depth and an urgency of interpretation, challenging the enormous gaps in our knowledge of Arab cinematic expression. Not only is this book indispensable for courses on Arab cinema, it will undoubtedly prompt new routes of inquiry for researchers, teachers, and viewers alike." — Peter Limbrick, University of California-Santa Cruz, USA “Cinema of the Arab World fills gaps in the literature and re-envisions the ways in which Arab cinema has been looked at previously. It succeeds by avoiding conforming to the stereotypical molds that guide some scholarship about the region. The mix of established scholars as well as young researchers, and the inclusion of different philosophical and critical theories and methodologies, make this book indispensable to anyone interested in understanding contemporary Arab cinema. Highly recommended." — Orayb Najjar, Northern Illinois University, USA This volume engages new films and modes of scholarly research in Arab cinema, and older, often neglected films and critical topics, while theorizing their structural relationship to contemporary developments in the Arab world. The volume considers the relationship of Arab cinema to transnational film production, distribution, and exhibition, in turn recontextualizing the works of acknowledged as well as new directorial figures, and country-specific phenomena. New documentary and experimental practices are referenced and critiqued, while commercial cinema is covered both as an industrial product and as one of several instances of contestation. The volume thus showcases the breadth and depth of Arab film culture and its multilayered connections to local conditions, regional affiliations, and the tendencies and aesthetics of global cinema.
Konu
Motion pictures.
Ethnology __ Middle East .
Culture.
Communication.
Motion pictures __ Production and direction.
Global Film and TV.
Middle Eastern Culture.
Media and Communication.
Film and Television Production.
Film Theory.
Ethnology __ Middle East .
Culture.
Communication.
Motion pictures __ Production and direction.
Global Film and TV.
Middle Eastern Culture.
Media and Communication.
Film and Television Production.
Film Theory.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
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245 10|aCinema of the Arab World|h[electronic resource] :|bContemporary Directions in Theory and Practice /|cedited by Terri Ginsberg, Chris Lippard.
250 |a1st ed. 2020.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2020.
300 |aXXXIV, 422 p. 43 illus., 23 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
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490 1 |aGlobal Cinema,|x2634-596X
505 0 |a1. Introduction - Chris Lippard and Terri Ginsberg -- BLOC 1: HISTORY, POSITIONALITY, CRITIQUE -- 2. Documentary Diplomacy & Audiovisual Modernization: A Cold War Genealogy of Arab Cinema during the 1950s through American Declassified Archive - Hadi Gharabaghi -- 3. Making the Final Cut: Filmmaking and Complicating National Identity in Qatar and the GCC States - Suzi Mirgani -- 4. Lebanese Cinema and the French Co-production System: The Postcard Strategy - Wissam Mouawad -- BLOC 2: FESTIVAL AND NATION RECONSIDERED -- 5. Amateur Filmmaking in Tunisia: A Political Film Culture Eliding Contradictions in National Cinema - Patricia Caillé -- 6. “Not-Yet” an Industry: The Temporalities of Contemporary Palestinian Cinema - Viviane Saglier -- 7. Mobilities of Cinematic Identity in the Western Sahara - Chris Lippard -- BLOC 3: FROM RESISTANCE TO ENTRENCHMENT AND BACK AGAIN -- 8. Amiralay and Sabbagh in the Post-cinematic Age - Samirah Alkassim -- 9. Family Resemblance: An Anthropologist Looks at Moroccan Documentary - Kevin Dwyer -- 10. Affective Alternatives to Sectarianism in Maroun Baghdadi’s Documentaries - Jeremy Randall -- BLOC 4: POLITICAL AESTHETICS OF STATE AND REVOLUTION IN EGYPT -- 11. Terrorism and Kebab: The Administrative Grotesque and the “Egyptian Chaplin”‒‒Notes on Humor, Resistance, and Biopolitics - Isabelle Freda -- 12. Exceptions to the Rule: The Mechanics of War and the Institution in Egyptian Cinema - Iman Hamam -- 13. Teaching Egypt Cinematically -Terri Ginsberg.
520 |a"Ginsberg and Lippard have managed something rare: a riveting collection of essays with a consistently strong voice throughout. These chapters treat a diverse archive of films, filmmakers, and contexts with theoretical and historical depth and an urgency of interpretation, challenging the enormous gaps in our knowledge of Arab cinematic expression. Not only is this book indispensable for courses on Arab cinema, it will undoubtedly prompt new routes of inquiry for researchers, teachers, and viewers alike." — Peter Limbrick, University of California-Santa Cruz, USA “Cinema of the Arab World fills gaps in the literature and re-envisions the ways in which Arab cinema has been looked at previously. It succeeds by avoiding conforming to the stereotypical molds that guide some scholarship about the region. The mix of established scholars as well as young researchers, and the inclusion of different philosophical and critical theories and methodologies, make this book indispensable to anyone interested in understanding contemporary Arab cinema. Highly recommended." — Orayb Najjar, Northern Illinois University, USA This volume engages new films and modes of scholarly research in Arab cinema, and older, often neglected films and critical topics, while theorizing their structural relationship to contemporary developments in the Arab world. The volume considers the relationship of Arab cinema to transnational film production, distribution, and exhibition, in turn recontextualizing the works of acknowledged as well as new directorial figures, and country-specific phenomena. New documentary and experimental practices are referenced and critiqued, while commercial cinema is covered both as an industrial product and as one of several instances of contestation. The volume thus showcases the breadth and depth of Arab film culture and its multilayered connections to local conditions, regional affiliations, and the tendencies and aesthetics of global cinema.
650 0|aMotion pictures.
650 0|aEthnology|xMiddle East .
650 0|aCulture.
650 0|aCommunication.
650 0|aMotion pictures|xProduction and direction.
650 14|aGlobal Film and TV.
650 24|aMiddle Eastern Culture.
650 24|aMedia and Communication.
650 24|aFilm and Television Production.
650 24|aFilm Theory.
700 1 |aGinsberg, Terri.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aLippard, Chris.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030300807
776 08|iPrinted edition:|z9783030300821
776 08|iPrinted edition:|z9783030300838
830 0|aGlobal Cinema,|x2634-596X
856 40|uhttps://doi.org/10.1007/978-3-030-30081-4
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
001 840025
003 TR_AnAIT
005 20260715041602
007 cr nn 008mamaa
008 200303s2020 sz | s |||| 0|eng d
020 |a9783030300814|9978-3-030-30081-4
024 7 |a10.1007/978-3-030-30081-4|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1600-3307.2
072 7|aAP|2bicssc
072 7|aPER004000|2bisacsh
072 7|aAT|2thema
082 04|a791.4|223
090 |aEK/5917
245 10|aCinema of the Arab World|h[electronic resource] :|bContemporary Directions in Theory and Practice /|cedited by Terri Ginsberg, Chris Lippard.
250 |a1st ed. 2020.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2020.
300 |aXXXIV, 422 p. 43 illus., 23 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aGlobal Cinema,|x2634-596X
505 0 |a1. Introduction - Chris Lippard and Terri Ginsberg -- BLOC 1: HISTORY, POSITIONALITY, CRITIQUE -- 2. Documentary Diplomacy & Audiovisual Modernization: A Cold War Genealogy of Arab Cinema during the 1950s through American Declassified Archive - Hadi Gharabaghi -- 3. Making the Final Cut: Filmmaking and Complicating National Identity in Qatar and the GCC States - Suzi Mirgani -- 4. Lebanese Cinema and the French Co-production System: The Postcard Strategy - Wissam Mouawad -- BLOC 2: FESTIVAL AND NATION RECONSIDERED -- 5. Amateur Filmmaking in Tunisia: A Political Film Culture Eliding Contradictions in National Cinema - Patricia Caillé -- 6. “Not-Yet” an Industry: The Temporalities of Contemporary Palestinian Cinema - Viviane Saglier -- 7. Mobilities of Cinematic Identity in the Western Sahara - Chris Lippard -- BLOC 3: FROM RESISTANCE TO ENTRENCHMENT AND BACK AGAIN -- 8. Amiralay and Sabbagh in the Post-cinematic Age - Samirah Alkassim -- 9. Family Resemblance: An Anthropologist Looks at Moroccan Documentary - Kevin Dwyer -- 10. Affective Alternatives to Sectarianism in Maroun Baghdadi’s Documentaries - Jeremy Randall -- BLOC 4: POLITICAL AESTHETICS OF STATE AND REVOLUTION IN EGYPT -- 11. Terrorism and Kebab: The Administrative Grotesque and the “Egyptian Chaplin”‒‒Notes on Humor, Resistance, and Biopolitics - Isabelle Freda -- 12. Exceptions to the Rule: The Mechanics of War and the Institution in Egyptian Cinema - Iman Hamam -- 13. Teaching Egypt Cinematically -Terri Ginsberg.
520 |a"Ginsberg and Lippard have managed something rare: a riveting collection of essays with a consistently strong voice throughout. These chapters treat a diverse archive of films, filmmakers, and contexts with theoretical and historical depth and an urgency of interpretation, challenging the enormous gaps in our knowledge of Arab cinematic expression. Not only is this book indispensable for courses on Arab cinema, it will undoubtedly prompt new routes of inquiry for researchers, teachers, and viewers alike." — Peter Limbrick, University of California-Santa Cruz, USA “Cinema of the Arab World fills gaps in the literature and re-envisions the ways in which Arab cinema has been looked at previously. It succeeds by avoiding conforming to the stereotypical molds that guide some scholarship about the region. The mix of established scholars as well as young researchers, and the inclusion of different philosophical and critical theories and methodologies, make this book indispensable to anyone interested in understanding contemporary Arab cinema. Highly recommended." — Orayb Najjar, Northern Illinois University, USA This volume engages new films and modes of scholarly research in Arab cinema, and older, often neglected films and critical topics, while theorizing their structural relationship to contemporary developments in the Arab world. The volume considers the relationship of Arab cinema to transnational film production, distribution, and exhibition, in turn recontextualizing the works of acknowledged as well as new directorial figures, and country-specific phenomena. New documentary and experimental practices are referenced and critiqued, while commercial cinema is covered both as an industrial product and as one of several instances of contestation. The volume thus showcases the breadth and depth of Arab film culture and its multilayered connections to local conditions, regional affiliations, and the tendencies and aesthetics of global cinema.
650 0|aMotion pictures.
650 0|aEthnology|xMiddle East .
650 0|aCulture.
650 0|aCommunication.
650 0|aMotion pictures|xProduction and direction.
650 14|aGlobal Film and TV.
650 24|aMiddle Eastern Culture.
650 24|aMedia and Communication.
650 24|aFilm and Television Production.
650 24|aFilm Theory.
700 1 |aGinsberg, Terri.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aLippard, Chris.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030300807
776 08|iPrinted edition:|z9783030300821
776 08|iPrinted edition:|z9783030300838
830 0|aGlobal Cinema,|x2634-596X
856 40|uhttps://doi.org/10.1007/978-3-030-30081-4
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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