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008 180731s2018 sz | s |||| 0|eng d
020 |a9783319943671|9978-3-319-94367-1
024 7 |a10.1007/978-3-319-94367-1|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1560-1590
050 4|aPN2000-3307
072 7|aAN|2bicssc
072 7|aPER000000|2bisacsh
072 7|aAT|2thema
082 04|a790|223
090 |aEK/5814
100 1 |aMantoan, Lindsey.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aWar as Performance|h[electronic resource] :|bConflicts in Iraq and Political Theatricality /|cby Lindsey Mantoan.
250 |a1st ed. 2018.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2018.
300 |aXII, 236 p. 16 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. Introduction: The Intersection of War and Performance -- 2. Impresarios and Protestors: From the Bush Administration to Cindy Sheehan -- 3. Ancient Wars, Endless War: Adaptations of Greek Tragedy -- 4. Not Just “Over There”: Theater of the Real and Iraqi Voices -- 5. Ideologically Liberal and Formally Conservative: Satire, News, and Truthiness -- 6. War After the End: Post-Apocalyptic Narratives After 9/11 -- 7. Epilogue: War as Performance.
520 |aThis book examines performance in the context of the 2003 Iraq War and subsequent conflicts with Daesh, or the so-called Islamic State. Working within a theater and performance studies lens, it analyzes adaptations of Greek tragedy, documentary theater, political performances by the Bush administration, protest performances, satiric news television programs, and post-apocalyptic narratives in popular culture. By considering performance across genre and media, War as Performance offers an interdisciplinary approach to the study of culture, warfare, and militarization, and argues that spectacular and banal aesthetics of contemporary war positions performance as a practice struggling to distance itself from appropriation by the military for violent ends. Contemporary warfare has infiltrated our narratives to such an extent that it holds performance hostage. As lines between the military and performance weaken, this book analyzes how performance responds to and potentiallyshapes war and conflict in the new century.
650 0|aPerforming arts.
650 0|aTheater.
650 0|aTheater|xHistory.
650 0|aPeace.
650 0|aAmerica|xPolitics and government.
650 0|aEthnology|xAmerica.
650 0|aCulture.
650 14|aTheatre and Performance Arts.
650 24|aContemporary Theatre and Performance.
650 24|aPeace and Conflict Studies.
650 24|aAmerican Politics.
650 24|aAmerican Culture.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319943664
776 08|iPrinted edition:|z9783319943688
776 08|iPrinted edition:|z9783030068394
856 40|uhttps://doi.org/10.1007/978-3-319-94367-1
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)