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008 181023s2018 sz | s |||| 0|eng d
020 |a9783319933450|9978-3-319-93345-0
024 7 |a10.1007/978-3-319-93345-0|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN2181-2193
072 7|aAN|2bicssc
072 7|aPER011000|2bisacsh
072 7|aATD|2thema
082 04|a792.9|223
090 |aEK/5819
100 1 |aPrice, Graham.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aOscar Wilde and Contemporary Irish Drama|h[electronic resource] :|bLearning to be Oscar's Contemporary /|cby Graham Price.
250 |a1st ed. 2018.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2018.
300 |aXII, 249 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. Introduction: The Future is what Artists Are -- 2. Brian Friel: The Liar as Artist -- 3. Thomas Kilroy: Biography but with the facts changed -- 4. Tom Murphy: We are all in the gutter, but some of us are looking at the stars -- 5. Frank McGuinness: To Hell with the truth so long as it rhymes -- 6. Marina Carr: All women become like their mothers. That is their tragedy. No man does. That’s his -- 7. Epilogue.
520 |aThis book is about the Wildean aesthetic in contemporary Irish drama. Through elucidating a discernible Wildean strand in the plays of Brian Friel, Tom Murphy, Thomas Kilroy, Marina Carr and Frank McGuinness, it demonstrates that Oscar Wilde's importance to Ireland's theatrical canon is equal to that of W. B. Yeats, J. M. Synge and Samuel Beckett. The study examines key areas of the Wildean aesthetic: his aestheticizing of experience via language and self-conscious performance; the notion of the dandy in Wildean texts and how such a figure is engaged with in today's dramas; and how his contribution to the concept of a ‘verbal theatre’ has influenced his dramatic successors. It is of particular pertinence to academics and postgraduate students in the fields of Irish drama and Irish literature, and for those interested in the work of Oscar Wilde, Brian Friel, Tom Murphy, Thomas Kilroy, Marina Carr and Frank McGuinness.
650 0|aTheater|xHistory.
650 0|aTheater.
650 0|aEuropean literature.
650 14|aContemporary Theatre and Performance.
650 24|aNational and Regional Theatre and Performance.
650 24|aEuropean Literature.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319933443
776 08|iPrinted edition:|z9783319933467
776 08|iPrinted edition:|z9783030404956
856 40|uhttps://doi.org/10.1007/978-3-319-93345-0
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)