Staging Loss [electronic resource] : Performance as Commemoration / edited by Michael Pinchbeck, Andrew Westerside.
Erişim Adresi
ISBN
9783319979700
Dil Kodu
İngilizce
Yer Numarası
EK/3205
Basım Bildirimi
1st ed. 2018.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2018.
Fiziksel Niteleme
XXII, 265 p. 22 illus., 20 illus. in color. online resource.
İçindekiler Notu
1. Staging loss: an introduction -- 2. There is some corner of a Lincolnshire field…: locating commemoration in the performance of Leaving Home; Andrew Westerside -- 3. Watching with mother: ‘rejourning’ the wartime memories of a Wren, 1946/2016; Karen Savage and Justin Smith -- 4. Commemoration: sacred differentiation of time and space in three WWI projects; Helen Newall -- 5. Making Bolero: dramaturgies of remembrance; Michael Pinchbeck -- 6. Andrew Bovell in the History Wars: Australia's continuing cultural crisis of remembering and forgetting; Donald Pulford -- 7. After them, the flood: remembering, performance and the writing of history; Dan Ellin and Conan Lawrence -- 8. Cheers, Grandad! Third Angel’s Cape Wrath and The Lad Lit Project as acts of remembrance; Alexander Kelly -- 9. On Leaving the House: the loss of self and the search for “the freedom of being” in The Wooster Group’s Vieux Carré; Andrew Quick -- 10. The God, the owner & the master: staging rites of passage in the maritime crossing the line ceremony; Lisa Gaughan -- 11. Staging absence and the (un)making of memory in A Duet Without You; Chloé Déchery -- 12. Trace: shame and the art of mourning; Louie Jenkins -- 13. The performative ritual of loss: marking the intangible; Clare Parry-Jones -- 14. Searching shadows, lighting bones: commemorative performance as a radical, open-ended and ethical action; Emily Orley -- 15. Conclusion: Some words speak of events. Other words, events make us speak.
Özet, vb.
This book locates and critically theorises an emerging field of twenty-first century theatre practice concerned, either thematically, methodologically, or formally, with acts of commemoration and the commemorative. With notions of memorial, celebration, temporality and remembrance at its heart, and as a timely topic for debate, this book asks how theatre and performance intersects with commemorative acts or rituals in contemporary theatre and performance practice. It considers the (re)performance of history, commemoration as a form of, or performance of, ritual, performance as memorial, performance as eulogy and eulogy as performance. It asks where personal acts of remembrance merge with public or political acts of remembrance, where the boundary between the commemorative and the performative might lie, and how it might be blurred, broken or questioned. It explores how we might remake the past in the present, to consider not just how performance commemorates but how commemoration performs.
Konu
Theater __ History.
Performing arts.
Theater.
Contemporary Theatre and Performance.
Theatre and Performance Arts.
National and Regional Theatre and Performance.
Performing arts.
Theater.
Contemporary Theatre and Performance.
Theatre and Performance Arts.
National and Regional Theatre and Performance.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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250 |a1st ed. 2018.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2018.
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505 0 |a1. Staging loss: an introduction -- 2. There is some corner of a Lincolnshire field…: locating commemoration in the performance of Leaving Home; Andrew Westerside -- 3. Watching with mother: ‘rejourning’ the wartime memories of a Wren, 1946/2016; Karen Savage and Justin Smith -- 4. Commemoration: sacred differentiation of time and space in three WWI projects; Helen Newall -- 5. Making Bolero: dramaturgies of remembrance; Michael Pinchbeck -- 6. Andrew Bovell in the History Wars: Australia's continuing cultural crisis of remembering and forgetting; Donald Pulford -- 7. After them, the flood: remembering, performance and the writing of history; Dan Ellin and Conan Lawrence -- 8. Cheers, Grandad! Third Angel’s Cape Wrath and The Lad Lit Project as acts of remembrance; Alexander Kelly -- 9. On Leaving the House: the loss of self and the search for “the freedom of being” in The Wooster Group’s Vieux Carré; Andrew Quick -- 10. The God, the owner & the master: staging rites of passage in the maritime crossing the line ceremony; Lisa Gaughan -- 11. Staging absence and the (un)making of memory in A Duet Without You; Chloé Déchery -- 12. Trace: shame and the art of mourning; Louie Jenkins -- 13. The performative ritual of loss: marking the intangible; Clare Parry-Jones -- 14. Searching shadows, lighting bones: commemorative performance as a radical, open-ended and ethical action; Emily Orley -- 15. Conclusion: Some words speak of events. Other words, events make us speak.
520 |aThis book locates and critically theorises an emerging field of twenty-first century theatre practice concerned, either thematically, methodologically, or formally, with acts of commemoration and the commemorative. With notions of memorial, celebration, temporality and remembrance at its heart, and as a timely topic for debate, this book asks how theatre and performance intersects with commemorative acts or rituals in contemporary theatre and performance practice. It considers the (re)performance of history, commemoration as a form of, or performance of, ritual, performance as memorial, performance as eulogy and eulogy as performance. It asks where personal acts of remembrance merge with public or political acts of remembrance, where the boundary between the commemorative and the performative might lie, and how it might be blurred, broken or questioned. It explores how we might remake the past in the present, to consider not just how performance commemorates but how commemoration performs.
650 0|aTheater|xHistory.
650 0|aPerforming arts.
650 0|aTheater.
650 14|aContemporary Theatre and Performance.
650 24|aTheatre and Performance Arts.
650 24|aNational and Regional Theatre and Performance.
700 1 |aPinchbeck, Michael.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aWesterside, Andrew.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319979694
776 08|iPrinted edition:|z9783319979717
776 08|iPrinted edition:|z9783030404857
856 40|uhttps://doi.org/10.1007/978-3-319-97970-0
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
001 840099
003 TR_AnAIT
005 20260715041431
007 cr nn 008mamaa
008 181111s2018 sz | s |||| 0|eng d
020 |a9783319979700|9978-3-319-97970-0
024 7 |a10.1007/978-3-319-97970-0|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN2181-2193
072 7|aAN|2bicssc
072 7|aPER011000|2bisacsh
072 7|aATD|2thema
082 04|a792.9|223
090 |aEK/3205
245 10|aStaging Loss|h[electronic resource] :|bPerformance as Commemoration /|cedited by Michael Pinchbeck, Andrew Westerside.
250 |a1st ed. 2018.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2018.
300 |aXXII, 265 p. 22 illus., 20 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. Staging loss: an introduction -- 2. There is some corner of a Lincolnshire field…: locating commemoration in the performance of Leaving Home; Andrew Westerside -- 3. Watching with mother: ‘rejourning’ the wartime memories of a Wren, 1946/2016; Karen Savage and Justin Smith -- 4. Commemoration: sacred differentiation of time and space in three WWI projects; Helen Newall -- 5. Making Bolero: dramaturgies of remembrance; Michael Pinchbeck -- 6. Andrew Bovell in the History Wars: Australia's continuing cultural crisis of remembering and forgetting; Donald Pulford -- 7. After them, the flood: remembering, performance and the writing of history; Dan Ellin and Conan Lawrence -- 8. Cheers, Grandad! Third Angel’s Cape Wrath and The Lad Lit Project as acts of remembrance; Alexander Kelly -- 9. On Leaving the House: the loss of self and the search for “the freedom of being” in The Wooster Group’s Vieux Carré; Andrew Quick -- 10. The God, the owner & the master: staging rites of passage in the maritime crossing the line ceremony; Lisa Gaughan -- 11. Staging absence and the (un)making of memory in A Duet Without You; Chloé Déchery -- 12. Trace: shame and the art of mourning; Louie Jenkins -- 13. The performative ritual of loss: marking the intangible; Clare Parry-Jones -- 14. Searching shadows, lighting bones: commemorative performance as a radical, open-ended and ethical action; Emily Orley -- 15. Conclusion: Some words speak of events. Other words, events make us speak.
520 |aThis book locates and critically theorises an emerging field of twenty-first century theatre practice concerned, either thematically, methodologically, or formally, with acts of commemoration and the commemorative. With notions of memorial, celebration, temporality and remembrance at its heart, and as a timely topic for debate, this book asks how theatre and performance intersects with commemorative acts or rituals in contemporary theatre and performance practice. It considers the (re)performance of history, commemoration as a form of, or performance of, ritual, performance as memorial, performance as eulogy and eulogy as performance. It asks where personal acts of remembrance merge with public or political acts of remembrance, where the boundary between the commemorative and the performative might lie, and how it might be blurred, broken or questioned. It explores how we might remake the past in the present, to consider not just how performance commemorates but how commemoration performs.
650 0|aTheater|xHistory.
650 0|aPerforming arts.
650 0|aTheater.
650 14|aContemporary Theatre and Performance.
650 24|aTheatre and Performance Arts.
650 24|aNational and Regional Theatre and Performance.
700 1 |aPinchbeck, Michael.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aWesterside, Andrew.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319979694
776 08|iPrinted edition:|z9783319979717
776 08|iPrinted edition:|z9783030404857
856 40|uhttps://doi.org/10.1007/978-3-319-97970-0
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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