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008 190205s2019 sz | s |||| 0|eng d
020 |a9783030125714|9978-3-030-12571-4
024 7 |a10.1007/978-3-030-12571-4|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1600-3307.2
072 7|aAP|2bicssc
072 7|aPER004000|2bisacsh
072 7|aAT|2thema
082 04|a791.4|223
090 |aEK/3375
100 1 |aDixon, Wheeler Winston.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aSynthetic Cinema|h[electronic resource] :|bThe 21st-Century Movie Machine /|cby Wheeler Winston Dixon.
250 |a1st ed. 2019.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Pivot,|c2019.
300 |aVII, 91 p. 1 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. Synthetic Cinema: Leaving the Real World -- 2. Service Providers: Form Over Content -- 3. Slaves of Vision: The VR World -- 4. The 21st-Century Movie Machine.
520 |aIn this book, Wheeler Winston Dixon argues that 21st-century mainstream filmmaking is increasingly and troublingly dominated by "synthetic cinema." He details how movies over the last two decades have fundamentally abandoned traditional filmmaking values through the overwhelming use of computer generated imagery, digital touch ups for the actors, and extensive use of green screen technology that replace sets and location shooting. Combined with the shift to digital cinematography, as well as the rise of comic book and franchise cinema, the temptation to augment movies with lavish, computer generated spectacle has proven irresistible to both directors and audiences, to the point that, Dixon argues, 21st-century commercial cinema is so far removed from the real world that it has created a new era of flawless, fake movies. Wheeler Winston Dixon is the James Ryan Professor of Film Studies, Coordinator of the Film Studies Program, and Professor of English at the University of Nebraska, Lincoln, USA. Among his extensive list of books, he is author of three Palgrave Pivot titles: A Brief History of Comic Book Movies (co-authored with Richard Graham, Palgrave, 2017), Hollywood in Crisis or: The Collapse of the Real (Palgrave, 2016), and Dark Humor in Films of the 1960s (Palgrave, 2015).
650 0|aMotion pictures.
650 0|aTelevision broadcasting.
650 0|aTechnology|xSociological aspects.
650 0|aMotion picture industry.
650 0|aMotion pictures|xProduction and direction.
650 0|aPopular Culture.
650 14|aFilm and Television Studies.
650 24|aScience, Technology and Society.
650 24|aFilm and Television Industry.
650 24|aFilm and Television Production.
650 24|aPopular Culture.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030125707
776 08|iPrinted edition:|z9783030125721
776 08|iPrinted edition:|z9783030125738
856 40|uhttps://doi.org/10.1007/978-3-030-12571-4
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)