Queer/Adaptation [electronic resource] : A Collection of Critical Essays / edited by Pamela Demory.
Erişim Adresi
ISBN
9783030053062
Dil Kodu
İngilizce
Yer Numarası
EK/3437
Basım Bildirimi
1st ed. 2019.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2019.
Fiziksel Niteleme
XVII, 268 p. 30 illus., 28 illus. in color. online resource.
Dizi
Palgrave Studies in Adaptation and Visual Culture, 2634-6303
İçindekiler Notu
1. Queer/Adaptation: An Introduction, Pamela Demory -- Part I: Adapting as Queering/Queering as Adapting -- 2. Emancipating Madame Butterfly, Nick Bamford -- 3. Queering Agatha Christie: Barry Sandler’s Camp Adaptation of The Mirror Crack’d, Tison Pugh -- 4. The Queer Aesthetics of Tom Ford’s Film Adaptations: A Single Man and Nocturnal Animals, Scott Stoddart -- 5. Hannibal: Beginning to Bloom, Mat Daniel -- Part II: Bodies, Time and Space -- 6. Moonlight, Adaptation, and Queer Time, Pamela Demory -- 7. Adaptation as Queer Touching in The Safety of Objects: Transgressing the Boundaries of Bodies and Texts, Chiara Pellegrini -- 8. Fuck-Scripting: Becoming-Queer in Interior. Leather Bar, Jerry Thomas -- 9. Adapting Queer Shorts to Feature Films: Does Size Really Matter?, Whitney Monaghan and Stuart Richards -- 10. Transnational Slash: Korean Drama Formats, Boys’ Love Fanfic, and the Place of Queerness in East Asian Media Flows, John Lessard -- Part III: Queerer and Queerer: Promiscuity and Multiplicity -- 11. Queer Many Ways: Ulrike Ottinger’s Dorian Gray im Spiegel der Boulevardpresse (1984), Shannon Brownlee -- 12. Blood Doubles: A Renegotiation of Sheridan Le Fanu’s Carmilla on Film, Shelby Wilson -- 13. Hitchcock Goes to Italy and Spain: Euro-Horror and Queer Adaptation, Fernando Gabriel Pagnoni Berns -- 14. Dazzle, Gradually: A ‘Tru” Account of Adapting Capote’s In Cold Blood, Michael Perez -- 15. Willful Infidelities: Camping Camille, Jamie Hook.
Özet, vb.
This collection of essays illuminates the intersection of queer and adaptation. Both adaptation and queerness suffer from the stereotype of being secondary: to identify something as an adaptation is to recognize it in relation to something else that seems more original, more authentic. Similarly, to identify something as queer is to place it in relation to what is assumed to be “normal” or “straight.” This ground-breaking volume brings together fifteen original essays that critically challenge these assumptions about originality, authenticity, and value. The volume is organized in three parts: The essays in Part I examine what happens when an adaptation queers its source text and explore the role of the author/screenwriter/director in making those choices. The essays in Part II look at what happens when filmmakers push against boundaries of various kinds: time and space, texts and bodies, genres and formats. And the essays in Part III explore adaptations whose source texts cannot be easily pinned down, where there are multiple adaptations, and where the adaptation process itself is queer. The book includes discussion of a wide variety of texts, including opera, classic film, genre fiction, documentary, musicals, literary fiction, low-budget horror, camp classics, and experimental texts, providing a comprehensive and interdisciplinary introduction to the myriad ways in which queer and adaptation overlap. .
Konu
Adaptation (Literary, artistic, etc.).
Queer theory.
Adaptation Studies.
Queer Studies.
Queer theory.
Adaptation Studies.
Queer Studies.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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505 0 |a1. Queer/Adaptation: An Introduction, Pamela Demory -- Part I: Adapting as Queering/Queering as Adapting -- 2. Emancipating Madame Butterfly, Nick Bamford -- 3. Queering Agatha Christie: Barry Sandler’s Camp Adaptation of The Mirror Crack’d, Tison Pugh -- 4. The Queer Aesthetics of Tom Ford’s Film Adaptations: A Single Man and Nocturnal Animals, Scott Stoddart -- 5. Hannibal: Beginning to Bloom, Mat Daniel -- Part II: Bodies, Time and Space -- 6. Moonlight, Adaptation, and Queer Time, Pamela Demory -- 7. Adaptation as Queer Touching in The Safety of Objects: Transgressing the Boundaries of Bodies and Texts, Chiara Pellegrini -- 8. Fuck-Scripting: Becoming-Queer in Interior. Leather Bar, Jerry Thomas -- 9. Adapting Queer Shorts to Feature Films: Does Size Really Matter?, Whitney Monaghan and Stuart Richards -- 10. Transnational Slash: Korean Drama Formats, Boys’ Love Fanfic, and the Place of Queerness in East Asian Media Flows, John Lessard -- Part III: Queerer and Queerer: Promiscuity and Multiplicity -- 11. Queer Many Ways: Ulrike Ottinger’s Dorian Gray im Spiegel der Boulevardpresse (1984), Shannon Brownlee -- 12. Blood Doubles: A Renegotiation of Sheridan Le Fanu’s Carmilla on Film, Shelby Wilson -- 13. Hitchcock Goes to Italy and Spain: Euro-Horror and Queer Adaptation, Fernando Gabriel Pagnoni Berns -- 14. Dazzle, Gradually: A ‘Tru” Account of Adapting Capote’s In Cold Blood, Michael Perez -- 15. Willful Infidelities: Camping Camille, Jamie Hook.
520 |aThis collection of essays illuminates the intersection of queer and adaptation. Both adaptation and queerness suffer from the stereotype of being secondary: to identify something as an adaptation is to recognize it in relation to something else that seems more original, more authentic. Similarly, to identify something as queer is to place it in relation to what is assumed to be “normal” or “straight.” This ground-breaking volume brings together fifteen original essays that critically challenge these assumptions about originality, authenticity, and value. The volume is organized in three parts: The essays in Part I examine what happens when an adaptation queers its source text and explore the role of the author/screenwriter/director in making those choices. The essays in Part II look at what happens when filmmakers push against boundaries of various kinds: time and space, texts and bodies, genres and formats. And the essays in Part III explore adaptations whose source texts cannot be easily pinned down, where there are multiple adaptations, and where the adaptation process itself is queer. The book includes discussion of a wide variety of texts, including opera, classic film, genre fiction, documentary, musicals, literary fiction, low-budget horror, camp classics, and experimental texts, providing a comprehensive and interdisciplinary introduction to the myriad ways in which queer and adaptation overlap. .
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532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aAdaptation (Literary, artistic, etc.).
650 0|aQueer theory.
650 14|aAdaptation Studies.
650 24|aQueer Studies.
700 1 |aDemory, Pamela.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
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776 08|iPrinted edition:|z9783030053079
830 0|aPalgrave Studies in Adaptation and Visual Culture,|x2634-6303
856 40|uhttps://doi.org/10.1007/978-3-030-05306-2
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912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
001 840196
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049 |aTürk Dil Kurumu Kütüphanesi
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072 7|aPER004000|2bisacsh
072 7|aAT|2thema
082 04|a791.436|223
090 |aEK/3437
245 10|aQueer/Adaptation|h[electronic resource] :|bA Collection of Critical Essays /|cedited by Pamela Demory.
250 |a1st ed. 2019.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2019.
300 |aXVII, 268 p. 30 illus., 28 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
341 0 |bTable of contents navigation|2onix
341 0 |bSingle logical reading order|2onix
341 0 |bShort alternative textual descriptions|2onix
341 0 |bUse of color is not sole means of conveying information|2onix
341 0 |bUse of high contrast between text and background color|2onix
341 0 |bNext / Previous structural navigation|2onix
341 0 |bAll non-decorative content supports reading without sight|2onix
347 |atext file|bPDF|2rda
490 1 |aPalgrave Studies in Adaptation and Visual Culture,|x2634-6303
505 0 |a1. Queer/Adaptation: An Introduction, Pamela Demory -- Part I: Adapting as Queering/Queering as Adapting -- 2. Emancipating Madame Butterfly, Nick Bamford -- 3. Queering Agatha Christie: Barry Sandler’s Camp Adaptation of The Mirror Crack’d, Tison Pugh -- 4. The Queer Aesthetics of Tom Ford’s Film Adaptations: A Single Man and Nocturnal Animals, Scott Stoddart -- 5. Hannibal: Beginning to Bloom, Mat Daniel -- Part II: Bodies, Time and Space -- 6. Moonlight, Adaptation, and Queer Time, Pamela Demory -- 7. Adaptation as Queer Touching in The Safety of Objects: Transgressing the Boundaries of Bodies and Texts, Chiara Pellegrini -- 8. Fuck-Scripting: Becoming-Queer in Interior. Leather Bar, Jerry Thomas -- 9. Adapting Queer Shorts to Feature Films: Does Size Really Matter?, Whitney Monaghan and Stuart Richards -- 10. Transnational Slash: Korean Drama Formats, Boys’ Love Fanfic, and the Place of Queerness in East Asian Media Flows, John Lessard -- Part III: Queerer and Queerer: Promiscuity and Multiplicity -- 11. Queer Many Ways: Ulrike Ottinger’s Dorian Gray im Spiegel der Boulevardpresse (1984), Shannon Brownlee -- 12. Blood Doubles: A Renegotiation of Sheridan Le Fanu’s Carmilla on Film, Shelby Wilson -- 13. Hitchcock Goes to Italy and Spain: Euro-Horror and Queer Adaptation, Fernando Gabriel Pagnoni Berns -- 14. Dazzle, Gradually: A ‘Tru” Account of Adapting Capote’s In Cold Blood, Michael Perez -- 15. Willful Infidelities: Camping Camille, Jamie Hook.
520 |aThis collection of essays illuminates the intersection of queer and adaptation. Both adaptation and queerness suffer from the stereotype of being secondary: to identify something as an adaptation is to recognize it in relation to something else that seems more original, more authentic. Similarly, to identify something as queer is to place it in relation to what is assumed to be “normal” or “straight.” This ground-breaking volume brings together fifteen original essays that critically challenge these assumptions about originality, authenticity, and value. The volume is organized in three parts: The essays in Part I examine what happens when an adaptation queers its source text and explore the role of the author/screenwriter/director in making those choices. The essays in Part II look at what happens when filmmakers push against boundaries of various kinds: time and space, texts and bodies, genres and formats. And the essays in Part III explore adaptations whose source texts cannot be easily pinned down, where there are multiple adaptations, and where the adaptation process itself is queer. The book includes discussion of a wide variety of texts, including opera, classic film, genre fiction, documentary, musicals, literary fiction, low-budget horror, camp classics, and experimental texts, providing a comprehensive and interdisciplinary introduction to the myriad ways in which queer and adaptation overlap. .
532 8 |aAccessibility summary: This PDF does not fully comply with PDF/UA standards, but does feature limited screen reader support, described non-text content (images, graphs), bookmarks for easy navigation and searchable, selectable text. Users of assistive technologies may experience difficulty navigating or interpreting content in this document. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aAdaptation (Literary, artistic, etc.).
650 0|aQueer theory.
650 14|aAdaptation Studies.
650 24|aQueer Studies.
700 1 |aDemory, Pamela.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030053055
776 08|iPrinted edition:|z9783030053079
830 0|aPalgrave Studies in Adaptation and Visual Culture,|x2634-6303
856 40|uhttps://doi.org/10.1007/978-3-030-05306-2
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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