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020 |a9783030048679|9978-3-030-04867-9
024 7 |a10.1007/978-3-030-04867-9|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aTR1-1050
072 7|aAJ|2bicssc
072 7|aPHO000000|2bisacsh
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090 |aEK/3367
100 1 |aGustafsson, Henrik.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aCrime Scenery in Postwar Film and Photography|h[electronic resource] /|cby Henrik Gustafsson.
250 |a1st ed. 2019.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2019.
300 |aXV, 285 p. 30 illus., 3 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. Imperfect Crimes -- 2. From Dreamwork to Earthwork -- 3. Intruders in the Dust -- 4. A Murder of Crows -- 5. Persistence of Vision -- 6. The Testimony of Trees.
520 |aThis book offers a rare and innovative consideration of an enduring tendency in postwar art to explore places devoid of human agents in the wake of violent encounters. To see the scenery together with the crime elicits a double interrogation, not merely of a physical site but also of its formation as an aesthetic artefact, and ultimately of our own acts of looking and imagining. Closely engaging with a vast array of works made by artists, filmmakers and photographers, each who has forged a distinct vantage point on the aftermath of crime and conflict, the study selectively maps the afterlife of landscape in search of the political and ethical agency of the image. By way of a thoroughly interdisciplinary approach, Crime Scenery in Postwar Film and Photography brings landscape studies into close dialogue with contemporary theory by paying sustained attention to how the gesture of retracing past events facilitates new configurations of the present and future.
650 0|aPhotography.
650 0|aCollective memory.
650 0|aTransnational crime.
650 14|aPhotography.
650 24|aMemory Studies.
650 24|aTransnational Crime.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030048662
776 08|iPrinted edition:|z9783030048686
776 08|iPrinted edition:|z9783031088889
856 40|uhttps://doi.org/10.1007/978-3-030-04867-9
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)