Martial Culture and Historical Martial Arts in Europe and Asia [electronic resource] : A Multi-perspective View on Sword Culture / edited by Hing Chao, Daniel Jaquet, Loretta Kim.
Erişim Adresi
ISBN
9789811920370
Dil Kodu
İngilizce
Yer Numarası
EK/3310
Basım Bildirimi
1st ed. 2023.
Yayın Bilgisi
Singapore : Springer Nature Singapore : Imprint: Springer, 2023.
Fiziksel Niteleme
XXII, 381 p. 267 illus., 230 illus. in color. online resource.
Dizi
Martial Studies, 2662-1444 ; 2
İçindekiler Notu
Part 1 : Sword Culture from Socio-historic Perspectives -- Chapter 1 - Stratification in Italian Martial Culture (Roberto Gotti & Enrico Valseriati) -- Chapter 2 - Development of the Yanlingdao from the Yuan to Qing dynasty (Gong Jian) -- Chapter 3 - Daniel Jaquet, The Rise of the Two-Handed Sword in the Age of Staff-Weapons -- Chapter 4 - Ma Lianzhen, The Origin of the Two-Handed Sword in China -- Part 2: Fight Books: the Transmission and Interpretation of Knowledge -- Chapter 5 - Omar Ma, Ming Dynasty Chinese Fencing Treatises -- Chapter 6 - Miriam Vogelaar, Fabris’s 1606 Fencing Manual: an Analytical Bibliographical Study -- Chapter 7 - Manuel Valle Ortiz, The Ferrara Manuscript: Destreza and Vulgar -- Part 3: Material Culture: Weapons, Technology, & Aesthetics -- Chapter 8 - Hu Xiaojun, Rediscovering Swordmaking Techniques of Ancient China: Insights from Reconstructing a Han-Dynasty Ring-Pommel Dao -- Chapter 9 - Gabriele Tonelli, Historical Sword-making Techniques in Northern Italy in the XVI and XVII Centuries -- part 4 : Classical Martial Art Traditions -- Chapter 10 - Ma Lianzhen, Duanbing and the History of Fencing in China -- Chapter 11 - Jacopo Penso, Interpreting Achille Marozzo’s System of Sword-fighting: A Contemporary Case Study -- Chapter 12 - Axel Pettersson, Applying Pedagogic Methods in Historic European Martial Arts. .
Özet, vb.
This open access book is the first publication to provide a comparative framework for the study of martial culture and historical martial arts in Europe and Asia, in particular in Italy and China. Due to the interdisciplinary nature of martial studies, contributors to this volume include historians, archeologists, art historians, scholars of fencing literature, metallurgists, as well as contemporary master swordsmiths and masters-of-arms in historical martial arts. Assembling researchers from these diverse fields, this book offers a multi-perspectival and dynamic view of martial culture across time and space. The cross-cultural and interdisciplinary significance of this book cannot be overemphasized. Whereas a number of contributors are internationally recognized and, indeed, leading authorities in their respective fields; for example, Jeffrey Shaw has been a world-leading new media artist and scholar since the 1970s, while Ma Mingda is a well-known historian and the contemporary founder of Chinese martial studies; and while there are significant overlaps in their research interests, this book brings their research within a single volume for the first time. Equally significant, the book is structured in such a way to reflect the various core aspects of martial studies, particularly in relation to the study of historic sword culture, including history, culture, philosophy, literature and knowledge transmission, material culture, as well as the technical aspects of historical fencing. As one of the first titles on martial studies, this book becomes a reference not only for scholars taking an interest in this subject, but also for historians; scholars with interest in Chinese and/or Italian history (particularly of the Medieval or early modern periods), the history of international relations in Asia / Far East; anthropologists; scholars of martial (arts) studies and researchers in sword-making and/or historic metallurgy.
Konu
Cultural property.
Digital humanities.
Ethnology.
Cultural Heritage.
Digital Humanities.
Sociocultural Anthropology.
Digital humanities.
Ethnology.
Cultural Heritage.
Digital Humanities.
Sociocultural Anthropology.
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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250 |a1st ed. 2023.
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506 0 |aOpen Access
520 |aThis open access book is the first publication to provide a comparative framework for the study of martial culture and historical martial arts in Europe and Asia, in particular in Italy and China. Due to the interdisciplinary nature of martial studies, contributors to this volume include historians, archeologists, art historians, scholars of fencing literature, metallurgists, as well as contemporary master swordsmiths and masters-of-arms in historical martial arts. Assembling researchers from these diverse fields, this book offers a multi-perspectival and dynamic view of martial culture across time and space. The cross-cultural and interdisciplinary significance of this book cannot be overemphasized. Whereas a number of contributors are internationally recognized and, indeed, leading authorities in their respective fields; for example, Jeffrey Shaw has been a world-leading new media artist and scholar since the 1970s, while Ma Mingda is a well-known historian and the contemporary founder of Chinese martial studies; and while there are significant overlaps in their research interests, this book brings their research within a single volume for the first time. Equally significant, the book is structured in such a way to reflect the various core aspects of martial studies, particularly in relation to the study of historic sword culture, including history, culture, philosophy, literature and knowledge transmission, material culture, as well as the technical aspects of historical fencing. As one of the first titles on martial studies, this book becomes a reference not only for scholars taking an interest in this subject, but also for historians; scholars with interest in Chinese and/or Italian history (particularly of the Medieval or early modern periods), the history of international relations in Asia / Far East; anthropologists; scholars of martial (arts) studies and researchers in sword-making and/or historic metallurgy.
532 8 |aAccessibility summary: This PDF does not fully comply with PDF/UA standards, but does feature limited screen reader support, described non-text content (images, graphs), bookmarks for easy navigation and searchable, selectable text. Users of assistive technologies may experience difficulty navigating or interpreting content in this document. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aCultural property.
650 0|aDigital humanities.
650 0|aEthnology.
650 14|aCultural Heritage.
650 24|aDigital Humanities.
650 24|aSociocultural Anthropology.
700 1 |aChao, Hing.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aJaquet, Daniel.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aKim, Loretta.|eeditor.|0(orcid)0000-0002-9033-4914|1https://orcid.org/0000-0002-9033-4914|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
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776 08|iPrinted edition:|z9789811920387
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830 0|aMartial Studies,|x2662-1444 ;|v2
856 40|uhttps://doi.org/10.1007/978-981-19-2037-0
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950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
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001 840247
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024 7 |a10.1007/978-981-19-2037-0|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aD1-2027
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072 7|aGM|2bicssc
072 7|aSOC002010|2bisacsh
072 7|aJBCC|2thema
072 7|aGLZ|2thema
082 04|a363.69|223
090 |aEK/3310
245 10|aMartial Culture and Historical Martial Arts in Europe and Asia|h[electronic resource] :|bA Multi-perspective View on Sword Culture /|cedited by Hing Chao, Daniel Jaquet, Loretta Kim.
250 |a1st ed. 2023.
264 1|aSingapore :|bSpringer Nature Singapore :|bImprint: Springer,|c2023.
300 |aXXII, 381 p. 267 illus., 230 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
341 0 |bTable of contents navigation|2onix
341 0 |bSingle logical reading order|2onix
341 0 |bShort alternative textual descriptions|2onix
341 0 |bUse of color is not sole means of conveying information|2onix
341 0 |bUse of high contrast between text and background color|2onix
341 0 |bNext / Previous structural navigation|2onix
341 0 |bAll non-decorative content supports reading without sight|2onix
347 |atext file|bPDF|2rda
490 1 |aMartial Studies,|x2662-1444 ;|v2
505 0 |aPart 1 : Sword Culture from Socio-historic Perspectives -- Chapter 1 - Stratification in Italian Martial Culture (Roberto Gotti & Enrico Valseriati) -- Chapter 2 - Development of the Yanlingdao from the Yuan to Qing dynasty (Gong Jian) -- Chapter 3 - Daniel Jaquet, The Rise of the Two-Handed Sword in the Age of Staff-Weapons -- Chapter 4 - Ma Lianzhen, The Origin of the Two-Handed Sword in China -- Part 2: Fight Books: the Transmission and Interpretation of Knowledge -- Chapter 5 - Omar Ma, Ming Dynasty Chinese Fencing Treatises -- Chapter 6 - Miriam Vogelaar, Fabris’s 1606 Fencing Manual: an Analytical Bibliographical Study -- Chapter 7 - Manuel Valle Ortiz, The Ferrara Manuscript: Destreza and Vulgar -- Part 3: Material Culture: Weapons, Technology, & Aesthetics -- Chapter 8 - Hu Xiaojun, Rediscovering Swordmaking Techniques of Ancient China: Insights from Reconstructing a Han-Dynasty Ring-Pommel Dao -- Chapter 9 - Gabriele Tonelli, Historical Sword-making Techniques in Northern Italy in the XVI and XVII Centuries -- part 4 : Classical Martial Art Traditions -- Chapter 10 - Ma Lianzhen, Duanbing and the History of Fencing in China -- Chapter 11 - Jacopo Penso, Interpreting Achille Marozzo’s System of Sword-fighting: A Contemporary Case Study -- Chapter 12 - Axel Pettersson, Applying Pedagogic Methods in Historic European Martial Arts. .
506 0 |aOpen Access
520 |aThis open access book is the first publication to provide a comparative framework for the study of martial culture and historical martial arts in Europe and Asia, in particular in Italy and China. Due to the interdisciplinary nature of martial studies, contributors to this volume include historians, archeologists, art historians, scholars of fencing literature, metallurgists, as well as contemporary master swordsmiths and masters-of-arms in historical martial arts. Assembling researchers from these diverse fields, this book offers a multi-perspectival and dynamic view of martial culture across time and space. The cross-cultural and interdisciplinary significance of this book cannot be overemphasized. Whereas a number of contributors are internationally recognized and, indeed, leading authorities in their respective fields; for example, Jeffrey Shaw has been a world-leading new media artist and scholar since the 1970s, while Ma Mingda is a well-known historian and the contemporary founder of Chinese martial studies; and while there are significant overlaps in their research interests, this book brings their research within a single volume for the first time. Equally significant, the book is structured in such a way to reflect the various core aspects of martial studies, particularly in relation to the study of historic sword culture, including history, culture, philosophy, literature and knowledge transmission, material culture, as well as the technical aspects of historical fencing. As one of the first titles on martial studies, this book becomes a reference not only for scholars taking an interest in this subject, but also for historians; scholars with interest in Chinese and/or Italian history (particularly of the Medieval or early modern periods), the history of international relations in Asia / Far East; anthropologists; scholars of martial (arts) studies and researchers in sword-making and/or historic metallurgy.
532 8 |aAccessibility summary: This PDF does not fully comply with PDF/UA standards, but does feature limited screen reader support, described non-text content (images, graphs), bookmarks for easy navigation and searchable, selectable text. Users of assistive technologies may experience difficulty navigating or interpreting content in this document. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aCultural property.
650 0|aDigital humanities.
650 0|aEthnology.
650 14|aCultural Heritage.
650 24|aDigital Humanities.
650 24|aSociocultural Anthropology.
700 1 |aChao, Hing.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aJaquet, Daniel.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aKim, Loretta.|eeditor.|0(orcid)0000-0002-9033-4914|1https://orcid.org/0000-0002-9033-4914|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9789811920363
776 08|iPrinted edition:|z9789811920387
776 08|iPrinted edition:|z9789811920394
830 0|aMartial Studies,|x2662-1444 ;|v2
856 40|uhttps://doi.org/10.1007/978-981-19-2037-0
912 |aZDB-2-LCM
912 |aZDB-2-SXL
912 |aZDB-2-SOB
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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