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020 |a9783319967677|9978-3-319-96767-7
024 7 |a10.1007/978-3-319-96767-7|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1995.9.D6
072 7|aAPFR|2bicssc
072 7|aPER004110|2bisacsh
072 7|aATFR|2thema
082 04|a791.43|223
090 |aEK/3712
245 10|aCritical Distance in Documentary Media|h[electronic resource] /|cedited by Gerda Cammaer, Blake Fitzpatrick, Bruno Lessard.
250 |a1st ed. 2018.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2018.
300 |aXVII, 336 p. 25 illus., 23 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. Introduction: Critically Distant, Gerda Cammaer, Blake Fitzpatrick, and Bruno Lessard -- 2. Indexicality in the Age of the Sensor and Metadata, Craig Hight -- 3. Shot in the Dark: Nocturnal Philosophy and Night Photography, Bruno Lessard -- 4. Approaches to Xianchang: Documenting the Real in Post-socialist China, Madeline Eschenburg -- 5. Ai Weiwei: Grafting as a Documentary Tactic in Art, Luisa Santos -- 6. Unsatisfactory Devices: Legacy and the Un-Documentable in Art, Angela Bartram -- 7. From Above: Critical Distance, Aerial Views and Counter-Images, Blake Fitzpatrick -- 8. Phantom Rides as Images of a World Unfolding, Gerda Cammaer -- 9. Mobile Media: A Reliable Documentary Witness?, Anandana Kapur -- 10. Redefining the ‘Document’: Social-Media Photographs as Narrative, Performance, Habitude, Kris Belden-Adams -- 11. Instagram as Archive: Constructing Experimental Documentary Narratives from EverydayMoments, Patrick Kelly -- 12. That Seagull Stole My Camera (and My Shot)!: Overlapping Metaphorical and Physical Distances in the Human-Animal-Camera Triad, Concepción Cortés-Zulueta -- 13. Longitudinal Listening: Documenting the Soundscape of Intermedial Vancouver, Randolph Jordan -- 14. From Voice to Listening: Becoming Implicated Through Multi-linear Documentary, Kim Munro -- From Critical Distance to Critical Intimacy: Interactive Documentary and Relational Media, Adrian Miles, with Bruno Lessard, Hannah Brasier and Franziska Weidle.
520 |aThis collection of essays presents new formulations of ideas and practices within documentary media that respond critically to the multifaceted challenges of our age. As social media, augmented reality, and interactive technologies play an increasing role in the documentary landscape, new theorizations are needed to account for how such media both represents recent political, socio-historical, environmental, and representational shifts, and challenges the predominant approaches by promoting new critical sensibilities. The contributions to this volume approach the idea of “critical distance” in a documentary context and in subjects as diverse as documentary exhibitions, night photography, drone imagery, installation art, mobile media, nonhuman creative practices, sound art and interactive technologies. It is essential reading for scholars, practitioners and students working in fields such as documentary studies, film studies, cultural studies, contemporary art history and digital mediastudies.
650 0|aDocumentary films.
650 0|aDigital media.
650 14|aDocumentary Studies.
650 24|aDigital and New Media.
700 1 |aCammaer, Gerda.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aFitzpatrick, Blake.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aLessard, Bruno.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319967660
776 08|iPrinted edition:|z9783319967684
776 08|iPrinted edition:|z9783030072476
856 40|uhttps://doi.org/10.1007/978-3-319-96767-7
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)