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008 190204s2019 sz | s |||| 0|eng d
020 |a9783030114138|9978-3-030-11413-8
024 7 |a10.1007/978-3-030-11413-8|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN760.5-769
072 7|aDSBF|2bicssc
072 7|aLIT024040|2bisacsh
072 7|aDSBF|2thema
082 04|a809.034|223
090 |aEK/3562
100 1 |aTaylor, Jonathan.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aLaughter, Literature, Violence, 1840–1930|h[electronic resource] /|cby Jonathan Taylor.
250 |a1st ed. 2019.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2019.
300 |aX, 258 p. 1 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. Preface: Allegories of Laughter. I. Comedy and Hybridity. II. Laughter and Annihilation -- 2. His ‘Last Jest’: On Laughter, Edgar Allan Poe and ‘Hop-Frog’. I. Comedy and Horror. II. Laughter and Democracy. III. Laughter and Leap-Frog -- 3. ‘Unseemly Levity’: On Memoirs, Humour and Edmund Gosse. I. Humour and Genre. II. Humour and Emotion. III. Humour and Text. IV. Humour and Beyond -- 4. ‘Perfect Laughter’: On War, Wyndham Lewis and The Wild Body. I. Laughter and Dualism. II. Laughter, Dualism and Bodies. III. Laughter, Dualism, Bodies and Anarchism -- 5. Epilogue: ‘Derisive Laughter’: On Superiority, Katherine Mansfield and ‘Miss Brill’.
520 |a"It's all here, everything, everything that has ever made someone laugh: Charlie Chaplin, Monty Python, sex, gas, dreams, ourang-outangs, the English, machines, mud, God, death, war, philosophy. In short: this is all but the last word on laughter – all but the last laugh, someone might say" — Professor John Schad, Lancaster University, UK "A provocative study of comic effects that are central to the reader's response yet overlooked by literary critics. Taylor's writing is both scholarly and entertaining, as he anatomises the links between laughter, cruelty and violence. His insights into the relationship between the hybridity of laughter and the generic hybridity of short story and memoir will be invaluable to scholars of both of these forms" — Professor Ailsa Cox, Edge Hill University, UK "Laughter, Literature, Violence, 1840-1930 treats the relationship between laughter and violence, and between conflicting emotions and incongruous feelings. This scholarly captivating study reflects upon the “hybrid” nature of humour by using works penned by American and British writers such as Edgar Allan Poe, Edmund Gosse, Wyndham Lewis and Katherine Mansfield. Deftly moving between philosophy and literature, Jonathan Taylor tackles the ambivalent implications of comedy against the grain of standard approaches to the idea of “amusement”. This book engages with recent scholarship, but – at the same time – offers a different perspective to the relationship between the literary and the humoristic, presenting an extensive treatment of the subject in a period ranging from the nineteenth century to Modernism." — Saverio Tomaiuolo, Associate Professor of English Literature and Language, Cassino University, Italy.
650 0|aLiterature, Modern|x19th century.
650 14|aNineteenth-Century Literature.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030114121
776 08|iPrinted edition:|z9783030114145
856 40|uhttps://doi.org/10.1007/978-3-030-11413-8
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)