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020 |a9783031225703|9978-3-031-22570-3
024 7 |a10.1007/978-3-031-22570-3|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aML3469-3543
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072 7|aMUS029000|2bisacsh
072 7|aAVLP|2thema
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090 |aEK/3721
100 1 |aCreney, Scott.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 14|aThe Story of the B-52s|h[electronic resource] :|bNeon Side of Town /|cby Scott Creney, Brigette Adair Herron.
250 |a1st ed. 2023.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2023.
300 |aXII, 256 p. 25 illus., 3 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
341 0 |bTable of contents navigation|2onix
341 0 |bSingle logical reading order|2onix
341 0 |bShort alternative textual descriptions|2onix
341 0 |bUse of color is not sole means of conveying information|2onix
341 0 |bUse of high contrast between text and background color|2onix
341 0 |bNext / Previous structural navigation|2onix
341 0 |bAll non-decorative content supports reading without sight|2onix
347 |atext file|bPDF|2rda
505 0 |a1. Neon -- 2. Athens: Pre-52s -- 3. Deadbeats -- 4. NYC -- 5. The B-52s -- 6. Wild Planet -- 7. Mesopotamia -- 8. Whammy -- 9. Satellites -- 10. Cosmic Thing -- 11. Good Stuff -- 12 Aftershocks. .
520 |aThe Story of the B-52s: Neon Side of Town is the first critical biography of one of the most unique popular bands in American music. The B-52s were far more than just a “tacky dance band.” Their aesthetic was shaped by the radical social and political conditions in Athens, Georgia, and their arrival in New York City profoundly influenced the next several years of music and art to come out of that city. The Story of the B-52s provides a deep critical analysis of the band’s music and original insights into the extraordinary people who made it. Their story, told here in full for the first time, contains all the elements of a great novel—success and failure, tragedy and triumph, life and death. Yet, at the heart of the B-52s music is a love for being alive that verges on the radical.
532 8 |aAccessibility summary: This PDF does not fully comply with PDF/UA standards, but does feature limited screen reader support, described non-text content (images, graphs), bookmarks for easy navigation and searchable, selectable text. Users of assistive technologies may experience difficulty navigating or interpreting content in this document. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aPopular music.
650 0|aQueer theory.
650 0|aPopular Culture.
650 0|aEthnology.
650 0|aCulture.
650 14|aPopular Music.
650 24|aPop and Rock.
650 24|aQueer Studies.
650 24|aPopular Culture.
650 24|aRegional Cultural Studies.
700 1 |aHerron, Brigette Adair.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783031225697
776 08|iPrinted edition:|z9783031225710
856 40|uhttps://doi.org/10.1007/978-3-031-22570-3
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)