Surveillance, Race, Culture [electronic resource] / edited by Susan Flynn, Antonia Mackay.
Erişim Adresi
ISBN
9783319779386
Dil Kodu
İngilizce
Yer Numarası
EK/3680
Basım Bildirimi
1st ed. 2018.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2018.
Fiziksel Niteleme
XIII, 294 p. 1 illus. online resource.
İçindekiler Notu
Introduction -- SECTION 1: SURVEILLANT TECHNOLOGIES -- Articulating Race: Reading Skin Colour as Taxonomy and as Biodata -- Government Surveillance, Racism, and Civic Virtue in the United States -- Sampled Sirens in the City of Los Angeles: Sounding Surveillance on the Black Contemporary Film Screen -- Medical Gazing and the ‘Oprah Effect’ in The Immortal Life of Henrietta Lacks (2017) -- SECTION 2: SCREEN -- Images of Black Identity: Spaces in-Between.-Knowing the Double Agent: Islam, Uncertainty and the Fragility of the Surveillant Gaze in Homeland -- Allegories of Apartheid: Abjection, Torture and Surveillance in Neill Blomkamp’s District 9 -- Intersectional Digital Dynamics and Racially Profiled Black Celebrities -- SECTION 3: LITERATURE, ART, PERFORMANCE, ACTION -- Let him be left to feel his way in the dark;” Frederick Douglass: White Surveillance and Dark Sousveillance -- Perceptions of Prisoners: Re/Constructing Meaning Inside the Frame of War -- Cops and Incarceration:Constructing Racial Narratives in Reality TV’s Prisons -- Pan-African Pessimism: The Man Who Cried I Am and the Limits of Black Nationalism -- We lived with death right at our backs.” Surveillance Experiences of Black Panther Party Activists -- Epilogue: Surveilling Culture. .
Özet, vb.
This collection of essays engages with a wide range of disciplines including art, performance, film and literature, to examine the myriad effects of contemporary surveillance on our cultural psyche. The volume expertly articulates the manner in which cultural productions have been complicit in watching, seeing and purporting to ‘know’ race. In our increasingly mediated world, our sense of community is becoming progressively virtual, and surveillant technologies impact upon subjectivity, resulting in multiple forms of artistic and cultural expression. As such, art, film, and literature provide a lens for the reflection of sociocultural concerns. In Surveillance, Race, Culture Flynn and Mackay skilfully draw together a diverse range of contributions to investigate the fundamental question of exactly how surveillant technologies have informed our notions of race, identity and belonging. .
Konu
Ethnology __ America.
Culture.
Technology __ Sociological aspects.
Culture __ Study and teaching.
American Culture.
Science, Technology and Society.
Cultural Studies.
Culture.
Technology __ Sociological aspects.
Culture __ Study and teaching.
American Culture.
Science, Technology and Society.
Cultural Studies.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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505 0 |aIntroduction -- SECTION 1: SURVEILLANT TECHNOLOGIES -- Articulating Race: Reading Skin Colour as Taxonomy and as Biodata -- Government Surveillance, Racism, and Civic Virtue in the United States -- Sampled Sirens in the City of Los Angeles: Sounding Surveillance on the Black Contemporary Film Screen -- Medical Gazing and the ‘Oprah Effect’ in The Immortal Life of Henrietta Lacks (2017) -- SECTION 2: SCREEN -- Images of Black Identity: Spaces in-Between.-Knowing the Double Agent: Islam, Uncertainty and the Fragility of the Surveillant Gaze in Homeland -- Allegories of Apartheid: Abjection, Torture and Surveillance in Neill Blomkamp’s District 9 -- Intersectional Digital Dynamics and Racially Profiled Black Celebrities -- SECTION 3: LITERATURE, ART, PERFORMANCE, ACTION -- Let him be left to feel his way in the dark;” Frederick Douglass: White Surveillance and Dark Sousveillance -- Perceptions of Prisoners: Re/Constructing Meaning Inside the Frame of War -- Cops and Incarceration:Constructing Racial Narratives in Reality TV’s Prisons -- Pan-African Pessimism: The Man Who Cried I Am and the Limits of Black Nationalism -- We lived with death right at our backs.” Surveillance Experiences of Black Panther Party Activists -- Epilogue: Surveilling Culture. .
520 |aThis collection of essays engages with a wide range of disciplines including art, performance, film and literature, to examine the myriad effects of contemporary surveillance on our cultural psyche. The volume expertly articulates the manner in which cultural productions have been complicit in watching, seeing and purporting to ‘know’ race. In our increasingly mediated world, our sense of community is becoming progressively virtual, and surveillant technologies impact upon subjectivity, resulting in multiple forms of artistic and cultural expression. As such, art, film, and literature provide a lens for the reflection of sociocultural concerns. In Surveillance, Race, Culture Flynn and Mackay skilfully draw together a diverse range of contributions to investigate the fundamental question of exactly how surveillant technologies have informed our notions of race, identity and belonging. .
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245 10|aSurveillance, Race, Culture|h[electronic resource] /|cedited by Susan Flynn, Antonia Mackay.
250 |a1st ed. 2018.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2018.
300 |aXIII, 294 p. 1 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |aIntroduction -- SECTION 1: SURVEILLANT TECHNOLOGIES -- Articulating Race: Reading Skin Colour as Taxonomy and as Biodata -- Government Surveillance, Racism, and Civic Virtue in the United States -- Sampled Sirens in the City of Los Angeles: Sounding Surveillance on the Black Contemporary Film Screen -- Medical Gazing and the ‘Oprah Effect’ in The Immortal Life of Henrietta Lacks (2017) -- SECTION 2: SCREEN -- Images of Black Identity: Spaces in-Between.-Knowing the Double Agent: Islam, Uncertainty and the Fragility of the Surveillant Gaze in Homeland -- Allegories of Apartheid: Abjection, Torture and Surveillance in Neill Blomkamp’s District 9 -- Intersectional Digital Dynamics and Racially Profiled Black Celebrities -- SECTION 3: LITERATURE, ART, PERFORMANCE, ACTION -- Let him be left to feel his way in the dark;” Frederick Douglass: White Surveillance and Dark Sousveillance -- Perceptions of Prisoners: Re/Constructing Meaning Inside the Frame of War -- Cops and Incarceration:Constructing Racial Narratives in Reality TV’s Prisons -- Pan-African Pessimism: The Man Who Cried I Am and the Limits of Black Nationalism -- We lived with death right at our backs.” Surveillance Experiences of Black Panther Party Activists -- Epilogue: Surveilling Culture. .
520 |aThis collection of essays engages with a wide range of disciplines including art, performance, film and literature, to examine the myriad effects of contemporary surveillance on our cultural psyche. The volume expertly articulates the manner in which cultural productions have been complicit in watching, seeing and purporting to ‘know’ race. In our increasingly mediated world, our sense of community is becoming progressively virtual, and surveillant technologies impact upon subjectivity, resulting in multiple forms of artistic and cultural expression. As such, art, film, and literature provide a lens for the reflection of sociocultural concerns. In Surveillance, Race, Culture Flynn and Mackay skilfully draw together a diverse range of contributions to investigate the fundamental question of exactly how surveillant technologies have informed our notions of race, identity and belonging. .
650 0|aEthnology|xAmerica.
650 0|aCulture.
650 0|aTechnology|xSociological aspects.
650 0|aCulture|xStudy and teaching.
650 14|aAmerican Culture.
650 24|aScience, Technology and Society.
650 24|aCultural Studies.
700 1 |aFlynn, Susan.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aMackay, Antonia.|eeditor.|0(orcid)0000-0002-3186-8983|1https://orcid.org/0000-0002-3186-8983|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319779379
776 08|iPrinted edition:|z9783319779393
776 08|iPrinted edition:|z9783030085797
856 40|uhttps://doi.org/10.1007/978-3-319-77938-6
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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