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008 200428s2020 sz | s |||| 0|eng d
020 |a9783030381134|9978-3-030-38113-4
024 7 |a10.1007/978-3-030-38113-4|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1993-1999
072 7|aAP|2bicssc
072 7|a1DDU|2bicssc
072 7|aPER004000|2bisacsh
072 7|aAT|x1DDU|2thema
082 04|a791.40941|223
090 |aEK/3577
100 1 |aHarmes, Marcus.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 14|aThe Church on British Television|h[electronic resource] :|bFrom the Coronation to Coronation Street /|cby Marcus Harmes, Meredith Harmes, Barbara Harmes.
250 |a1st ed. 2020.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2020.
300 |aXIII, 248 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |aIntroduction -- Chapter One: The church on the screen: a television history -- Chapter Two: ‘Singing the Lord’s Song in a Strange Land’: broadcasting religion -- Chapter Three: The world in peril: the Church and science fictions -- Chapter Four: Cricket, Steam Engines and a Complete Ignorance of Theology’: Downing Street and the comedy of appointment -- Chapter Five: Local community and parish politics -- Chapter Six: ‘High Mass Murder’: the church, the police and the law -- Chapter Seven: Weddings and Funerals: (Globalised) TV Events of Church and State -- Chapter Eight: Non-Fictional Forms of Religious Programming.
520 |aThis book will be the first systematic and comprehensive text to analyze the many and contrasting appearances of the Church of England on television. It covers a range of genres and programs including crime drama, science fiction, comedy, including the specific genre of ‘ecclesiastical comedy’, zombie horror and non-fiction broadcasting. Readers interested in church and political history, popular culture, television and broadcasting history, and the social history of modern Britain will find this to be a lively and timely book. Programs that year after year sit enshrined as national favourites (for example Dad’s Army and Midsomer Murders) foreground the Church. From the Queen’s Christmas Message to royal weddings and Coronation Street, the clergy and services of England’s national church abound in television. This book offers detailed analysis of landmark examples of small screen output and raises questions relating to the storytelling strategies of program makers, theway the established Church is delineated, and the transformation over decades of congregations into audiences.
650 0|aMotion pictures|xGreat Britain.
650 0|aEthnology|xGreat Britain.
650 0|aCulture.
650 0|aReligion and sociology.
650 14|aBritish Film and TV.
650 24|aBritish Culture.
650 24|aSociology of Religion.
700 1 |aHarmes, Meredith.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
700 1 |aHarmes, Barbara.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030381127
776 08|iPrinted edition:|z9783030381141
776 08|iPrinted edition:|z9783030381158
856 40|uhttps://doi.org/10.1007/978-3-030-38113-4
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)