Cultural Convergence [electronic resource] : The Dublin Gate Theatre, 1928–1960 / edited by Ondřej Pilný, Ruud van den Beuken, Ian R. Walsh.
Erişim Adresi
ISBN
9783030575625
Dil Kodu
İngilizce
Yer Numarası
EK/3604
Basım Bildirimi
1st ed. 2021.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2021.
Fiziksel Niteleme
XVIII, 244 p. 28 illus., 1 illus. in color. online resource.
İçindekiler Notu
1. Introduction: Cultural Convergence at Dublin’s Gate Theatre; Ondřej Pilný (Charles University, Prague, Czech Republic), Ruud van den Beuken (Radboud University Nijmegen, The Netherlands) and Ian R. Walsh (NUI Galway, Ireland) -- 2. The Internationalist Dramaturgy of Hilton Edwards and Micheál mac Liammóir; Joan FitzPatrick Dean (University of Missouri – Kansas City, USA) and Radvan Markus (Charles University, Prague, Czech Republic) -- 3. Gearóid Ó Lochlainn: The Gate Theatre’s Other Irish-speaking Founder; Pádraig Ó Siadhail (Saint Mary’s University, Halifax, Nova Scotia, Canada) -- 4. The Transnational Roots of Key Figures from the Early Years of the Gate Theatre, Dublin; David Clare (Mary Immaculate College, University of Limerick, Ireland) and Nicola Morris (Trinity College Dublin, Ireland) -- 5. The Other Gates: Anglo-American Influences on and from Dublin; Charlotte Purkis (University of Winchester, UK) -- 6. The Brothers Čapek at the Gate: R.U.R. and The Insect Play; Ondřej Pilný (Charles University, Prague, Czech Republic) -- 7. Kismet: Hollywood, Orientalism and the Design Language of Padraic Colum’s Mogu of the Desert; Elaine Sisson (IADT, Dublin, Ireland) -- 8. Prussian Discipline and Lesbian Vulnerability: Christa Winsloe’s Children in Uniform at the Gate; Yvonne Ivory (University of South Carolina, USA) -- 9. ‘We belong to the world’: Christine Longford’s War Plays during Irish Neutrality; Erin Grogan (Texas Tech University, USA).
Özet, vb.
Based on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est. 1928) over the first three decades of its existence, discussing some of its remarkable productions in the comparative contexts of avant-garde theatre, Hollywood cinema, popular culture, and the development of Irish-language theatre, respectively. The overarching objective is to consider the output of the Gate in terms of cultural convergence – the dynamics of exchange, interaction, and acculturation that reveal the workings of transnational infrastructures.
Konu
Theater __ History.
Theater.
European literature.
Theatre History.
National and Regional Theatre and Performance.
European Literature.
Theater.
European literature.
Theatre History.
National and Regional Theatre and Performance.
European Literature.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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506 0 |aOpen Access
520 |aBased on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est. 1928) over the first three decades of its existence, discussing some of its remarkable productions in the comparative contexts of avant-garde theatre, Hollywood cinema, popular culture, and the development of Irish-language theatre, respectively. The overarching objective is to consider the output of the Gate in terms of cultural convergence – the dynamics of exchange, interaction, and acculturation that reveal the workings of transnational infrastructures.
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532 8 |aNo reading system accessibility options actively disabled
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650 24|aEuropean Literature.
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024 7 |a10.1007/978-3-030-57562-5|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
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090 |aEK/3604
245 10|aCultural Convergence|h[electronic resource] :|bThe Dublin Gate Theatre, 1928–1960 /|cedited by Ondřej Pilný, Ruud van den Beuken, Ian R. Walsh.
250 |a1st ed. 2021.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2021.
300 |aXVIII, 244 p. 28 illus., 1 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
341 0 |bTable of contents navigation|2onix
341 0 |bSingle logical reading order|2onix
341 0 |bShort alternative textual descriptions|2onix
341 0 |bUse of color is not sole means of conveying information|2onix
341 0 |bUse of high contrast between text and background color|2onix
341 0 |bNext / Previous structural navigation|2onix
341 0 |bAll non-decorative content supports reading without sight|2onix
347 |atext file|bPDF|2rda
505 0 |a1. Introduction: Cultural Convergence at Dublin’s Gate Theatre; Ondřej Pilný (Charles University, Prague, Czech Republic), Ruud van den Beuken (Radboud University Nijmegen, The Netherlands) and Ian R. Walsh (NUI Galway, Ireland) -- 2. The Internationalist Dramaturgy of Hilton Edwards and Micheál mac Liammóir; Joan FitzPatrick Dean (University of Missouri – Kansas City, USA) and Radvan Markus (Charles University, Prague, Czech Republic) -- 3. Gearóid Ó Lochlainn: The Gate Theatre’s Other Irish-speaking Founder; Pádraig Ó Siadhail (Saint Mary’s University, Halifax, Nova Scotia, Canada) -- 4. The Transnational Roots of Key Figures from the Early Years of the Gate Theatre, Dublin; David Clare (Mary Immaculate College, University of Limerick, Ireland) and Nicola Morris (Trinity College Dublin, Ireland) -- 5. The Other Gates: Anglo-American Influences on and from Dublin; Charlotte Purkis (University of Winchester, UK) -- 6. The Brothers Čapek at the Gate: R.U.R. and The Insect Play; Ondřej Pilný (Charles University, Prague, Czech Republic) -- 7. Kismet: Hollywood, Orientalism and the Design Language of Padraic Colum’s Mogu of the Desert; Elaine Sisson (IADT, Dublin, Ireland) -- 8. Prussian Discipline and Lesbian Vulnerability: Christa Winsloe’s Children in Uniform at the Gate; Yvonne Ivory (University of South Carolina, USA) -- 9. ‘We belong to the world’: Christine Longford’s War Plays during Irish Neutrality; Erin Grogan (Texas Tech University, USA).
506 0 |aOpen Access
520 |aBased on extensive archival research, this open access book examines the poetics and politics of the Dublin Gate Theatre (est. 1928) over the first three decades of its existence, discussing some of its remarkable productions in the comparative contexts of avant-garde theatre, Hollywood cinema, popular culture, and the development of Irish-language theatre, respectively. The overarching objective is to consider the output of the Gate in terms of cultural convergence – the dynamics of exchange, interaction, and acculturation that reveal the workings of transnational infrastructures.
532 8 |aAccessibility summary: This PDF does not fully comply with PDF/UA standards, but does feature limited screen reader support, described non-text content (images, graphs), bookmarks for easy navigation and searchable, selectable text. Users of assistive technologies may experience difficulty navigating or interpreting content in this document. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aTheater|xHistory.
650 0|aTheater.
650 0|aEuropean literature.
650 14|aTheatre History.
650 24|aNational and Regional Theatre and Performance.
650 24|aEuropean Literature.
700 1 |aPilný, Ondřej.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |avan den Beuken, Ruud.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aWalsh, Ian R.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030575618
776 08|iPrinted edition:|z9783030575632
776 08|iPrinted edition:|z9783030575649
856 40|uhttps://doi.org/10.1007/978-3-030-57562-5
912 |aZDB-2-LCM
912 |aZDB-2-SXL
912 |aZDB-2-SOB
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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