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020 |a9783031047879|9978-3-031-04787-9
024 7 |a10.1007/978-3-031-04787-9|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
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245 10|aDigital Shakespeares from the Global South|h[electronic resource] /|cedited by Amrita Sen.
250 |a1st ed. 2022.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2022.
300 |aXIII, 112 p. 5 illus., 4 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
341 0 |bTable of contents navigation|2onix
341 0 |bSingle logical reading order|2onix
341 0 |bShort alternative textual descriptions|2onix
341 0 |bUse of color is not sole means of conveying information|2onix
341 0 |bUse of high contrast between text and background color|2onix
341 0 |bNext / Previous structural navigation|2onix
341 0 |bAll non-decorative content supports reading without sight|2onix
347 |atext file|bPDF|2rda
490 1 |aGlobal Shakespeares,|x2947-891X
505 0 |aIntroduction -- Chapter One: Publishing Global Shakespeare -- Chapter Two: Bitesize Digital Shakespeares in South Africa: From ‘English Never Loved Us’ to ‘Chilling with the Bard’ -- Chapter Three: Practicing Digital Shakespeare in Latin America: case studies from Brazil and Argentina -- Chapter Four: What’s in A Game: (Re)playing Shakespeare in Videogames,- Afterword.
520 |aDigital Shakespeares from the Global South re-directs current conversations on digital appropriations of Shakespeare away from its Anglo-American bias. The individual essays examine digital Shakespeares from South Africa, India, and Latin America, addressing questions of accessibility and the digital divide. This book will be of interest to students and academics working on Shakespeare, adaptation studies, digital humanities, and media studies. Included in this volume, the chapter on “Finding and Accessing Shakespeare Scholarship in the Global South: Digital Research and Bibliography” by Heidi Craig and Laura Estill is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com. Amrita Sen is Associate Professor and Deputy Director, UGC-HRDC, University of Calcutta, India, and Affiliated Member of the Department of English. She has co-edited Civic Performance: Pageantry and Entertainments in Early Modern London (2020) and publishes essays and book chapters on East India Company women, Bollywood Shakespeares, and early modern ethnography.
532 8 |aAccessibility summary: This PDF does not fully comply with PDF/UA standards, but does feature limited screen reader support, described non-text content (images, graphs), bookmarks for easy navigation and searchable, selectable text. Users of assistive technologies may experience difficulty navigating or interpreting content in this document. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aEuropean literature|xRenaissance, 1450-1600.
650 0|aTheater.
650 0|aAdaptation (Literary, artistic, etc.).
650 0|aDigital humanities.
650 14|aEarly Modern and Renaissance Literature.
650 24|aGlobal and International Theatre and Performance.
650 24|aAdaptation Studies.
650 24|aDigital Humanities.
700 1 |aSen, Amrita.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783031047862
776 08|iPrinted edition:|z9783031047886
830 0|aGlobal Shakespeares,|x2947-891X
856 40|uhttps://doi.org/10.1007/978-3-031-04787-9
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)