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020 |a9783319646084|9978-3-319-64608-4
024 7 |a10.1007/978-3-319-64608-4|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1600-3307.2
072 7|aAP|2bicssc
072 7|aPER004000|2bisacsh
072 7|aAT|2thema
082 04|a791.4|223
090 |aEK/3628
245 10|aProstitution and Sex Work in Global Cinema|h[electronic resource] :|bNew Takes on Fallen Women /|cedited by Danielle Hipkins, Kate Taylor-Jones.
250 |a1st ed. 2017.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2017.
300 |aXVI, 295 p. 22 illus., 19 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aGlobal Cinema,|x2634-596X
520 |aThis volume brings together international scholars to engage in the question of how film has represented a figure that for many is simply labelled ‘prostitute’. The prostitute is one of the most enduring female figures. She has global historical resonance and stories, images and narratives surrounding her, and her experiences, circulate transnationally. As this book will explore, the broad term prostitute can cover a variety of experiences and representations that are both repressive and also have the potential to empower women and disrupt cultural expectations. The contributors aim to consider how frequently 19th-century narratives of female prostitution—hence the label ‘fallen women’—are still recycled in contemporary visual contexts, and to understand how widespread, and in what contexts, the destigmatization of female sex work is underway on screen.
650 0|aMotion pictures.
650 0|aFeminism.
650 0|aFeminist theory.
650 0|aSex.
650 0|aCommunication.
650 14|aGlobal Film and TV.
650 24|aFeminism and Feminist Theory.
650 24|aGender Studies.
650 24|aMedia and Communication.
700 1 |aHipkins, Danielle.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aTaylor-Jones, Kate.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319646077
776 08|iPrinted edition:|z9783319646091
776 08|iPrinted edition:|z9783319878348
830 0|aGlobal Cinema,|x2634-596X
856 40|uhttps://doi.org/10.1007/978-3-319-64608-4
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)