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020 |a9781137425874|9978-1-137-42587-4
024 7 |a10.1057/978-1-137-42587-4|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1560-1590
050 4|aPN2000-3307
072 7|aAN|2bicssc
072 7|aPER000000|2bisacsh
072 7|aAT|2thema
082 04|a790|223
090 |aEK/3643
100 1 |aRees, Catherine.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aAdaptation and Nation|h[electronic resource] :|bTheatrical Contexts for Contemporary English and Irish Drama /|cby Catherine Rees.
250 |a1st ed. 2017.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2017.
300 |aIX, 185 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aAdaptation in Theatre and Performance,|x2947-4051
505 0 |aChapter 1. Introduction -- Chapter 2. Brian Friel -- Chapter 3. Marina Carr -- Chapter 4. Sarah Kane -- Chapter 5. Patrick Marber -- Chapter 6. “An Interlude” -- Chapter 7. Martin McDonagh -- Chapter 8. Conclusion -- Bibliography -- Index.
520 |aThis book focuses on modern theatrical adaptations that rework classic plays in new British and Irish settings. It explores these shifted national contexts and examines what they might reveal about the political and cultural climate of the new setting. In examining the modern setting alongside the country of the original text, it also reveals fascinating resonances between two different national contexts. The book discusses five British and Irish playwrights and their current adaptations, examining well-known dramatists such as Martin McDonagh, Sarah Kane and Brian Friel, while analysing some of their less-well known plays, offering a novel examination of the adaptation process. The book further provides an insightful commentary on some significant events of the twentieth century in Britain and Ireland, such as the historic Labour victory of 1945 and scandals in the Royal Family since the 1990s. This book will appeal to theatre and performance enthusiasts, as well as students and scholars of both theatre and adaptation.
532 8 |aAccessibility summary: This PDF was produced prior to the implementation of current accessibility best practices. It supports searchable and selectable text. It may or may not include elements such as described non-text content (images, graphs etc), reflowable text or screen reader compatibility. Users with accessibility needs may experience limitations. Please contact us at accessibilitysupport@springernature.com if you require assistance or an alternative format.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aPerforming arts.
650 0|aTheater.
650 0|aMotion picture acting.
650 0|aCultural property.
650 0|aCommunication.
650 0|aEthnology|xGreat Britain.
650 0|aCulture.
650 14|aTheatre and Performance Arts.
650 24|aScreen Performance.
650 24|aCultural Heritage.
650 24|aMedia and Communication.
650 24|aBritish Culture.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137425867
776 08|iPrinted edition:|z9781349682157
776 08|iPrinted edition:|z9781349682164
830 0|aAdaptation in Theatre and Performance,|x2947-4051
856 40|uhttps://doi.org/10.1057/978-1-137-42587-4
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)