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008 180929s2018 sz | s |||| 0|eng d
020 |a9783319924717|9978-3-319-92471-7
024 7 |a10.1007/978-3-319-92471-7|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aHM621-656
072 7|aJFCA|2bicssc
072 7|aSOC022000|2bisacsh
072 7|aJBCC1|2thema
082 04|a306|223
090 |aEK/3452
245 10|aPerforming Music History|h[electronic resource] :|bMusicians Speak First-Hand about Music History and Performance /|cedited by John C. Tibbetts, Michael Saffle, William A. Everett.
250 |a1st ed. 2018.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2018.
300 |aXXIV, 362 p. 63 illus., 39 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. Introduction -- 2. Medieval and Early Modern Music -- 3. Late Baroque Music -- 4. A Clutch of Instruments -- 5. Classical and Early Romantic Music -- 6. The Romantic Piano -- 7. From Romanticism Toward Modernism -- 8. The Art of The Accompanist -- 9. Musical Multiplicities in The Twentieth And Twenty-First Centuries -- 10. On Stage And Screen -- 11. Engaging Audiences.
520 |aPerforming Music History offers a unique perspective on music history and performance through a series of conversations with women and men intimately associated with music performance, history, and practice: the musicians themselves. Fifty-five celebrated artists—singers, pianists, violinists, cellists, flutists, horn players, oboists, composers, conductors, and jazz greats—provide interviews that encompass most of Western music history, from the Middle Ages to contemporary classical music, avant-garde innovations, and Broadway musicals. The book covers music history through lenses that include “authentic” performance, original instrumentation, and social context. Moreover, the musicians interviewed all bring to bear upon their respective subjects three outstanding qualities: 1) their high esteem in the music world as immediately recognizable names among musicians and public alike; 2) their energy and devotion to scholarship and the recovery of endangered musical heritages; and 3) their considerable skills, media savvy, and showmanship as communicators. Introductory essays to each chapter provide brief synopses of historical eras and topics. Combining careful scholarship and lively conversation, Performing Music History explores historical contexts for a host of fascinating issues.
650 0|aPopular Culture.
650 0|aMusic.
650 0|aActors.
650 0|aPerforming arts.
650 0|aTheater.
650 0|aCulture.
650 14|aPopular Culture.
650 24|aMusic.
650 24|aPerformers and Practitioners.
650 24|aTheatre and Performance Arts.
650 24|aGlobal and International Culture.
700 1 |aTibbetts, John C.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aSaffle, Michael.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aEverett, William A.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319924700
776 08|iPrinted edition:|z9783319924724
776 08|iPrinted edition:|z9783030064389
856 40|uhttps://doi.org/10.1007/978-3-319-92471-7
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)