Durational Cinema [electronic resource] : A Short History of Long Films / by Michael Walsh.

Erişim Adresi
Link
ISBN
9783030760922
Dil Kodu
İngilizce
Yer Numarası
EK/3920
Yazar
Walsh, Michael.
Basım Bildirimi
1st ed. 2022.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2022.
Fiziksel Niteleme
XIII, 289 p. online resource.
Dizi
Experimental Film and Artists’ Moving Image, 2523-7535
İçindekiler Notu
1. Introduction -- 2. The New York Avant-Garde of the 1960s -- 3. European Art Cinema in the Years After 1968 -- 4. Gallery and Museum Spaces Since the 1990s -- 5. Durational Documentary.
Özet, vb.
This book argues for a durational cinema that is distinct from slow cinema, and outlines the history of its three main waves: the New York avant-garde of the 1960s, the European art cinema in the years after 1968, and the international cinema of gallery spaces as well as film festivals since the 1990s. Figures studied include Andy Warhol, Ken Jacobs, Chantal Akerman, Marguerite Duras, Claude Lanzmann, James Benning, Kevin Jerome Everson, Lav Diaz, and Wang Bing.Durational cinema is predominantly minimal, but has from the beginning also included a more encompassing or encyclopedic kind of filmmaking. Durational cinema is characteristically representational, and converges on certain topics (the Holocaust, deindustrialization, the experience of the working class and other marginalized people), but has no one meaning, signifying differently at different moments and in different hands. Warhol’s durational cinema of subtraction is quite different from Jacobs’s durational cinema of social disgust, while Lav Diaz’ durational sublime is quite different from Kevin Jerome Everson’s unblinking studies of African-American working people.
Konu
Experimental films.
Motion pictures __ History.
Motion pictures.
Experimental Film.
Film and TV History.
Film Theory.
Kurum Adı
SpringerLink (Online service)
İşlemler