Analysing Gender in Performance [electronic resource] / edited by J. Paul Halferty, Cathy Leeney.
Erişim Adresi
ISBN
9783030855741
Dil Kodu
İngilizce
Yer Numarası
EK/3797
Basım Bildirimi
1st ed. 2022.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2022.
Fiziksel Niteleme
XIV, 322 p. 20 illus. online resource.
İçindekiler Notu
1 Introduction -- Part I 1970s–1990s -- 2 Pina Bausch’s Kontakthof: Choreographies of Gender and Costume -- 3 Queer Becomings: The Ridiculous Theatrical Company’s Camille and Split Britches/Bloolips’ Belle Reprieve -- 4 Théâtre du Soleil and Ariane Mnouchkine: Living and Performing Gender Politics -- 5 Nora, Lucia, and Lear: Gender and Performance at Mabou Mines -- 6 Freaks and Not Freaks: Theatre and the Making of Crip Identity -- 7 Fires in the Mirror: Representations of Race, Gender and Class in Anna Deavere Smith’s Search for American Character -- Part II Interruption: Artists Speak About Their Work -- 8 Black Women Performers: ‘I Don’t Want to Do Anything Else’ -- 9 Trans-body-text: Exploring Performance Disruptions, a Discussion with Lazlo Pearlman -- 10 Embodied and En-sited Performance: Reflections on Gender in Cooking Miss Julie/Miss Julie Cooks and March of Women -- 11 A Manifesto of Living Self-portraiture (Identity, Transformation, and Performance) -- Part III 2000s–2020s -- 12 Love and Information by Caryl Churchill, or Sexuality and Gender in Non-binary Times -- 13 Gender and the Aesthetics of Occupation: Making Room for Women’s Labour at the Theatre -- 14 Performing Reproduction in an Age of Overproduction: Environmental Installations by Ai Hasegawa -- 15 Loose Wrists: Camp and Intersectional Politics in the Works of Cazwell, Todrick Hall, and Big Freedia -- 16 Riotous Assembly: Performing Gender and Social Justice in thisispopbaby’s RIOT -- 17 From Gimmick Casting to Standard Practice: Re-gendering Shakespeare in Performance -- 18 ‘Women’s Business’: Leah Purcell’s The Drover’s Wife and the Reclamation of Black Australian History -- 19 Gender-Assemblages: The Scenographics of Sin Wai Kin.
Özet, vb.
Analysing Gender in Performance brings together the fields of Gender Studies and Performance Analysis to explore how contemporary performance represents and interrogates gender. This edited collection includes a wide range of scholarly essays, as well as artists’ voices and their accounts of their works and practices. The Introduction outlines the book’s key approaches to concepts in English language gender discourses and gender’s intersectionalities, and sets out the approaches to performance analysis and methods of research employed by the various contributors. The book focuses on performances from the Global North, staged over the past fifty years. Case studies are diverse, ranging from site-specific, dance theatre, speculative drag, installation, and music video performances to Mabou Mines, Churchill, Shakespeare and Ibsen. Contributors explore how gender intersects with sexuality, social class, race, ethnicity, indigeneity, culture and history. Read individually orin tension with one another, the essays confront the contemporary complexities of analysing gender in performance. J. Paul Halferty is Assistant Professor in Drama Studies at University College Dublin, Ireland. His research on queer theatre and performance in Canada and Ireland has been published in various journals and anthologies. Cathy Leeney is Research Active Assistant Professor in Drama Studies at University College Dublin, Ireland. Teaching, research and publications are in Gender in Performance, Women in Irish Theatre, and Staging Practices.
Konu
Theater.
Theater __ History.
Sex.
Actors.
Cultural industries.
Global and International Theatre and Performance.
Contemporary Theatre and Performance.
Gender Studies.
Performers and Practitioners.
Theatre Industry.
Theater __ History.
Sex.
Actors.
Cultural industries.
Global and International Theatre and Performance.
Contemporary Theatre and Performance.
Gender Studies.
Performers and Practitioners.
Theatre Industry.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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505 0 |a1 Introduction -- Part I 1970s–1990s -- 2 Pina Bausch’s Kontakthof: Choreographies of Gender and Costume -- 3 Queer Becomings: The Ridiculous Theatrical Company’s Camille and Split Britches/Bloolips’ Belle Reprieve -- 4 Théâtre du Soleil and Ariane Mnouchkine: Living and Performing Gender Politics -- 5 Nora, Lucia, and Lear: Gender and Performance at Mabou Mines -- 6 Freaks and Not Freaks: Theatre and the Making of Crip Identity -- 7 Fires in the Mirror: Representations of Race, Gender and Class in Anna Deavere Smith’s Search for American Character -- Part II Interruption: Artists Speak About Their Work -- 8 Black Women Performers: ‘I Don’t Want to Do Anything Else’ -- 9 Trans-body-text: Exploring Performance Disruptions, a Discussion with Lazlo Pearlman -- 10 Embodied and En-sited Performance: Reflections on Gender in Cooking Miss Julie/Miss Julie Cooks and March of Women -- 11 A Manifesto of Living Self-portraiture (Identity, Transformation, and Performance) -- Part III 2000s–2020s -- 12 Love and Information by Caryl Churchill, or Sexuality and Gender in Non-binary Times -- 13 Gender and the Aesthetics of Occupation: Making Room for Women’s Labour at the Theatre -- 14 Performing Reproduction in an Age of Overproduction: Environmental Installations by Ai Hasegawa -- 15 Loose Wrists: Camp and Intersectional Politics in the Works of Cazwell, Todrick Hall, and Big Freedia -- 16 Riotous Assembly: Performing Gender and Social Justice in thisispopbaby’s RIOT -- 17 From Gimmick Casting to Standard Practice: Re-gendering Shakespeare in Performance -- 18 ‘Women’s Business’: Leah Purcell’s The Drover’s Wife and the Reclamation of Black Australian History -- 19 Gender-Assemblages: The Scenographics of Sin Wai Kin.
520 |aAnalysing Gender in Performance brings together the fields of Gender Studies and Performance Analysis to explore how contemporary performance represents and interrogates gender. This edited collection includes a wide range of scholarly essays, as well as artists’ voices and their accounts of their works and practices. The Introduction outlines the book’s key approaches to concepts in English language gender discourses and gender’s intersectionalities, and sets out the approaches to performance analysis and methods of research employed by the various contributors. The book focuses on performances from the Global North, staged over the past fifty years. Case studies are diverse, ranging from site-specific, dance theatre, speculative drag, installation, and music video performances to Mabou Mines, Churchill, Shakespeare and Ibsen. Contributors explore how gender intersects with sexuality, social class, race, ethnicity, indigeneity, culture and history. Read individually orin tension with one another, the essays confront the contemporary complexities of analysing gender in performance. J. Paul Halferty is Assistant Professor in Drama Studies at University College Dublin, Ireland. His research on queer theatre and performance in Canada and Ireland has been published in various journals and anthologies. Cathy Leeney is Research Active Assistant Professor in Drama Studies at University College Dublin, Ireland. Teaching, research and publications are in Gender in Performance, Women in Irish Theatre, and Staging Practices.
650 0|aTheater.
650 0|aTheater|xHistory.
650 0|aSex.
650 0|aActors.
650 0|aCultural industries.
650 14|aGlobal and International Theatre and Performance.
650 24|aContemporary Theatre and Performance.
650 24|aGender Studies.
650 24|aPerformers and Practitioners.
650 24|aTheatre Industry.
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700 1 |aLeeney, Cathy.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
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020 |a9783030855741|9978-3-030-85574-1
024 7 |a10.1007/978-3-030-85574-1|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN2000-3307
072 7|aAN|2bicssc
072 7|aPER011000|2bisacsh
072 7|aATD|2thema
082 04|a792.9|223
090 |aEK/3797
245 10|aAnalysing Gender in Performance|h[electronic resource] /|cedited by J. Paul Halferty, Cathy Leeney.
250 |a1st ed. 2022.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2022.
300 |aXIV, 322 p. 20 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1 Introduction -- Part I 1970s–1990s -- 2 Pina Bausch’s Kontakthof: Choreographies of Gender and Costume -- 3 Queer Becomings: The Ridiculous Theatrical Company’s Camille and Split Britches/Bloolips’ Belle Reprieve -- 4 Théâtre du Soleil and Ariane Mnouchkine: Living and Performing Gender Politics -- 5 Nora, Lucia, and Lear: Gender and Performance at Mabou Mines -- 6 Freaks and Not Freaks: Theatre and the Making of Crip Identity -- 7 Fires in the Mirror: Representations of Race, Gender and Class in Anna Deavere Smith’s Search for American Character -- Part II Interruption: Artists Speak About Their Work -- 8 Black Women Performers: ‘I Don’t Want to Do Anything Else’ -- 9 Trans-body-text: Exploring Performance Disruptions, a Discussion with Lazlo Pearlman -- 10 Embodied and En-sited Performance: Reflections on Gender in Cooking Miss Julie/Miss Julie Cooks and March of Women -- 11 A Manifesto of Living Self-portraiture (Identity, Transformation, and Performance) -- Part III 2000s–2020s -- 12 Love and Information by Caryl Churchill, or Sexuality and Gender in Non-binary Times -- 13 Gender and the Aesthetics of Occupation: Making Room for Women’s Labour at the Theatre -- 14 Performing Reproduction in an Age of Overproduction: Environmental Installations by Ai Hasegawa -- 15 Loose Wrists: Camp and Intersectional Politics in the Works of Cazwell, Todrick Hall, and Big Freedia -- 16 Riotous Assembly: Performing Gender and Social Justice in thisispopbaby’s RIOT -- 17 From Gimmick Casting to Standard Practice: Re-gendering Shakespeare in Performance -- 18 ‘Women’s Business’: Leah Purcell’s The Drover’s Wife and the Reclamation of Black Australian History -- 19 Gender-Assemblages: The Scenographics of Sin Wai Kin.
520 |aAnalysing Gender in Performance brings together the fields of Gender Studies and Performance Analysis to explore how contemporary performance represents and interrogates gender. This edited collection includes a wide range of scholarly essays, as well as artists’ voices and their accounts of their works and practices. The Introduction outlines the book’s key approaches to concepts in English language gender discourses and gender’s intersectionalities, and sets out the approaches to performance analysis and methods of research employed by the various contributors. The book focuses on performances from the Global North, staged over the past fifty years. Case studies are diverse, ranging from site-specific, dance theatre, speculative drag, installation, and music video performances to Mabou Mines, Churchill, Shakespeare and Ibsen. Contributors explore how gender intersects with sexuality, social class, race, ethnicity, indigeneity, culture and history. Read individually orin tension with one another, the essays confront the contemporary complexities of analysing gender in performance. J. Paul Halferty is Assistant Professor in Drama Studies at University College Dublin, Ireland. His research on queer theatre and performance in Canada and Ireland has been published in various journals and anthologies. Cathy Leeney is Research Active Assistant Professor in Drama Studies at University College Dublin, Ireland. Teaching, research and publications are in Gender in Performance, Women in Irish Theatre, and Staging Practices.
650 0|aTheater.
650 0|aTheater|xHistory.
650 0|aSex.
650 0|aActors.
650 0|aCultural industries.
650 14|aGlobal and International Theatre and Performance.
650 24|aContemporary Theatre and Performance.
650 24|aGender Studies.
650 24|aPerformers and Practitioners.
650 24|aTheatre Industry.
700 1 |aHalferty, J. Paul.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aLeeney, Cathy.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030855734
776 08|iPrinted edition:|z9783030855758
856 40|uhttps://doi.org/10.1007/978-3-030-85574-1
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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