LEADER 03541nam a22005295i 4500
001 840578
003 TR_AnAIT
005 20260715035746
007 cr nn 008mamaa
008 170824s2017 xxk| s |||| 0|eng d
020 |a9781137469632|9978-1-137-46963-2
024 7 |a10.1057/978-1-137-46963-2|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1560-1590
050 4|aPN2000-3307
072 7|aAN|2bicssc
072 7|aPER000000|2bisacsh
072 7|aAT|2thema
082 04|a790|223
090 |aEK/3844
100 1 |aPoore, Benjamin.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aSherlock Holmes from Screen to Stage|h[electronic resource] :|bPost-Millennial Adaptations in British Theatre /|cby Benjamin Poore.
250 |a1st ed. 2017.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2017.
300 |aVIII, 258 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aAdaptation in Theatre and Performance,|x2947-4051
505 0 |a1. Chapter 1 -- 2. Chapter 2 -- 3. Chapter 3 -- 4. Chapter 4 -- 5. Chapter 5 -- 6. Chapter 6 -- 7. Chapter 7 -- 8. Chapter 8 -- 9. Chapter 9 -- Works Cited.
520 |aThis book investigates the development of Sherlock Holmes adaptations in British theatre since the turn of the millennium. Sherlock Holmes has become a cultural phenomenon all over again in the twenty-first century, as a result of the television series Sherlock and Elementary, and films like Mr Holmes and the Guy Ritchie franchise starring Robert Downey Jr. In the light of these new interpretations, British theatre has produced timely and topical responses to developments in the screen Sherlocks’ stories. Moreover, stage Sherlocks of the last three decades have often anticipated the knowing, metafictional tropes employed by screen adaptations. This study traces the recent history of Sherlock Holmes in the theatre, about which very little has been written for an academic readership. It argues that the world of Sherlock Holmes is conveyed in theatre by a variety of games that activate new modes of audience engagement.
532 8 |aAccessibility summary: This PDF was produced prior to the implementation of current accessibility best practices. It supports searchable and selectable text. It may or may not include elements such as described non-text content (images, graphs etc), reflowable text or screen reader compatibility. Users with accessibility needs may experience limitations. Please contact us at accessibilitysupport@springernature.com if you require assistance or an alternative format.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aPerforming arts.
650 0|aTheater.
650 14|aTheatre and Performance Arts.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137469625
776 08|iPrinted edition:|z9781349691708
776 08|iPrinted edition:|z9781349691692
830 0|aAdaptation in Theatre and Performance,|x2947-4051
856 40|uhttps://doi.org/10.1057/978-1-137-46963-2
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)