Social Class and Television Drama in Contemporary Britain [electronic resource] / edited by David Forrest, Beth Johnson.
Erişim Adresi
ISBN
9781137555069
Dil Kodu
İngilizce
Yer Numarası
EK/4014
Basım Bildirimi
1st ed. 2017.
Yayın Bilgisi
London : Palgrave Macmillan UK : Imprint: Palgrave Macmillan, 2017.
Fiziksel Niteleme
XVII, 271 p. 6 illus. in color. online resource.
İçindekiler Notu
1. Introduction (David Forrest and Beth Johnson) -- Part I: Authorship and Class - 2. Beth Johnson (The University of Leeds) – This is England: Authorship, Critical Contexts and Class Telly -- 3. David Forrest (The University of Sheffield) – Jimmy McGovern’s The Street and the Politics of Everyday Life -- 4. Stephen Harper (The University of Portsmouth) - High-flyers, Hooligans and Helpmates: Images of Social Class in the Television Dramas of Stephen Poliakoff -- Part II: Institutions and Structures of Class - 5. Paul Elliott (University of Worcester) - Through Class Darkly: Class in the British TV Noir -- 6. Felicity Colman and David James (Manchester Metropolitan University) - Military Class: Hearts and Minds on the Domestic Screen -- 7. Gill Jamieson (University of the West of Scotland) - Creating a Level Playing Field: ‘Honest Endeavour Together!’: Social Mobility, Entrepreneurialism and Class in Mr Selfridge -- 8. James Dalby (Universityof Gloucestershire) - Social Class and Television Audiences in the 1990s -- 9. HollyGale Millette (The University of Southampton) - Searching for Hugh Gaitskell in a Neoliberal Landscape – Masculinities and Class Mobility in Goodnight Sweetheart -- Part III: Place and Class - 10. James Leggott (Northumbria University) - From Newcastle to Nashville: The Northern Soul of Jimmy Nail -- 11. Het Phillips (University of Birmingham) - ‘A Woman Like That Is Not A Woman, Quite. I Have Been Her Kind’: Maxine Peake and the Gothic Excess of Northern Femininity -- 12. Paul Long (Birmingham City University) – Class, Place and History in the Imaginative Landscapes of Peaky Blinders -- 13. Helen Piper (University of Bristol) - Happy Valley: Compassion, evil and exploitation in an ordinary ‘trouble town’ -- Part IV: Taste and Class - 14. Phil Wickham (University of Exeter) - 21st Century British Sitcom and “the Hidden Injuries of Class” -- 15. Chris Pallant and James Newton (Canterbury Christchurch University) - Animating Class in Contemporary British Television -- 16. Antony Mullen (Durham University) - Public Property: Celebrity and the Politics of New Labour in Footballers’ Wives -- 17. Sue Vice (The University of Sheffield) - Grandma’s House and the Charms of the Petit-Bourgeoisie. .
Özet, vb.
A rich and nuanced approach to class and its mediation through contemporary British television drama, this collection responds to the precarity that circulates and constricts in ‘Austerity Britain’, pre- and post-Brexit. The book self-consciously eschews obvious class-bound texts such as Shameless and Downton Abbey, offering fresh perspectives and insights on popular programmes such as This is England and Happy Valley. Although class is a central theme, the contributors also draw on theoretical work on emotion, gender and ethnicity. - - Kristyn Gorton, University of York, UK. This collection is a wide-ranging exploration of contemporary British television drama and its representations of social class. Through early studio-set plays, soap operas and period drama, the volume demonstrates how class provides a bridge across multiple genres and traditions of television drama. The authors tracethis thematic emphasis into the present day, offering fascinating new insights into the national conversation around class and identity in Britain today. The chapters engage with a range of topics including authorial explorations of Stephen Poliakoff and Jimmy McGovern, case studies of television performers Maxine Peake and Jimmy Nail, and discussions of the sitcom genre and animation form. This book offers new perspectives on popular British television shows such as Goodnight Sweetheart and Footballers’ Wives, and analysis of more recent series such as Peaky Blinders and This is England. .
Konu
Motion pictures.
Television broadcasting.
Ethnology __ Great Britain.
Culture.
Culture __ Study and teaching.
Film and Television Studies.
British Culture.
Cultural Studies.
Television broadcasting.
Ethnology __ Great Britain.
Culture.
Culture __ Study and teaching.
Film and Television Studies.
British Culture.
Cultural Studies.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
LEADER 06370nam a22005655i 4500
001 840784
003 TR_AnAIT
005 20260715034815
007 cr nn 008mamaa
008 170613s2017 xxk| s |||| 0|eng d
020 |a9781137555069|9978-1-137-55506-9
024 7 |a10.1057/978-1-137-55506-9|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1600-3307.2
072 7|aAP|2bicssc
072 7|aPER004000|2bisacsh
072 7|aAT|2thema
082 04|a791.4|223
090 |aEK/4014
245 10|aSocial Class and Television Drama in Contemporary Britain|h[electronic resource] /|cedited by David Forrest, Beth Johnson.
250 |a1st ed. 2017.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2017.
300 |aXVII, 271 p. 6 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. Introduction (David Forrest and Beth Johnson) -- Part I: Authorship and Class - 2. Beth Johnson (The University of Leeds) – This is England: Authorship, Critical Contexts and Class Telly -- 3. David Forrest (The University of Sheffield) – Jimmy McGovern’s The Street and the Politics of Everyday Life -- 4. Stephen Harper (The University of Portsmouth) - High-flyers, Hooligans and Helpmates: Images of Social Class in the Television Dramas of Stephen Poliakoff -- Part II: Institutions and Structures of Class - 5. Paul Elliott (University of Worcester) - Through Class Darkly: Class in the British TV Noir -- 6. Felicity Colman and David James (Manchester Metropolitan University) - Military Class: Hearts and Minds on the Domestic Screen -- 7. Gill Jamieson (University of the West of Scotland) - Creating a Level Playing Field: ‘Honest Endeavour Together!’: Social Mobility, Entrepreneurialism and Class in Mr Selfridge -- 8. James Dalby (Universityof Gloucestershire) - Social Class and Television Audiences in the 1990s -- 9. HollyGale Millette (The University of Southampton) - Searching for Hugh Gaitskell in a Neoliberal Landscape – Masculinities and Class Mobility in Goodnight Sweetheart -- Part III: Place and Class - 10. James Leggott (Northumbria University) - From Newcastle to Nashville: The Northern Soul of Jimmy Nail -- 11. Het Phillips (University of Birmingham) - ‘A Woman Like That Is Not A Woman, Quite. I Have Been Her Kind’: Maxine Peake and the Gothic Excess of Northern Femininity -- 12. Paul Long (Birmingham City University) – Class, Place and History in the Imaginative Landscapes of Peaky Blinders -- 13. Helen Piper (University of Bristol) - Happy Valley: Compassion, evil and exploitation in an ordinary ‘trouble town’ -- Part IV: Taste and Class - 14. Phil Wickham (University of Exeter) - 21st Century British Sitcom and “the Hidden Injuries of Class” -- 15. Chris Pallant and James Newton (Canterbury Christchurch University) - Animating Class in Contemporary British Television -- 16. Antony Mullen (Durham University) - Public Property: Celebrity and the Politics of New Labour in Footballers’ Wives -- 17. Sue Vice (The University of Sheffield) - Grandma’s House and the Charms of the Petit-Bourgeoisie. .
520 |aA rich and nuanced approach to class and its mediation through contemporary British television drama, this collection responds to the precarity that circulates and constricts in ‘Austerity Britain’, pre- and post-Brexit. The book self-consciously eschews obvious class-bound texts such as Shameless and Downton Abbey, offering fresh perspectives and insights on popular programmes such as This is England and Happy Valley. Although class is a central theme, the contributors also draw on theoretical work on emotion, gender and ethnicity. - - Kristyn Gorton, University of York, UK. This collection is a wide-ranging exploration of contemporary British television drama and its representations of social class. Through early studio-set plays, soap operas and period drama, the volume demonstrates how class provides a bridge across multiple genres and traditions of television drama. The authors tracethis thematic emphasis into the present day, offering fascinating new insights into the national conversation around class and identity in Britain today. The chapters engage with a range of topics including authorial explorations of Stephen Poliakoff and Jimmy McGovern, case studies of television performers Maxine Peake and Jimmy Nail, and discussions of the sitcom genre and animation form. This book offers new perspectives on popular British television shows such as Goodnight Sweetheart and Footballers’ Wives, and analysis of more recent series such as Peaky Blinders and This is England. .
532 8 |aAccessibility summary: This PDF was produced prior to the implementation of current accessibility best practices. It supports searchable and selectable text. It may or may not include elements such as described non-text content (images, graphs etc), reflowable text or screen reader compatibility. Users with accessibility needs may experience limitations. Please contact us at accessibilitysupport@springernature.com if you require assistance or an alternative format.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aMotion pictures.
650 0|aTelevision broadcasting.
650 0|aEthnology|xGreat Britain.
650 0|aCulture.
650 0|aCulture|xStudy and teaching.
650 14|aFilm and Television Studies.
650 24|aBritish Culture.
650 24|aCultural Studies.
700 1 |aForrest, David.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aJohnson, Beth.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137555052
776 08|iPrinted edition:|z9781349717118
776 08|iPrinted edition:|z9781349717125
856 40|uhttps://doi.org/10.1057/978-1-137-55506-9
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
001 840784
003 TR_AnAIT
005 20260715034815
007 cr nn 008mamaa
008 170613s2017 xxk| s |||| 0|eng d
020 |a9781137555069|9978-1-137-55506-9
024 7 |a10.1057/978-1-137-55506-9|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1600-3307.2
072 7|aAP|2bicssc
072 7|aPER004000|2bisacsh
072 7|aAT|2thema
082 04|a791.4|223
090 |aEK/4014
245 10|aSocial Class and Television Drama in Contemporary Britain|h[electronic resource] /|cedited by David Forrest, Beth Johnson.
250 |a1st ed. 2017.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2017.
300 |aXVII, 271 p. 6 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. Introduction (David Forrest and Beth Johnson) -- Part I: Authorship and Class - 2. Beth Johnson (The University of Leeds) – This is England: Authorship, Critical Contexts and Class Telly -- 3. David Forrest (The University of Sheffield) – Jimmy McGovern’s The Street and the Politics of Everyday Life -- 4. Stephen Harper (The University of Portsmouth) - High-flyers, Hooligans and Helpmates: Images of Social Class in the Television Dramas of Stephen Poliakoff -- Part II: Institutions and Structures of Class - 5. Paul Elliott (University of Worcester) - Through Class Darkly: Class in the British TV Noir -- 6. Felicity Colman and David James (Manchester Metropolitan University) - Military Class: Hearts and Minds on the Domestic Screen -- 7. Gill Jamieson (University of the West of Scotland) - Creating a Level Playing Field: ‘Honest Endeavour Together!’: Social Mobility, Entrepreneurialism and Class in Mr Selfridge -- 8. James Dalby (Universityof Gloucestershire) - Social Class and Television Audiences in the 1990s -- 9. HollyGale Millette (The University of Southampton) - Searching for Hugh Gaitskell in a Neoliberal Landscape – Masculinities and Class Mobility in Goodnight Sweetheart -- Part III: Place and Class - 10. James Leggott (Northumbria University) - From Newcastle to Nashville: The Northern Soul of Jimmy Nail -- 11. Het Phillips (University of Birmingham) - ‘A Woman Like That Is Not A Woman, Quite. I Have Been Her Kind’: Maxine Peake and the Gothic Excess of Northern Femininity -- 12. Paul Long (Birmingham City University) – Class, Place and History in the Imaginative Landscapes of Peaky Blinders -- 13. Helen Piper (University of Bristol) - Happy Valley: Compassion, evil and exploitation in an ordinary ‘trouble town’ -- Part IV: Taste and Class - 14. Phil Wickham (University of Exeter) - 21st Century British Sitcom and “the Hidden Injuries of Class” -- 15. Chris Pallant and James Newton (Canterbury Christchurch University) - Animating Class in Contemporary British Television -- 16. Antony Mullen (Durham University) - Public Property: Celebrity and the Politics of New Labour in Footballers’ Wives -- 17. Sue Vice (The University of Sheffield) - Grandma’s House and the Charms of the Petit-Bourgeoisie. .
520 |aA rich and nuanced approach to class and its mediation through contemporary British television drama, this collection responds to the precarity that circulates and constricts in ‘Austerity Britain’, pre- and post-Brexit. The book self-consciously eschews obvious class-bound texts such as Shameless and Downton Abbey, offering fresh perspectives and insights on popular programmes such as This is England and Happy Valley. Although class is a central theme, the contributors also draw on theoretical work on emotion, gender and ethnicity. - - Kristyn Gorton, University of York, UK. This collection is a wide-ranging exploration of contemporary British television drama and its representations of social class. Through early studio-set plays, soap operas and period drama, the volume demonstrates how class provides a bridge across multiple genres and traditions of television drama. The authors tracethis thematic emphasis into the present day, offering fascinating new insights into the national conversation around class and identity in Britain today. The chapters engage with a range of topics including authorial explorations of Stephen Poliakoff and Jimmy McGovern, case studies of television performers Maxine Peake and Jimmy Nail, and discussions of the sitcom genre and animation form. This book offers new perspectives on popular British television shows such as Goodnight Sweetheart and Footballers’ Wives, and analysis of more recent series such as Peaky Blinders and This is England. .
532 8 |aAccessibility summary: This PDF was produced prior to the implementation of current accessibility best practices. It supports searchable and selectable text. It may or may not include elements such as described non-text content (images, graphs etc), reflowable text or screen reader compatibility. Users with accessibility needs may experience limitations. Please contact us at accessibilitysupport@springernature.com if you require assistance or an alternative format.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aMotion pictures.
650 0|aTelevision broadcasting.
650 0|aEthnology|xGreat Britain.
650 0|aCulture.
650 0|aCulture|xStudy and teaching.
650 14|aFilm and Television Studies.
650 24|aBritish Culture.
650 24|aCultural Studies.
700 1 |aForrest, David.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aJohnson, Beth.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137555052
776 08|iPrinted edition:|z9781349717118
776 08|iPrinted edition:|z9781349717125
856 40|uhttps://doi.org/10.1057/978-1-137-55506-9
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
Materyaller
Depodan talep edilen materyal sadece kütüphane içerisinde kullanılmaktadır.
Materyal dışarıya ödünç verilmemektedir.
Materyal dışarıya ödünç verilmemektedir.
