LEADER 03169nam a22005055i 4500
001 840807
003 TR_AnAIT
005 20260715034228
007 cr nn 008mamaa
008 190221s2019 sz | s |||| 0|eng d
020 |a9783030061401|9978-3-030-06140-1
024 7 |a10.1007/978-3-030-06140-1|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN2100-2193
072 7|aAN|2bicssc
072 7|aHBT|2bicssc
072 7|aPER011020|2bisacsh
072 7|aATD|2thema
072 7|aATY|2thema
082 04|a792.09|223
090 |aEK/4011
100 1 |aPinnington, Noel John.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 12|aA New History of Medieval Japanese Theatre|h[electronic resource] :|bNoh and Kyōgen from 1300 to 1600 /|cby Noel John Pinnington.
250 |a1st ed. 2019.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2019.
300 |aIX, 225 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aPalgrave Studies in Theatre and Performance History,|x2947-5775
505 0 |a1. Contexts: Japan in the Muromachi Age -- 2. Forerunners of Noh Theatre -- 3. Early Noh and its Founders -- 4. Noh in Zeami's Lifetime -- 5. The Classic Noh Plays -- 6. Noh in the Age of Chaos 1450-1600 -- 7. Medieval Kyōgen.
520 |aThis book traces the history of noh and kyōgen, the first major Japanese theatrical arts. Going beyond P. G. O'Neill's Early Nō Drama of 1958, it covers the full period of noh's medieval development and includes a chapter dedicated to the comic art of kyōgen, which has often been left in noh's shadow. It is based on contemporary research in Japan, Asia, Europe and America, and embraces current ideas of theatre history, providing a richly contextualized account which looks closely at theatrical forms and genres as they arose. The masked drama of noh, with its ghosts, chanting and music, and its use in Japanese films, has been the object of modern international interest. However, audiences are often confused as to what noh actually is. This book attempts to answer where noh came from, what it was like in its day, and what it was for. To that end, it contains sections which discuss a number of prominent noh plays in their period and challenges established approaches. It also contains the first detailed study in English of the kyōgen repertoire of the sixteenth-century.
650 0|aTheater|xHistory.
650 0|aTheater.
650 14|aTheatre History.
650 24|aNational and Regional Theatre and Performance.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030061395
776 08|iPrinted edition:|z9783030061418
830 0|aPalgrave Studies in Theatre and Performance History,|x2947-5775
856 40|uhttps://doi.org/10.1007/978-3-030-06140-1
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)