UK Feminist Cartoons and Comics [electronic resource] : A Critical Survey / by Nicola Streeten.
Erişim Adresi
ISBN
9783030363000
Dil Kodu
İngilizce
Yer Numarası
EK/3962
Yazar
Basım Bildirimi
1st ed. 2020.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2020.
Fiziksel Niteleme
XIX, 274 p. 52 illus., 20 illus. in color. online resource.
Dizi
Palgrave Studies in Comics and Graphic Novels, 2634-6389
İçindekiler Notu
1. Introduction -- 2. A Theory of Feminist Visual Humour -- 3. The 1970s: Anger and the Humourless Feminist -- 4. The 1980s: An Alternative Direction for the Anger -- 5. The 1990s: A New Generation -- 6. 2000-2019: A Change of Attitude -- 7. Conclusion.
Özet, vb.
This book demonstrates that since the 1970s, British feminist cartoons and comics have played an important part in the Women’s Movement in Britain. A key component of this has been humour. This aspect of feminist history in Britain has not previously been documented. The book questions why and how British feminists have used humour in comics form to present serious political messages. It also interrogates what the implications have been for the development of feminist cartoons and for the popularisation of feminism in Britain. The work responds to recent North American feminist comics scholarship that concentrates on North American autobiographical comics of trauma by women. This book highlights the relevance of humour and provides a comparative British perspective. The time frame is 1970 to 2019, chosen as representative of a significant historical period for the development of feminist cartoon and comics activity and of feminist theory and practice. Research methods include archival data collection, complemented by interviews with selected cartoonists. Visual and textual analysis of specific examples draws on literature from humour theory, comics studies and feminist theory. Examples are also considered as responses to the economic, social and political contexts in which they were produced. Dr. Nicola Streeten draws, talks, writes about, teaches and organises events to do with comics. Her graphic memoir Billy, Me & You (2011) is about her process of bereavement following the death of her child. Her immersion in the comics community has reinforced her world view that gender equality and social acceptance of difference would improve the world and that comics offers a creative platform to do this. Her doctoral research on feminist cartoons and comics in Britain informed her co-editing of The Inking Woman (2018), an illustrated history of women’s cartooningin Britain. Nicola directs LDComics (est. 2009 as Laydeez do Comics), the women-led comics forum welcoming to all. .
Konu
Comic books, strips, etc. __ Influence on mass media.
Sex.
European literature.
Ethnology __ Great Britain.
Culture.
Comics Studies.
Gender Studies.
European Literature.
British Culture.
Sex.
European literature.
Ethnology __ Great Britain.
Culture.
Comics Studies.
Gender Studies.
European Literature.
British Culture.
Kurum Adı
Eseri Alıntıla
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Dijital Kaynak
MARC Görünümü
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250 |a1st ed. 2020.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2020.
300 |aXIX, 274 p. 52 illus., 20 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
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505 0 |a1. Introduction -- 2. A Theory of Feminist Visual Humour -- 3. The 1970s: Anger and the Humourless Feminist -- 4. The 1980s: An Alternative Direction for the Anger -- 5. The 1990s: A New Generation -- 6. 2000-2019: A Change of Attitude -- 7. Conclusion.
520 |aThis book demonstrates that since the 1970s, British feminist cartoons and comics have played an important part in the Women’s Movement in Britain. A key component of this has been humour. This aspect of feminist history in Britain has not previously been documented. The book questions why and how British feminists have used humour in comics form to present serious political messages. It also interrogates what the implications have been for the development of feminist cartoons and for the popularisation of feminism in Britain. The work responds to recent North American feminist comics scholarship that concentrates on North American autobiographical comics of trauma by women. This book highlights the relevance of humour and provides a comparative British perspective. The time frame is 1970 to 2019, chosen as representative of a significant historical period for the development of feminist cartoon and comics activity and of feminist theory and practice. Research methods include archival data collection, complemented by interviews with selected cartoonists. Visual and textual analysis of specific examples draws on literature from humour theory, comics studies and feminist theory. Examples are also considered as responses to the economic, social and political contexts in which they were produced. Dr. Nicola Streeten draws, talks, writes about, teaches and organises events to do with comics. Her graphic memoir Billy, Me & You (2011) is about her process of bereavement following the death of her child. Her immersion in the comics community has reinforced her world view that gender equality and social acceptance of difference would improve the world and that comics offers a creative platform to do this. Her doctoral research on feminist cartoons and comics in Britain informed her co-editing of The Inking Woman (2018), an illustrated history of women’s cartooningin Britain. Nicola directs LDComics (est. 2009 as Laydeez do Comics), the women-led comics forum welcoming to all. .
650 0|aComic books, strips, etc.|xInfluence on mass media.
650 0|aSex.
650 0|aEuropean literature.
650 0|aEthnology|xGreat Britain.
650 0|aCulture.
650 14|aComics Studies.
650 24|aGender Studies.
650 24|aEuropean Literature.
650 24|aBritish Culture.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030362997
776 08|iPrinted edition:|z9783030363017
776 08|iPrinted edition:|z9783030363024
830 0|aPalgrave Studies in Comics and Graphic Novels,|x2634-6389
856 40|uhttps://doi.org/10.1007/978-3-030-36300-0
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
001 840828
003 TR_AnAIT
005 20260715033711
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020 |a9783030363000|9978-3-030-36300-0
024 7 |a10.1007/978-3-030-36300-0|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aP94.6-.65
050 4|aPN6700-6790
072 7|aJFD|2bicssc
072 7|aFX|2bicssc
072 7|aSOC052000|2bisacsh
072 7|aJBCT|2thema
072 7|aX|2thema
082 04|a306.488|223
082 04|a741.5|223
090 |aEK/3962
100 1 |aStreeten, Nicola.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aUK Feminist Cartoons and Comics|h[electronic resource] :|bA Critical Survey /|cby Nicola Streeten.
250 |a1st ed. 2020.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2020.
300 |aXIX, 274 p. 52 illus., 20 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aPalgrave Studies in Comics and Graphic Novels,|x2634-6389
505 0 |a1. Introduction -- 2. A Theory of Feminist Visual Humour -- 3. The 1970s: Anger and the Humourless Feminist -- 4. The 1980s: An Alternative Direction for the Anger -- 5. The 1990s: A New Generation -- 6. 2000-2019: A Change of Attitude -- 7. Conclusion.
520 |aThis book demonstrates that since the 1970s, British feminist cartoons and comics have played an important part in the Women’s Movement in Britain. A key component of this has been humour. This aspect of feminist history in Britain has not previously been documented. The book questions why and how British feminists have used humour in comics form to present serious political messages. It also interrogates what the implications have been for the development of feminist cartoons and for the popularisation of feminism in Britain. The work responds to recent North American feminist comics scholarship that concentrates on North American autobiographical comics of trauma by women. This book highlights the relevance of humour and provides a comparative British perspective. The time frame is 1970 to 2019, chosen as representative of a significant historical period for the development of feminist cartoon and comics activity and of feminist theory and practice. Research methods include archival data collection, complemented by interviews with selected cartoonists. Visual and textual analysis of specific examples draws on literature from humour theory, comics studies and feminist theory. Examples are also considered as responses to the economic, social and political contexts in which they were produced. Dr. Nicola Streeten draws, talks, writes about, teaches and organises events to do with comics. Her graphic memoir Billy, Me & You (2011) is about her process of bereavement following the death of her child. Her immersion in the comics community has reinforced her world view that gender equality and social acceptance of difference would improve the world and that comics offers a creative platform to do this. Her doctoral research on feminist cartoons and comics in Britain informed her co-editing of The Inking Woman (2018), an illustrated history of women’s cartooningin Britain. Nicola directs LDComics (est. 2009 as Laydeez do Comics), the women-led comics forum welcoming to all. .
650 0|aComic books, strips, etc.|xInfluence on mass media.
650 0|aSex.
650 0|aEuropean literature.
650 0|aEthnology|xGreat Britain.
650 0|aCulture.
650 14|aComics Studies.
650 24|aGender Studies.
650 24|aEuropean Literature.
650 24|aBritish Culture.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030362997
776 08|iPrinted edition:|z9783030363017
776 08|iPrinted edition:|z9783030363024
830 0|aPalgrave Studies in Comics and Graphic Novels,|x2634-6389
856 40|uhttps://doi.org/10.1007/978-3-030-36300-0
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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