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020 |a9783319959245|9978-3-319-95924-5
024 7 |a10.1007/978-3-319-95924-5|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1560-1590
050 4|aPN2000-3307
072 7|aAN|2bicssc
072 7|aPER000000|2bisacsh
072 7|aAT|2thema
082 04|a790|223
090 |aEK/4055
245 10|aShakespeare and Contemporary Irish Literature|h[electronic resource] /|cedited by Nicholas Taylor-Collins, Stanley van der Ziel.
250 |a1st ed. 2018.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2018.
300 |aXIII, 258 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. Introduction: Shakespeare, Ireland and the Contemporary; Nicholas Taylor-Collins and Stanley van der Ziel -- 2. ‘memory like mitigation’: Heaney, Shakespeare and Ireland; Rui Carvalho Homem -- 3. ‘an inconstant stay’: Paul Muldoon, Seamus Heaney and the Ends of Shakespeare’s Sonnets; Tom Walker -- 4. Moving the Statue: Myths of Motherhood in Eavan Boland, Shakespeare and Early Modern Culture; Nicholas Taylor-Collins -- 5. ‘This rough magic’: Late Derek Mahon and Late Shakespeare; Sarah Bennett -- 6. What Ish My language? The Politics of Translation in Brian Friel’s Translations and Shakespeare’s Henry Plays; Anthony Roche -- 7. Conjuring Ghosts: Shakespeare, Dramaturgy and the Plays of Frank McGuinness; Anne Fogarty -- 8. ‘Filial ingratitude’: Marina Carr’s Bond with Shakespeare; Willy Maley and Stanley van der Ziel -- 9. McGahern’s Lear, or: Tragedy in the Barracks; Stanley van derZiel -- 10. Performing Prospero: Intertextual Strategies in John Banville’s Ghosts; Elke D’hoker.
520 |aThis book shows that Shakespeare continues to influence contemporary Irish literature, through postcolonial, dramaturgical, epistemological and narratological means. International critics examine a range of contemporary writers including Eavan Boland, Marina Carr, Brian Friel, Seamus Heaney, John McGahern, Frank McGuinness, Derek Mahon and Paul Muldoon, and explore Shakespeare’s tragedies, histories and comedies, as well as his sonnets. Together, the chapters demonstrate that Shakespeare continues to exert a pressure on Irish writing into the twenty-first century, sometimes because of and sometimes in spite of the fact that his writing is inextricably tied to the Elizabethan and Jacobean colonization of Ireland. Contemporary Irish writers appropriate, adopt, adapt and strategize through their engagements with Shakespeare, and indeed through his own engagement with the world around him four hundred years ago.
650 0|aPerforming arts.
650 0|aTheater.
650 0|aLiterature, Modern|x20th century.
650 0|aLiterature, Modern|x21st century.
650 0|aEuropean literature.
650 0|aEuropean literature|xRenaissance, 1450-1600.
650 14|aTheatre and Performance Arts.
650 24|aContemporary Literature.
650 24|aEuropean Literature.
650 24|aEarly Modern and Renaissance Literature.
700 1 |aTaylor-Collins, Nicholas.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |avan der Ziel, Stanley.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319959238
776 08|iPrinted edition:|z9783319959252
776 08|iPrinted edition:|z9783030071165
856 40|uhttps://doi.org/10.1007/978-3-319-95924-5
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)