Interculturalism and Performance Now [electronic resource] : New Directions? / edited by Charlotte McIvor, Jason King.
Erişim Adresi
ISBN
9783030027049
Dil Kodu
İngilizce
Yer Numarası
EK/4044
Basım Bildirimi
1st ed. 2019.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2019.
Fiziksel Niteleme
XXII, 377 p. 18 illus. online resource.
Dizi
Contemporary Performance InterActions, 2634-5889
İçindekiler Notu
1. Introduction: New Directions?; Charlotte McIvor -- 2. From Scenarios to Networks: Performing the Intercultural in Colonial Mexico; Leo Cabranes-Grant -- 3. Routes and Routers of Interculturalism: Islands, Theatres and Shakespeares; Alvin Eng Hui Lim -- 4. Rethinking Interculturalism Using Digital Tools; Julie Holledge, Sarah Thomasson & Joanne Tompkins -- 5. Colonial Restitution and Indigenous Vessels of Intercultural Performance: The Stalled Repatriation of the Akwiten Grandfather Canoe; Jason King -- 6. Interculturalism, Humanitarianism, Intervention: Théâtre du Soleil in Kabul; Emine Fişek -- 7. ‘Zones of occult instability’: A South African Perspective on Negotiating Colonial Afterlives through Intercultural Performance; Yvette Hutchison -- 8. New Modernist Mediations and the Intercultural Theatre of Modern Times Stage Company; Ric Knowles -- 9. Censorship and Sensitivities: Performing Tolerance in Postsecular Britain; Brian Singleton -- 10. Playful Yellowness: Rescuing Interculturalism from Post/trans-racial Orientalism; Daphne P. Lei -- 11. ‘Recognize My Face’: Phil Lynott, Scalar Interculturalism and the Nested Figure; Justine Nakase -- 12. Intercultural Performance Ecologies in the Making: Minor(ity) Theatre and the Greek Crisis; Natasha Remoundou -- 13. ‘The Future Market and the Current Reality’: Zaimoglu/Senkel’s Black Virgins and Interculturalism in the German Context; Lizzie Stewart -- 14. Intercultural Dialogue as ‘New’ Interculturalism: Terra Nova Productions, the Arrivals Project and the Intercultural Performative; Charlotte McIvor.
Özet, vb.
This book is the first edited collection to respond to an undeniable resurgence of critical activity around the controversial theoretical term ‘interculturalism’ in theatre and performance studies. Long one of the field’s most vigorously debated concepts, intercultural performance has typically referred to the hybrid mixture of performance forms from different cultures (typically divided along an East-West or North-South axis) and its related practices frequently charged with appropriation, exploitation or ill-founded universalism. New critical approaches since the late 2000s and early 2010s instead reveal a plethora of localized, grassroots, diasporic and historical approaches to the theory and practice of intercultural performance which make available novel critical and political possibilities for performance practitioners and scholars. This collection consolidates and pushes forward reflection on these recent shifts by offering case studies from Asia, Africa, Australasia, Latin America, North America, and Western Europe which debate the possibilities and limitations of this theoretical turn towards a ‘new’ interculturalism. .
Konu
Performing arts.
Theater.
Theatre and Performance Arts.
Theater.
Theatre and Performance Arts.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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520 |aThis book is the first edited collection to respond to an undeniable resurgence of critical activity around the controversial theoretical term ‘interculturalism’ in theatre and performance studies. Long one of the field’s most vigorously debated concepts, intercultural performance has typically referred to the hybrid mixture of performance forms from different cultures (typically divided along an East-West or North-South axis) and its related practices frequently charged with appropriation, exploitation or ill-founded universalism. New critical approaches since the late 2000s and early 2010s instead reveal a plethora of localized, grassroots, diasporic and historical approaches to the theory and practice of intercultural performance which make available novel critical and political possibilities for performance practitioners and scholars. This collection consolidates and pushes forward reflection on these recent shifts by offering case studies from Asia, Africa, Australasia, Latin America, North America, and Western Europe which debate the possibilities and limitations of this theoretical turn towards a ‘new’ interculturalism. .
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049 |aTürk Dil Kurumu Kütüphanesi
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245 10|aInterculturalism and Performance Now|h[electronic resource] :|bNew Directions? /|cedited by Charlotte McIvor, Jason King.
250 |a1st ed. 2019.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2019.
300 |aXXII, 377 p. 18 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
341 0 |bTable of contents navigation|2onix
341 0 |bSingle logical reading order|2onix
341 0 |bShort alternative textual descriptions|2onix
341 0 |bUse of color is not sole means of conveying information|2onix
341 0 |bUse of high contrast between text and background color|2onix
341 0 |bNext / Previous structural navigation|2onix
341 0 |bAll non-decorative content supports reading without sight|2onix
347 |atext file|bPDF|2rda
490 1 |aContemporary Performance InterActions,|x2634-5889
505 0 |a1. Introduction: New Directions?; Charlotte McIvor -- 2. From Scenarios to Networks: Performing the Intercultural in Colonial Mexico; Leo Cabranes-Grant -- 3. Routes and Routers of Interculturalism: Islands, Theatres and Shakespeares; Alvin Eng Hui Lim -- 4. Rethinking Interculturalism Using Digital Tools; Julie Holledge, Sarah Thomasson & Joanne Tompkins -- 5. Colonial Restitution and Indigenous Vessels of Intercultural Performance: The Stalled Repatriation of the Akwiten Grandfather Canoe; Jason King -- 6. Interculturalism, Humanitarianism, Intervention: Théâtre du Soleil in Kabul; Emine Fişek -- 7. ‘Zones of occult instability’: A South African Perspective on Negotiating Colonial Afterlives through Intercultural Performance; Yvette Hutchison -- 8. New Modernist Mediations and the Intercultural Theatre of Modern Times Stage Company; Ric Knowles -- 9. Censorship and Sensitivities: Performing Tolerance in Postsecular Britain; Brian Singleton -- 10. Playful Yellowness: Rescuing Interculturalism from Post/trans-racial Orientalism; Daphne P. Lei -- 11. ‘Recognize My Face’: Phil Lynott, Scalar Interculturalism and the Nested Figure; Justine Nakase -- 12. Intercultural Performance Ecologies in the Making: Minor(ity) Theatre and the Greek Crisis; Natasha Remoundou -- 13. ‘The Future Market and the Current Reality’: Zaimoglu/Senkel’s Black Virgins and Interculturalism in the German Context; Lizzie Stewart -- 14. Intercultural Dialogue as ‘New’ Interculturalism: Terra Nova Productions, the Arrivals Project and the Intercultural Performative; Charlotte McIvor.
520 |aThis book is the first edited collection to respond to an undeniable resurgence of critical activity around the controversial theoretical term ‘interculturalism’ in theatre and performance studies. Long one of the field’s most vigorously debated concepts, intercultural performance has typically referred to the hybrid mixture of performance forms from different cultures (typically divided along an East-West or North-South axis) and its related practices frequently charged with appropriation, exploitation or ill-founded universalism. New critical approaches since the late 2000s and early 2010s instead reveal a plethora of localized, grassroots, diasporic and historical approaches to the theory and practice of intercultural performance which make available novel critical and political possibilities for performance practitioners and scholars. This collection consolidates and pushes forward reflection on these recent shifts by offering case studies from Asia, Africa, Australasia, Latin America, North America, and Western Europe which debate the possibilities and limitations of this theoretical turn towards a ‘new’ interculturalism. .
532 8 |aAccessibility summary: This PDF does not fully comply with PDF/UA standards, but does feature limited screen reader support, described non-text content (images, graphs), bookmarks for easy navigation and searchable, selectable text. Users of assistive technologies may experience difficulty navigating or interpreting content in this document. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aPerforming arts.
650 0|aTheater.
650 14|aTheatre and Performance Arts.
700 1 |aMcIvor, Charlotte.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aKing, Jason.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030027032
776 08|iPrinted edition:|z9783030027056
830 0|aContemporary Performance InterActions,|x2634-5889
856 40|uhttps://doi.org/10.1007/978-3-030-02704-9
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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