Hamlet and Emotions [electronic resource] / edited by Paul Megna, Bríd Phillips, R.S. White.
Erişim Adresi
ISBN
9783030037956
Dil Kodu
İngilizce
Yer Numarası
EK/4124
Basım Bildirimi
1st ed. 2019.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2019.
Fiziksel Niteleme
XXV, 347 p. 4 illus. online resource.
Dizi
Palgrave Shakespeare Studies, 2731-3212
İçindekiler Notu
1. ‘Prologue to the omen coming on’ - Robert White -- 2.‘in a dream of passion’: Introducing Hamlet and Emotion - Paul Megna and Bríd Phillips -- Part I: ‘Between who?’: Influences and Inter-Texts -- 3. Hamlet and Tragic Emotion - Indira Ghose -- 4.A Conjuration of Patrick: A Legacy of Doubt and Imagining in Hamlet - Michael D. Barbezat -- 5. Fear and Wonder: Shakespeare’s Ghost in the Fireside Tradition - Catherine Belsey -- 6. ‘For by the image of my cause, I see / The portraiture of his’: Hamlet and the Imitation of Emotion - Richard Meek -- 7. ‘Each subtlest passion, with her source and spring’: Hamlet, Sejanus and the Concealment of Emotion - Jane Rickard -- Part II: ‘I know not “seems”’: Expression and Sensation -- 8. Hamlet’s Tears - Dympna Callaghan -- 9. Hamlet’s ‘Spendthrift Sigh’: Emotional Breathing on and off the Stage - Naya Tsentourou -- 10. ‘Eyes without feeling, feeling withoutsight’: The Sense of Sight in Hamlet - Bríd Phillips -- Part III: ‘this quintessence of dust’: Character -- 11. Horatio as Author: Storytelling and Stoic Tragedy in Hamlet - Jeffrey R. Wilson -- 12. ‘A king of shreds and patches’: Claudius, Clothes, Feeling - Lisa Hopkins -- 13. ‘Something After?’: Hamlet and Dread - Bradley Irish -- Part IV: ‘Remember me’: Performance and Adaptation -- 14. Misremembering Hamlet at Elsinore- Kathryn Prince -- 15. ‘Speech falters speech flinches when horror lifts a fist to it’: Action, Emotion, and Inertia in Three Hamlet Variations - Stephen Chinna -- 16. Shakespeare’s Hamlet and Stoppard’s Guildenstern Leap between Un-Existentialist Anguish and Un-Absurdist Happiness - Paul Megna -- 17. Horatio: Loyal Friend of Hamlet and Nutshell - Robert White.
Özet, vb.
This volume bears potent testimony, not only to the dense complexity of Hamlet’s emotional dynamics, but also to the enduring fascination that audiences, adaptors, and academics have with what may well be Shakespeare’s moodiest play. Its chapters explore emotion in Hamlet, as well as the myriad emotions surrounding Hamlet’s debts to the medieval past, its relationship to the cultural milieu in which it was produced, its celebrated performance history, and its profound impact beyond the early modern era. Its component chapters are not unified by a single methodological approach. Some deal with a single emotion in Hamlet, while others analyse the emotional trajectory of a single character, and still others focus on a given emotional expression (e.g., sighing or crying). Some bring modern methodologies for studying emotion to bear on Hamlet, others explore how Hamlet anticipates modern discourses on emotion, and still others ask how Hamlet itself can complicate and contribute to our current understanding of emotion.
Konu
European literature __ Renaissance, 1450-1600.
Emotions.
Theater __ History.
Early Modern and Renaissance Literature.
Emotion.
Theatre History.
Emotions.
Theater __ History.
Early Modern and Renaissance Literature.
Emotion.
Theatre History.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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520 |aThis volume bears potent testimony, not only to the dense complexity of Hamlet’s emotional dynamics, but also to the enduring fascination that audiences, adaptors, and academics have with what may well be Shakespeare’s moodiest play. Its chapters explore emotion in Hamlet, as well as the myriad emotions surrounding Hamlet’s debts to the medieval past, its relationship to the cultural milieu in which it was produced, its celebrated performance history, and its profound impact beyond the early modern era. Its component chapters are not unified by a single methodological approach. Some deal with a single emotion in Hamlet, while others analyse the emotional trajectory of a single character, and still others focus on a given emotional expression (e.g., sighing or crying). Some bring modern methodologies for studying emotion to bear on Hamlet, others explore how Hamlet anticipates modern discourses on emotion, and still others ask how Hamlet itself can complicate and contribute to our current understanding of emotion.
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532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aEuropean literature|xRenaissance, 1450-1600.
650 0|aEmotions.
650 0|aTheater|xHistory.
650 14|aEarly Modern and Renaissance Literature.
650 24|aEmotion.
650 24|aTheatre History.
700 1 |aMegna, Paul.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aPhillips, Bríd.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aWhite, R.S.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030037949
776 08|iPrinted edition:|z9783030037963
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041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN715-749
072 7|aDSB|2bicssc
072 7|aLIT024000|2bisacsh
072 7|aDSB|2thema
082 04|a809.03|223
090 |aEK/4124
245 10|aHamlet and Emotions|h[electronic resource] /|cedited by Paul Megna, Bríd Phillips, R.S. White.
250 |a1st ed. 2019.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2019.
300 |aXXV, 347 p. 4 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
341 0 |bTable of contents navigation|2onix
341 0 |bSingle logical reading order|2onix
341 0 |bShort alternative textual descriptions|2onix
341 0 |bUse of color is not sole means of conveying information|2onix
341 0 |bUse of high contrast between text and background color|2onix
341 0 |bNext / Previous structural navigation|2onix
341 0 |bAll non-decorative content supports reading without sight|2onix
347 |atext file|bPDF|2rda
490 1 |aPalgrave Shakespeare Studies,|x2731-3212
505 0 |a1. ‘Prologue to the omen coming on’ - Robert White -- 2.‘in a dream of passion’: Introducing Hamlet and Emotion - Paul Megna and Bríd Phillips -- Part I: ‘Between who?’: Influences and Inter-Texts -- 3. Hamlet and Tragic Emotion - Indira Ghose -- 4.A Conjuration of Patrick: A Legacy of Doubt and Imagining in Hamlet - Michael D. Barbezat -- 5. Fear and Wonder: Shakespeare’s Ghost in the Fireside Tradition - Catherine Belsey -- 6. ‘For by the image of my cause, I see / The portraiture of his’: Hamlet and the Imitation of Emotion - Richard Meek -- 7. ‘Each subtlest passion, with her source and spring’: Hamlet, Sejanus and the Concealment of Emotion - Jane Rickard -- Part II: ‘I know not “seems”’: Expression and Sensation -- 8. Hamlet’s Tears - Dympna Callaghan -- 9. Hamlet’s ‘Spendthrift Sigh’: Emotional Breathing on and off the Stage - Naya Tsentourou -- 10. ‘Eyes without feeling, feeling withoutsight’: The Sense of Sight in Hamlet - Bríd Phillips -- Part III: ‘this quintessence of dust’: Character -- 11. Horatio as Author: Storytelling and Stoic Tragedy in Hamlet - Jeffrey R. Wilson -- 12. ‘A king of shreds and patches’: Claudius, Clothes, Feeling - Lisa Hopkins -- 13. ‘Something After?’: Hamlet and Dread - Bradley Irish -- Part IV: ‘Remember me’: Performance and Adaptation -- 14. Misremembering Hamlet at Elsinore- Kathryn Prince -- 15. ‘Speech falters speech flinches when horror lifts a fist to it’: Action, Emotion, and Inertia in Three Hamlet Variations - Stephen Chinna -- 16. Shakespeare’s Hamlet and Stoppard’s Guildenstern Leap between Un-Existentialist Anguish and Un-Absurdist Happiness - Paul Megna -- 17. Horatio: Loyal Friend of Hamlet and Nutshell - Robert White.
520 |aThis volume bears potent testimony, not only to the dense complexity of Hamlet’s emotional dynamics, but also to the enduring fascination that audiences, adaptors, and academics have with what may well be Shakespeare’s moodiest play. Its chapters explore emotion in Hamlet, as well as the myriad emotions surrounding Hamlet’s debts to the medieval past, its relationship to the cultural milieu in which it was produced, its celebrated performance history, and its profound impact beyond the early modern era. Its component chapters are not unified by a single methodological approach. Some deal with a single emotion in Hamlet, while others analyse the emotional trajectory of a single character, and still others focus on a given emotional expression (e.g., sighing or crying). Some bring modern methodologies for studying emotion to bear on Hamlet, others explore how Hamlet anticipates modern discourses on emotion, and still others ask how Hamlet itself can complicate and contribute to our current understanding of emotion.
532 8 |aAccessibility summary: This PDF does not fully comply with PDF/UA standards, but does feature limited screen reader support, described non-text content (images, graphs), bookmarks for easy navigation and searchable, selectable text. Users of assistive technologies may experience difficulty navigating or interpreting content in this document. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aEuropean literature|xRenaissance, 1450-1600.
650 0|aEmotions.
650 0|aTheater|xHistory.
650 14|aEarly Modern and Renaissance Literature.
650 24|aEmotion.
650 24|aTheatre History.
700 1 |aMegna, Paul.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aPhillips, Bríd.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aWhite, R.S.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030037949
776 08|iPrinted edition:|z9783030037963
830 0|aPalgrave Shakespeare Studies,|x2731-3212
856 40|uhttps://doi.org/10.1007/978-3-030-03795-6
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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