Performance and Posthumanism [electronic resource] : Staging Prototypes of Composite Bodies / edited by Christel Stalpaert, Kristof van Baarle, Laura Karreman.
Erişim Adresi
ISBN
9783030747459
Dil Kodu
İngilizce
Yer Numarası
EK/4253
Basım Bildirimi
1st ed. 2021.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2021.
Fiziksel Niteleme
XXI, 352 p. 26 illus., 19 illus. in color. online resource.
İçindekiler Notu
1. Performance and Posthumanism: Co-Creation, Response-ability and Epistemologies; Christel Stalpaert, Kristof van Baarle and Laura Karreman -- 2. 9 variations on things and performance; André Lepecki -- 3. Does the donkey act? Balthazar as protagonist; Maximilian Haas -- 4. Latent Performances. Conditions for some things to happen; Daniel Blanga-Gubbay -- 5. Aesthetics of Mykorrhiza. The practice of Apparatus; Stefenie Wenner -- 6. On Composite Bodies and New Media Dramaturgy; Peter Eckersall and Kris Verdonck -- 7. Decoding Effet Papillon, choreography for three dancers inspired by the world of video games; Mylène Benoit and Philippe Guisgand -- 8. The refrain and the territory of the posthuman; Aline Wiame -- 9. The right to remain forgotten and the data crimes of post-digital culture: a ceaseless traumatic event; Matthew Causey -- 10. The Biography of a Digital Device. The Interwovenness of Humanand Non-Human Movements in Production and Distribution Processes as thematized in the Artwork Rare Earthenware by Unknown Fields; Martina Ruhsam -- 11. Tentacular Thinking-With-Things in Storied Places. Parliament of Things (2019) by Building Conversation; Christel Stalpaert -- 12. The Point of the Matter: Performativity in Scientific Practices; Maaike Bleeker and Jean Paul Van Bendegem -- 13. Music Notation and Distributed Creativity: The Textility of Score Annotation; Emily Payne and Floris Schuiling -- 14. Spectators in the laboratory: between theatre and technoscience; Mateusz Borowski, Mateusz Chaberski, Małgorzata Sugiera -- 15. A Hybrid Device to Choreograph the Gaze: Embodying Vision through a Historical Discourse on Optics in Benjamin Vandewalle’s Peri-Sphere; Helena Julian and Dieter Brusselaers.
Özet, vb.
Recent technological and scientific developments have demonstrated a condition that has already long been upon us. We have entered a posthuman era, an assertion shared by an increasing number of thinkers such as N. Katherine Hayles, Rosi Braidotti, Donna Haraway, Bruno Latour, Richard Grusin, and Bernard Stiegler. The performing arts have reacted to these developments by increasingly opening up their traditionally ‘human’ domain to non-human others. Both philosophy and performing arts thus question what it means to be human from a posthumanist point of view and how the agency of non-humans – be they technology, objects, animals, or other forms of being – ‘works’ on both an ontological and performative level. The contributions in this volume brings together scholars, dramaturgs, and artists, uniting their reflections on the consequences of the posthuman condition for creative practices, spectatorship, and knowledge.
Konu
Performing arts.
Theater.
Actors.
Philosophy.
Ontology.
Theatre and Performance Arts.
Performers and Practitioners.
Philosophy.
Ontology.
Theater.
Actors.
Philosophy.
Ontology.
Theatre and Performance Arts.
Performers and Practitioners.
Philosophy.
Ontology.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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520 |aRecent technological and scientific developments have demonstrated a condition that has already long been upon us. We have entered a posthuman era, an assertion shared by an increasing number of thinkers such as N. Katherine Hayles, Rosi Braidotti, Donna Haraway, Bruno Latour, Richard Grusin, and Bernard Stiegler. The performing arts have reacted to these developments by increasingly opening up their traditionally ‘human’ domain to non-human others. Both philosophy and performing arts thus question what it means to be human from a posthumanist point of view and how the agency of non-humans – be they technology, objects, animals, or other forms of being – ‘works’ on both an ontological and performative level. The contributions in this volume brings together scholars, dramaturgs, and artists, uniting their reflections on the consequences of the posthuman condition for creative practices, spectatorship, and knowledge.
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650 0|aTheater.
650 0|aActors.
650 0|aPhilosophy.
650 0|aOntology.
650 14|aTheatre and Performance Arts.
650 24|aPerformers and Practitioners.
650 24|aPhilosophy.
650 24|aOntology.
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024 7 |a10.1007/978-3-030-74745-9|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
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082 04|a790|223
090 |aEK/4253
245 10|aPerformance and Posthumanism|h[electronic resource] :|bStaging Prototypes of Composite Bodies /|cedited by Christel Stalpaert, Kristof van Baarle, Laura Karreman.
250 |a1st ed. 2021.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2021.
300 |aXXI, 352 p. 26 illus., 19 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. Performance and Posthumanism: Co-Creation, Response-ability and Epistemologies; Christel Stalpaert, Kristof van Baarle and Laura Karreman -- 2. 9 variations on things and performance; André Lepecki -- 3. Does the donkey act? Balthazar as protagonist; Maximilian Haas -- 4. Latent Performances. Conditions for some things to happen; Daniel Blanga-Gubbay -- 5. Aesthetics of Mykorrhiza. The practice of Apparatus; Stefenie Wenner -- 6. On Composite Bodies and New Media Dramaturgy; Peter Eckersall and Kris Verdonck -- 7. Decoding Effet Papillon, choreography for three dancers inspired by the world of video games; Mylène Benoit and Philippe Guisgand -- 8. The refrain and the territory of the posthuman; Aline Wiame -- 9. The right to remain forgotten and the data crimes of post-digital culture: a ceaseless traumatic event; Matthew Causey -- 10. The Biography of a Digital Device. The Interwovenness of Humanand Non-Human Movements in Production and Distribution Processes as thematized in the Artwork Rare Earthenware by Unknown Fields; Martina Ruhsam -- 11. Tentacular Thinking-With-Things in Storied Places. Parliament of Things (2019) by Building Conversation; Christel Stalpaert -- 12. The Point of the Matter: Performativity in Scientific Practices; Maaike Bleeker and Jean Paul Van Bendegem -- 13. Music Notation and Distributed Creativity: The Textility of Score Annotation; Emily Payne and Floris Schuiling -- 14. Spectators in the laboratory: between theatre and technoscience; Mateusz Borowski, Mateusz Chaberski, Małgorzata Sugiera -- 15. A Hybrid Device to Choreograph the Gaze: Embodying Vision through a Historical Discourse on Optics in Benjamin Vandewalle’s Peri-Sphere; Helena Julian and Dieter Brusselaers.
520 |aRecent technological and scientific developments have demonstrated a condition that has already long been upon us. We have entered a posthuman era, an assertion shared by an increasing number of thinkers such as N. Katherine Hayles, Rosi Braidotti, Donna Haraway, Bruno Latour, Richard Grusin, and Bernard Stiegler. The performing arts have reacted to these developments by increasingly opening up their traditionally ‘human’ domain to non-human others. Both philosophy and performing arts thus question what it means to be human from a posthumanist point of view and how the agency of non-humans – be they technology, objects, animals, or other forms of being – ‘works’ on both an ontological and performative level. The contributions in this volume brings together scholars, dramaturgs, and artists, uniting their reflections on the consequences of the posthuman condition for creative practices, spectatorship, and knowledge.
650 0|aPerforming arts.
650 0|aTheater.
650 0|aActors.
650 0|aPhilosophy.
650 0|aOntology.
650 14|aTheatre and Performance Arts.
650 24|aPerformers and Practitioners.
650 24|aPhilosophy.
650 24|aOntology.
700 1 |aStalpaert, Christel.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |avan Baarle, Kristof.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aKarreman, Laura.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030747442
776 08|iPrinted edition:|z9783030747466
776 08|iPrinted edition:|z9783030747473
856 40|uhttps://doi.org/10.1007/978-3-030-74745-9
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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