Writing and Performing Female Identity in Italian Culture [electronic resource] / edited by Virginia Picchietti, Laura A. Salsini.
Erişim Adresi
ISBN
9783319408354
Dil Kodu
İngilizce
Yer Numarası
EK/4148
Basım Bildirimi
1st ed. 2017.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2017.
Fiziksel Niteleme
XIII, 278 p. 3 illus., 1 illus. in color. online resource.
Dizi
Italian and Italian American Studies, 2635-294X
İçindekiler Notu
1. Introduction 2. The Broken Language of High Poetry: Agency and Emotion in Teresino by Vivian Lamarque; Enrico Minardi -- 3. Re-Appropriation for a New Symbolic Order: The Search for Identity in the Poetry of Armanda Guiducci, Maria Luisa Spaziani and Oliva Gualtieri Bernardi; Rosa Cuda.-PART II: CINEMA -- 4. Mambo and Maggiorate: Italian Female Stardom of the 1950s; Elisa Uffreduzzi -- 5. Mina: Narrative and Cinematic Spectacle of the Italian Woman of the Early 1960s; Paola Valentini -- 6. Beyond the Male Gaze: Conceiving the ‘Fourth Gaze’ in La bestia nel cuore; Ryan Calabretta-Sajder -- PART III: THEATRE -- 7. From Fairy Tale to Hysteria: Women in Italian Theatre in the Early 1950s; Daniela Cavallero -- 8. Telling Lives, Staging Silences: Dacia Mariani's Biographical Theater; Alex Standen -- 9. Staging the (Sur)real World: Soledad Agresti’s Theater of Women; Raffaele Furno.-PART IV: PROSE -- 10.Writing History, Trauma, and the (Dis/Re)Appearance of the Body in Cutrufelli's La briganta; Sandra Walters -- 11.The Treasure Chest and the Talisman: Writing between Reality and Myth in Maria Giacobbe ; Angela Guiso -- 12.Space and Sexualization in the Fin de Siècle Italian Female Narrative; Anna Marchioni Cucchiella -- Notes on Contributors -- Index.
Özet, vb.
This volume investigates the ways in which Italian women writers, filmmakers, and performers have represented female identity across genres from the immediate post-World War II period to the turn of the twenty-first century. Considering genres such as prose, poetry, drama, and film, these essays examine the vision of female agency and self-actualization arising from women artists’ critique of female identity. This dual approach reveals unique interpretations of womanhood in Italy spanning more than fifty years, while also providing a deep investigation of the manipulation of canvases historically centered on the male subject. With its unique coupling of generic and thematic concerns, the volume contributes to the ever expanding female artistic legacy, and to our understanding of postwar Italian women’s evolving relationship to the narration of history, gender roles, and these artists’ use and revision of generic convention to communicate their vision.
Konu
Literature, Modern __ 20th century.
Ethnology __ Europe.
Culture.
Motion picture plays, European.
Twentieth-Century Literature.
European Culture.
European Film and TV.
Ethnology __ Europe.
Culture.
Motion picture plays, European.
Twentieth-Century Literature.
European Culture.
European Film and TV.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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245 10|aWriting and Performing Female Identity in Italian Culture|h[electronic resource] /|cedited by Virginia Picchietti, Laura A. Salsini.
250 |a1st ed. 2017.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2017.
300 |aXIII, 278 p. 3 illus., 1 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
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338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aItalian and Italian American Studies,|x2635-294X
505 0 |a1. Introduction 2. The Broken Language of High Poetry: Agency and Emotion in Teresino by Vivian Lamarque; Enrico Minardi -- 3. Re-Appropriation for a New Symbolic Order: The Search for Identity in the Poetry of Armanda Guiducci, Maria Luisa Spaziani and Oliva Gualtieri Bernardi; Rosa Cuda.-PART II: CINEMA -- 4. Mambo and Maggiorate: Italian Female Stardom of the 1950s; Elisa Uffreduzzi -- 5. Mina: Narrative and Cinematic Spectacle of the Italian Woman of the Early 1960s; Paola Valentini -- 6. Beyond the Male Gaze: Conceiving the ‘Fourth Gaze’ in La bestia nel cuore; Ryan Calabretta-Sajder -- PART III: THEATRE -- 7. From Fairy Tale to Hysteria: Women in Italian Theatre in the Early 1950s; Daniela Cavallero -- 8. Telling Lives, Staging Silences: Dacia Mariani's Biographical Theater; Alex Standen -- 9. Staging the (Sur)real World: Soledad Agresti’s Theater of Women; Raffaele Furno.-PART IV: PROSE -- 10.Writing History, Trauma, and the (Dis/Re)Appearance of the Body in Cutrufelli's La briganta; Sandra Walters -- 11.The Treasure Chest and the Talisman: Writing between Reality and Myth in Maria Giacobbe ; Angela Guiso -- 12.Space and Sexualization in the Fin de Siècle Italian Female Narrative; Anna Marchioni Cucchiella -- Notes on Contributors -- Index.
520 |aThis volume investigates the ways in which Italian women writers, filmmakers, and performers have represented female identity across genres from the immediate post-World War II period to the turn of the twenty-first century. Considering genres such as prose, poetry, drama, and film, these essays examine the vision of female agency and self-actualization arising from women artists’ critique of female identity. This dual approach reveals unique interpretations of womanhood in Italy spanning more than fifty years, while also providing a deep investigation of the manipulation of canvases historically centered on the male subject. With its unique coupling of generic and thematic concerns, the volume contributes to the ever expanding female artistic legacy, and to our understanding of postwar Italian women’s evolving relationship to the narration of history, gender roles, and these artists’ use and revision of generic convention to communicate their vision.
650 0|aLiterature, Modern|x20th century.
650 0|aEthnology|xEurope.
650 0|aCulture.
650 0|aMotion picture plays, European.
650 14|aTwentieth-Century Literature.
650 24|aEuropean Culture.
650 24|aEuropean Film and TV.
700 1 |aPicchietti, Virginia.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aSalsini, Laura A.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319408347
776 08|iPrinted edition:|z9783319408361
776 08|iPrinted edition:|z9783319821979
830 0|aItalian and Italian American Studies,|x2635-294X
856 40|uhttps://doi.org/10.1007/978-3-319-40835-4
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
001 840992
003 TR_AnAIT
005 20260715032610
007 cr nn 008mamaa
008 170202s2017 sz | s |||| 0|eng d
020 |a9783319408354|9978-3-319-40835-4
024 7 |a10.1007/978-3-319-40835-4|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN770-779
072 7|aDSBH|2bicssc
072 7|aLIT024050|2bisacsh
072 7|aDSBH|2thema
082 04|a809.04|223
090 |aEK/4148
245 10|aWriting and Performing Female Identity in Italian Culture|h[electronic resource] /|cedited by Virginia Picchietti, Laura A. Salsini.
250 |a1st ed. 2017.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2017.
300 |aXIII, 278 p. 3 illus., 1 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aItalian and Italian American Studies,|x2635-294X
505 0 |a1. Introduction 2. The Broken Language of High Poetry: Agency and Emotion in Teresino by Vivian Lamarque; Enrico Minardi -- 3. Re-Appropriation for a New Symbolic Order: The Search for Identity in the Poetry of Armanda Guiducci, Maria Luisa Spaziani and Oliva Gualtieri Bernardi; Rosa Cuda.-PART II: CINEMA -- 4. Mambo and Maggiorate: Italian Female Stardom of the 1950s; Elisa Uffreduzzi -- 5. Mina: Narrative and Cinematic Spectacle of the Italian Woman of the Early 1960s; Paola Valentini -- 6. Beyond the Male Gaze: Conceiving the ‘Fourth Gaze’ in La bestia nel cuore; Ryan Calabretta-Sajder -- PART III: THEATRE -- 7. From Fairy Tale to Hysteria: Women in Italian Theatre in the Early 1950s; Daniela Cavallero -- 8. Telling Lives, Staging Silences: Dacia Mariani's Biographical Theater; Alex Standen -- 9. Staging the (Sur)real World: Soledad Agresti’s Theater of Women; Raffaele Furno.-PART IV: PROSE -- 10.Writing History, Trauma, and the (Dis/Re)Appearance of the Body in Cutrufelli's La briganta; Sandra Walters -- 11.The Treasure Chest and the Talisman: Writing between Reality and Myth in Maria Giacobbe ; Angela Guiso -- 12.Space and Sexualization in the Fin de Siècle Italian Female Narrative; Anna Marchioni Cucchiella -- Notes on Contributors -- Index.
520 |aThis volume investigates the ways in which Italian women writers, filmmakers, and performers have represented female identity across genres from the immediate post-World War II period to the turn of the twenty-first century. Considering genres such as prose, poetry, drama, and film, these essays examine the vision of female agency and self-actualization arising from women artists’ critique of female identity. This dual approach reveals unique interpretations of womanhood in Italy spanning more than fifty years, while also providing a deep investigation of the manipulation of canvases historically centered on the male subject. With its unique coupling of generic and thematic concerns, the volume contributes to the ever expanding female artistic legacy, and to our understanding of postwar Italian women’s evolving relationship to the narration of history, gender roles, and these artists’ use and revision of generic convention to communicate their vision.
650 0|aLiterature, Modern|x20th century.
650 0|aEthnology|xEurope.
650 0|aCulture.
650 0|aMotion picture plays, European.
650 14|aTwentieth-Century Literature.
650 24|aEuropean Culture.
650 24|aEuropean Film and TV.
700 1 |aPicchietti, Virginia.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aSalsini, Laura A.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783319408347
776 08|iPrinted edition:|z9783319408361
776 08|iPrinted edition:|z9783319821979
830 0|aItalian and Italian American Studies,|x2635-294X
856 40|uhttps://doi.org/10.1007/978-3-319-40835-4
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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