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008 200218s2020 sz | s |||| 0|eng d
020 |a9783030339586|9978-3-030-33958-6
024 7 |a10.1007/978-3-030-33958-6|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1922-1929
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072 7|aJBCC1|2thema
072 7|aATXD|2thema
082 04|a306|223
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090 |aEK/4268
100 1 |aHamrick, Stephen.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aShakespeare and Sexuality in the Comedy of Morecambe & Wise|h[electronic resource] /|cby Stephen Hamrick.
250 |a1st ed. 2020.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2020.
300 |aXIII, 346 p. 6 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aPalgrave Studies in Comedy,|x2731-4340
505 0 |aIntroduction -- Section One: Morecambe & Wise Past and Present -- Chapter 1 - Transferring Variety to Television -- Chapter 2 - The Shrine of Morecambe & Wise -- Section Two: Morecambe & Wise and Shakespeare -- Chapter 3 - Shakespop -- Chapter 4 - Embodying the Bard -- Chapter 5 - At War with the Boys -- Chapter 6 - Hamlets (formerly the conclusion) -- Section Three: Morecambe & Wise and Sexuality -- Chapter 7 - Impersonating Men -- Chapter 8 - Cross-Dressed Comedy -- Chapter 9 - In Bed with a Will -- Chapter 10 - Queer Shakespeare -- Conclusion.
520 |aContextualizing the duo’s work within British comedy, Shakespeare criticism, the history of sexuality, and their own historical moment, this book offers the first sustained analysis of the 20th Century’s most successful double-act. Over the course of a forty-four-year career (1940-1984), Eric Morecambe & Ernie Wise appropriated snippets of verse, scenes, and other elements from seventeen of Shakespeare’s plays more than one-hundred-and-fifty times. Fashioning a kinder, more inclusive world, they deployed a vast array of elements connected to Shakespeare, his life, and institutions. Rejecting claims that they offer only nostalgic escapism, Hamrick analyses their work within contemporary contexts, including their engagement with many forms and genres, including Variety, the heritage industry, journalism, and more. ‘The Boys’ deploy Shakespeare to work through issues of class, sexuality, and violence. Lesbianism, drag, gay marriage, and a queer aesthetics emerge, helping to normalise homosexuality and complicate masculinity in the ‘permissive’ 1960s.
650 0|aComedy.
650 0|aEthnology.
650 0|aEuropean literature|xRenaissance, 1450-1600.
650 14|aComedy Studies.
650 24|aSociocultural Anthropology.
650 24|aEarly Modern and Renaissance Literature.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030339579
776 08|iPrinted edition:|z9783030339593
776 08|iPrinted edition:|z9783030339609
830 0|aPalgrave Studies in Comedy,|x2731-4340
856 40|uhttps://doi.org/10.1007/978-3-030-33958-6
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)