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020 |a9783030427795|9978-3-030-42779-5
024 7 |a10.1007/978-3-030-42779-5|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1993-1999
072 7|aAP|2bicssc
072 7|a1D|2bicssc
072 7|aPER004000|2bisacsh
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082 04|a791.4094|223
090 |aEK/4173
100 1 |aMazierska, Ewa.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aPolish Popular Music on Screen|h[electronic resource] /|cby Ewa Mazierska.
250 |a1st ed. 2020.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2020.
300 |aXII, 321 p. 23 illus., 18 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |aIntroduction -- Part 1: Musicals -- Chapter 1 - Interwar musicals -- Chapter 2 - Musicals of state socialist period -- Chapter 3 - Postcommunist musicals -- Part 2: Music Documentaries -- Chapter 4 - Documenting the history of Polish popular music -- Chapter 5 - Documenting life and work of popular music stars -- Part 3: Biopics -- Chapter 6 - Cinematic biopics -- Chapter 7 - Television series about popular music stars -- Part 4: Music Videos -- Chapter 8 - ‘Music videos before music videos’ -- Chapter 9 - Music videos of the 1980s -- Chapter 10 - Music videos in postcommunist Poland. .
520 |aThis book examines the interface between Polish popular music and screen media against the background of Polish history, cinema, and popular culture and situates that interface in a local as well as global context. It looks at Polish musicals, biographical films about musicians, documentary films and, finally, music videos. The author draws attention to the immense popularity of musical comedies in Polish interwar cinema, the enduring appeal of musical genres during the period of state socialism, despite their low status in film criticism, and the re-birth of musicals in the 2010s. Mazierska also discusses the most important stars, directors and authors of songs presented in Polish films, and points to the effect of technological changes on inception and transformation of music-centred genres of screen media, including the effect of YouTube on their growth and preservation. The book is informed by the question of how parochial and universal is Polish popular music and its screen representation.
650 0|aMotion picture plays, European.
650 0|aMusic.
650 14|aEuropean Film and TV.
650 24|aMusic.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030427788
776 08|iPrinted edition:|z9783030427801
776 08|iPrinted edition:|z9783030427818
856 40|uhttps://doi.org/10.1007/978-3-030-42779-5
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)