Intermedial Theater [electronic resource] : Performance Philosophy, Transversal Poetics, and the Future of Affect / by Bryan Reynolds.
Erişim Adresi
ISBN
9781137508386
Dil Kodu
İngilizce
Yer Numarası
EK/4526
Yazar
Basım Bildirimi
1st ed. 2017.
Yayın Bilgisi
London : Palgrave Macmillan UK : Imprint: Palgrave Macmillan, 2017.
Fiziksel Niteleme
XVIII, 314 p. 30 illus., 26 illus. in color. online resource.
Dizi
Palgrave Studies in Performance and Technology, 2947-5856
İçindekiler Notu
1. Introduction; Bryan Reynolds -- 2. Noodling the Nodals, Nodal Hamlet: Difference and Repetition, Extreme Performances, Remembering to Forget; Bryan Reynolds -- 3. Aspects of Intermediality: Objective Agency, Wonderment, and Transversal Refractions from the Age of Shakespeare; Bryan Reynolds (with sections by zooz [aka Bryan Reynolds and Sam Kolodezh] and Kristin Keating Fracchia & Bryan Reynolds) -- 4. The Fugitive Theater of Romeo Castellucci and Jan Lauwers after Nietzsche and with Guattari and Deleuze: Intermedial Operations, Animal Interventions, and Fractalactic Occurrences; Adam Bryx & Bryan Reynolds -- 5. Transversal Affectivity and the Lobster: Intimate Advances of Deleuze and Guattari, Rodrigo García and La Carnicería Teatro, Jan Lauwers and Needcompany, and Alice in Wonderland; Bryan Reynolds & Guy Zimmerman -- 6. Fractalicious! (Implosive Affects and Transversal Refractions); Bryan Reynolds -- 7. For the Love of Hamlet’s Headspace: Noodling with Deleuze, Thomas Ostermeier’s Nodals, and Allo-Realism; Sam Kolodezh & Bryan Reynolds -- Appendix 1: Glossary of Transversal Terms -- Appendix 2: Continuous (R)Evolutions: Thermodynamic Processes, Analog Hybridization, Transversal Becomings, and the Posthuman; zooz (James Intriligator & Bryan Reynolds) -- Index.-.
Özet, vb.
This book explores relationships between intermedial theater, consciousness, memory, objects, subjectivity, and affect through productive engagement with the performance aesthetics, socio-cognitive theory, and critical methodology of transversal poetics alongside other leading philosophical approaches to performance. It offers the first sustained analysis of the work of Gilles Deleuze, Félix Guattari, Jean Baudrillard, and Friedrich Nietzsche in relation to the contemporary European theater of Jan Lauwers and Needcompany, Romeo Castellucci and Socìetas Raffaello Sanzio, Thomas Ostermeier, Rodrigo García and La Carnicería Teatro, and the Transversal Theater Company. It connects contemporary uses of objects, simulacra, and technologies in both posthumanist discourse and postdramatic theater to the transhistorically and culturally mediating power of Shakespeare as a means by which to discuss the affective impact of intermedial theater on today’s audiences.
Konu
Theater __ History.
Theater.
Aesthetics.
Poetry.
Contemporary Theatre and Performance.
Global and International Theatre and Performance.
Aesthetics.
Poetry and Poetics.
Theater.
Aesthetics.
Poetry.
Contemporary Theatre and Performance.
Global and International Theatre and Performance.
Aesthetics.
Poetry and Poetics.
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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505 0 |a1. Introduction; Bryan Reynolds -- 2. Noodling the Nodals, Nodal Hamlet: Difference and Repetition, Extreme Performances, Remembering to Forget; Bryan Reynolds -- 3. Aspects of Intermediality: Objective Agency, Wonderment, and Transversal Refractions from the Age of Shakespeare; Bryan Reynolds (with sections by zooz [aka Bryan Reynolds and Sam Kolodezh] and Kristin Keating Fracchia & Bryan Reynolds) -- 4. The Fugitive Theater of Romeo Castellucci and Jan Lauwers after Nietzsche and with Guattari and Deleuze: Intermedial Operations, Animal Interventions, and Fractalactic Occurrences; Adam Bryx & Bryan Reynolds -- 5. Transversal Affectivity and the Lobster: Intimate Advances of Deleuze and Guattari, Rodrigo García and La Carnicería Teatro, Jan Lauwers and Needcompany, and Alice in Wonderland; Bryan Reynolds & Guy Zimmerman -- 6. Fractalicious! (Implosive Affects and Transversal Refractions); Bryan Reynolds -- 7. For the Love of Hamlet’s Headspace: Noodling with Deleuze, Thomas Ostermeier’s Nodals, and Allo-Realism; Sam Kolodezh & Bryan Reynolds -- Appendix 1: Glossary of Transversal Terms -- Appendix 2: Continuous (R)Evolutions: Thermodynamic Processes, Analog Hybridization, Transversal Becomings, and the Posthuman; zooz (James Intriligator & Bryan Reynolds) -- Index.-.
520 |aThis book explores relationships between intermedial theater, consciousness, memory, objects, subjectivity, and affect through productive engagement with the performance aesthetics, socio-cognitive theory, and critical methodology of transversal poetics alongside other leading philosophical approaches to performance. It offers the first sustained analysis of the work of Gilles Deleuze, Félix Guattari, Jean Baudrillard, and Friedrich Nietzsche in relation to the contemporary European theater of Jan Lauwers and Needcompany, Romeo Castellucci and Socìetas Raffaello Sanzio, Thomas Ostermeier, Rodrigo García and La Carnicería Teatro, and the Transversal Theater Company. It connects contemporary uses of objects, simulacra, and technologies in both posthumanist discourse and postdramatic theater to the transhistorically and culturally mediating power of Shakespeare as a means by which to discuss the affective impact of intermedial theater on today’s audiences.
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532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aTheater|xHistory.
650 0|aTheater.
650 0|aAesthetics.
650 0|aPoetry.
650 14|aContemporary Theatre and Performance.
650 24|aGlobal and International Theatre and Performance.
650 24|aAesthetics.
650 24|aPoetry and Poetics.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
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776 08|iPrinted edition:|z9781349701483
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005 20260715032114
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020 |a9781137508386|9978-1-137-50838-6
024 7 |a10.1057/978-1-137-50838-6|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN2181-2193
072 7|aAN|2bicssc
072 7|aPER011000|2bisacsh
072 7|aATD|2thema
082 04|a792.9|223
090 |aEK/4526
100 1 |aReynolds, Bryan.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aIntermedial Theater|h[electronic resource] :|bPerformance Philosophy, Transversal Poetics, and the Future of Affect /|cby Bryan Reynolds.
250 |a1st ed. 2017.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2017.
300 |aXVIII, 314 p. 30 illus., 26 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aPalgrave Studies in Performance and Technology,|x2947-5856
505 0 |a1. Introduction; Bryan Reynolds -- 2. Noodling the Nodals, Nodal Hamlet: Difference and Repetition, Extreme Performances, Remembering to Forget; Bryan Reynolds -- 3. Aspects of Intermediality: Objective Agency, Wonderment, and Transversal Refractions from the Age of Shakespeare; Bryan Reynolds (with sections by zooz [aka Bryan Reynolds and Sam Kolodezh] and Kristin Keating Fracchia & Bryan Reynolds) -- 4. The Fugitive Theater of Romeo Castellucci and Jan Lauwers after Nietzsche and with Guattari and Deleuze: Intermedial Operations, Animal Interventions, and Fractalactic Occurrences; Adam Bryx & Bryan Reynolds -- 5. Transversal Affectivity and the Lobster: Intimate Advances of Deleuze and Guattari, Rodrigo García and La Carnicería Teatro, Jan Lauwers and Needcompany, and Alice in Wonderland; Bryan Reynolds & Guy Zimmerman -- 6. Fractalicious! (Implosive Affects and Transversal Refractions); Bryan Reynolds -- 7. For the Love of Hamlet’s Headspace: Noodling with Deleuze, Thomas Ostermeier’s Nodals, and Allo-Realism; Sam Kolodezh & Bryan Reynolds -- Appendix 1: Glossary of Transversal Terms -- Appendix 2: Continuous (R)Evolutions: Thermodynamic Processes, Analog Hybridization, Transversal Becomings, and the Posthuman; zooz (James Intriligator & Bryan Reynolds) -- Index.-.
520 |aThis book explores relationships between intermedial theater, consciousness, memory, objects, subjectivity, and affect through productive engagement with the performance aesthetics, socio-cognitive theory, and critical methodology of transversal poetics alongside other leading philosophical approaches to performance. It offers the first sustained analysis of the work of Gilles Deleuze, Félix Guattari, Jean Baudrillard, and Friedrich Nietzsche in relation to the contemporary European theater of Jan Lauwers and Needcompany, Romeo Castellucci and Socìetas Raffaello Sanzio, Thomas Ostermeier, Rodrigo García and La Carnicería Teatro, and the Transversal Theater Company. It connects contemporary uses of objects, simulacra, and technologies in both posthumanist discourse and postdramatic theater to the transhistorically and culturally mediating power of Shakespeare as a means by which to discuss the affective impact of intermedial theater on today’s audiences.
532 8 |aAccessibility summary: This PDF was produced prior to the implementation of current accessibility best practices. It supports searchable and selectable text. It may or may not include elements such as described non-text content (images, graphs etc), reflowable text or screen reader compatibility. Users with accessibility needs may experience limitations. Please contact us at accessibilitysupport@springernature.com if you require assistance or an alternative format.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aTheater|xHistory.
650 0|aTheater.
650 0|aAesthetics.
650 0|aPoetry.
650 14|aContemporary Theatre and Performance.
650 24|aGlobal and International Theatre and Performance.
650 24|aAesthetics.
650 24|aPoetry and Poetics.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137508379
776 08|iPrinted edition:|z9781349701483
776 08|iPrinted edition:|z9781349701476
830 0|aPalgrave Studies in Performance and Technology,|x2947-5856
856 40|uhttps://doi.org/10.1057/978-1-137-50838-6
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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