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020 |a9783030400866|9978-3-030-40086-6
024 7 |a10.1007/978-3-030-40086-6|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aGN575-585
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072 7|a1D|2bicssc
072 7|aSOC008060|2bisacsh
072 7|aJBCC|x1D|2thema
082 04|a306.094|223
090 |aEK/4444
100 1 |aKnapp, Marcela.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aCultural Controversies in the West German Public Sphere|h[electronic resource] :|bAesthetic Fiction and the Creation of Social Identities /|cby Marcela Knapp.
250 |a1st ed. 2020.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2020.
300 |aXI, 331 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. Introduction -- 2. Theoretical Considerations -- 3. Confirming a Secular World Order: Ingmar Bergman's The Silence -- 4. A Moving World: George Orwell's Nineteen Eighty-Four -- 5. The Creation Of the Social: Rolf Hochhuth's The Deputy -- 6. The Social Visibility of Corporeality: The Rebel Youth Films in the Fifties -- 7. Fiction Between Representation and Quotation: Rainer Werner Fassbinder's Garbage, the City and Death -- 8. Conclusions.
520 |aThis book develops a theory of aesthetic fiction’s impact on social identities. Throughout five case studies, the author develops the argument that social identities are nurtured by and may even emerge through the conflict between different aesthetic expressions. As it creates affective structures, narrative fiction enables the development and formation of political and cultural identities. This work is part of a field of research that deals with the aesthetics of the everyday and the idea of social aesthetics. It argues for a central role for the arts in the creation and formation of modern society. Social identities emerge in response to aesthetic-sensual patterns of perception. Focusing on five West German public debates in the years 1950 to 1990, this work sheds light upon the transformation of social reality through the discursive adaption of art. Dr. Marcela Knapp is a cultural sociologist. She lives and works in Berlin.
650 0|aEthnology|xEurope.
650 0|aCulture.
650 0|aCulture|xStudy and teaching.
650 0|aEurope, Central|xHistory.
650 0|aEuropean literature.
650 0|aEurope|xPolitics and government.
650 14|aEuropean Culture.
650 24|aCultural Theory.
650 24|aHistory of Germany and Central Europe.
650 24|aEuropean Literature.
650 24|aEuropean Politics.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030400859
776 08|iPrinted edition:|z9783030400873
776 08|iPrinted edition:|z9783030400880
856 40|uhttps://doi.org/10.1007/978-3-030-40086-6
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)