LEADER 03554nam a22005175i 4500
001 841149
003 TR_AnAIT
005 20260715031702
007 cr nn 008mamaa
008 200725s2020 sz | s |||| 0|eng d
020 |a9783030426781|9978-3-030-42678-1
024 7 |a10.1007/978-3-030-42678-1|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1993.5.U6
072 7|aAP|2bicssc
072 7|a1K|2bicssc
072 7|aPER004000|2bisacsh
072 7|aAT|x1K|2thema
082 04|a791.40973|223
090 |aEK/4498
100 1 |aCobb, Thomas J.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aAmerican Cinema and Cultural Diplomacy|h[electronic resource] :|bThe Fragmented Kaleidoscope /|cby Thomas J. Cobb.
250 |a1st ed. 2020.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2020.
300 |aXI, 264 p. 3 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |aIntroduction -- Chapter 1: Rehabilitations of idealism - action, satire and the late 1990s -- Chapter 2: Unanticipated synergy - lost innocence in early 2000s war cinema -- Chapter 3: ‘The thaw’ - the 2004 election and questions of cultural diplomacy -- Chapter 4: Imperial overstretch and the nihilistic frontier - Western political allegory in the late 2000s -- Chapter 5: Apex of allegory - Blockbuster responses to the end of the Bush era -- Chapter 6 (concluding chapter): Forever fragmented - Obama to Trump and the new identitarianism of IR dichotomies.
520 |aThis book contends that Hollywood films help illuminate the incongruities of various periods in American diplomacy. From the war film Bataan to the Revisionist Western The Wild Bunch, cinema has long reflected US foreign policy’s divisiveness both directly and allegorically. Beginning with the 1990s presidential drama The American President and concluding with Joker’s allegorical treatment of the Trump era, this book posits that the paradigms for political reflection are shifting in American film, from explicit subtexts surrounding US statecraft to covert representations of diplomatic disarray. It further argues that the International Relations theorist Walter Mead’s concept of a US polity dominated by contesting beliefs, or a ‘kaleidoscope’, permeates these changing paradigms. This synergy reveals a cultural milieu where foreign policy fissures are increasingly encoded by cinematic representation. The interdisciplinarity of this focus renders this book pertinent reading for scholars and students of American Studies, Film Studies and International Relations, along with those generally interested in Hollywood filmmakers and foreign policy.
650 0|aMotion pictures, American.
650 0|aEthnology|xAmerica.
650 0|aCulture.
650 0|aAmerica|xPolitics and government.
650 14|aAmerican Film and TV.
650 24|aAmerican Culture.
650 24|aAmerican Politics.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030426774
776 08|iPrinted edition:|z9783030426798
776 08|iPrinted edition:|z9783030426804
856 40|uhttps://doi.org/10.1007/978-3-030-42678-1
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)