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008 201008s2020 sz | s |||| 0|eng d
020 |a9783030360672|9978-3-030-36067-2
024 7 |a10.1007/978-3-030-36067-2|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN441-1009.5
072 7|aDS|2bicssc
072 7|aLIT000000|2bisacsh
072 7|aDS|2thema
082 04|a809|223
090 |aEK/4299
245 10|aArchitectural Space and the Imagination|h[electronic resource] :|bHouses in Literature and Art from Classical to Contemporary /|cedited by Jane Griffiths, Adam Hanna.
250 |a1st ed. 2020.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2020.
300 |aXVI, 234 p. 20 illus., 16 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |aChapter 1. Introduction -- Part I. Foundations -- Chapter 2. Bifurcated Thought: Reflections on Inventive Thinking -- Chapter 3. Murmuring Houses for the Mythical Mind -- Chapter 4. The House of the Senses: Experiencing Buildings with Peter Zumthor and Pliny the Younger -- Part II. Reading Literary Architectures -- Chapter 5. Behold the House of the Lord: Encountering Architecture in the Codex Amiatinus -- Chapter 6. Placing the Dead: Architectural Imagination and Posthumous Identity in Medieval France -- Chapter 7. Domestic Devotion: Representing Household Space in Late Medieval Religious Writing -- Chapter 8. ‘Drawd Too Architectooralooral’: Charles Dickens, the Bildungsroman and the Spatial Imagination -- Chapter 9. Spaces of the A-Temporal: Italo Calvino`s Invisible Cities and the Early Modern -- Part III. Architectures of the Literary Imagination -- Chapter 10. ‘His Midas Touch’: building and writing in the poetry of Edmund Spenser and Seamus Heaney -- Chapter 11. Yeats’s Stanzas, Yeats’s Rooms -- Chapter 12. ‘Nature’s Cabinet Unlock’d’: The Cognitive Cabinet of Margaret Cavendish’s Poems and Fancies -- Chapter 13. Elizabeth Bishop’s House in the Mind: Memory, Imagination, and Interior Space in ‘The End of March’ -- Chapter 14. ‘The Mind in the House’ or the ‘House in the Mind’: Poetic Composition and Reclaimed Memory.
520 |aThis book sheds light on the intimate relationship between built space and the mind, exploring the ways in which architecture inhabits and shapes both the memory and the imagination. Examining the role of the house, a recurrent, even haunting, image in art and literature from classical times to the present day, it includes new work by both leading scholars and early career academics, providing fresh insights into the spiritual, social, and imaginative significances of built space. Further, it reveals how engagement with both real and imagined architectural structures has long been a way of understanding the intangible workings of the mind itself.
650 0|aLiterature|xHistory and criticism.
650 0|aLiterature, Modern|x20th century.
650 0|aLiterature, Modern|x21st century.
650 0|aClassical literature.
650 0|aLiterature, Ancient.
650 0|aArchitecture.
650 14|aLiterary History.
650 24|aContemporary Literature.
650 24|aClassical and Antique Literature.
650 24|aArchitecture.
700 1 |aGriffiths, Jane.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aHanna, Adam.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783030360665
776 08|iPrinted edition:|z9783030360689
776 08|iPrinted edition:|z9783030360696
856 40|uhttps://doi.org/10.1007/978-3-030-36067-2
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)